Showing posts with label Historical Romance. Show all posts
Showing posts with label Historical Romance. Show all posts

January 1, 2024

HTP Romance Blog Tour Promo Post: An Inconvenient Earl by Julia London

at 1/01/2024 05:07:00 PM 0 comments

It’s been over a year since Emma Clark’s no-good husband left on an expedition. The Countess of Dearborn has played the abandoned wife, but people are beginning to presume the earl is dead, which doesn't suit Emma at all. Emma likes being head of household in Albert’s absence and does her best to keep his family believing he is alive and well. She’s thirty years old and finally having some fun. If the earl is in fact dead, his family is waiting in the wings to swoop in and throw Emma out, leaving her destitute.

Then along comes Luka Olivien, the Weslorian Earl of Marlaine. He’s traveled all the way from Egypt, duty-bound to return to the countess her deceased husband’s precious pocket watch—only to discover she doesn’t know he’s dead… Or does she? It’s hard to tell. Luka catches glimpses of the desperate vulnerability beneath the party girl exterior and can’t help being drawn into the beguiling countess’s ruse.

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CHAPTER ONE

Butterhill HallEngland, 1871

Emma Clark was thinking of taking a lover. She had an itch that could not be scratched, one that was causing her to look at men—all men, whether short or tall, lean or round, old or young—with lust.

A sinful, and probably unpardonable, but undeniable fact.

After surveying the nearest candidates, she settled on Mr. John Karlsson, the new stablemaster at Butterhill Hall. He looked to be somewhere in the vicinity of her thirty-two years, had flaxen blond hair, arms as big around as her thighs, and an easy smile that sparkled in his blue eyes.

She’d made a habit of going down to the stables to watch him exercise the horses. She would call out to him. “That mount is full of vinegar today.” He’d laugh. “Toby would run straight to the sea if I let him.” Or she would note the excellent grooming of the horses’ coats. “They’re so shiny,” she would say approvingly, and he’d say proudly, “Aye, ma’am, I’ve a new lad in the stables.”

Sometimes, when one of the stable hands was putting a horse through its paces around the paddock, Mr. Karlsson would stand with his back to the fence, his elbows propped on the railing as he watched. He would remove his hat and drag his fingers through his hair. He smelled of horse and sunshine and salt.

On the opposite side of the fence, Emma liked to step onto the bottom rail and lean over the top one beside him. She’d attempt to make small talk. She’d run through various scenarios in her mind, different ways she might ask him if he would like a lover. She dismissed most of them as impractical or cringe-inducing. Propositioning a man didn’t come naturally to her, and she continued to be bewildered by what might be considered offensive versus what might be considered enticing. She’d even thought about consulting her very married sister, but she imagined Fanny would be appalled and spend an entire afternoon lecturing her why she could never ever do such a thing.

Then Emma decided that it ought to be his idea and mulled over ways to lead him to it.

After days of chatting about horses, she’d decided it would never come to fruition if she didn’t take the reins. Ironically. She came up with a scheme that seemed the least egregious of all she’d imagined—she would ask him to saddle a horse for her. She was not the best rider, but she was competent enough, and she thought she could manage to dislodge herself from the horse and fall—Lord knew she’d done it before—but in a manner that would necessitate her rescue.

She just hoped it didn’t hurt. Or that she didn’t break an arm or leg. Worse yet, her head.

On the day she was set to carry out her plan, she made her way to the stables. But Mr. Karlsson was in the company of a young girl, perhaps seven or eight years old. She had the same flaxen hair as he, the same lean build. Emma watched as he picked the girl up and swung her around so that her braids flew out like wind streamers. That laughing girl was the spitting image of him. Which meant, with a high degree of probability, that he was married.

Alas, so was Emma.

Ah, well. She changed course and walked away, leaving behind her dashed hopes of taking him as her lover.

Granted, there had been other obstacles besides marriage that she’d not yet established how to overcome. For example, the cumbersome business of her being the Countess of Dearborn, and thus, Mr. Karlsson’s employer. Ethics and morals were probably involved in a way she preferred not to think about.

She trudged on in disappointment. What was a woman of her age to do when her estranged husband was in Africa or some other far-flung place for months on end with no sign of ever returning? Not that she wanted that intolerable human being to return. But that didn’t mean she’d given up personal desires.

Emma hadn’t always thought Albert intolerable. Years ago, when he was wooing her, he’d been the perfect gentleman. He and his mother would come for supper, and he’d charm her and her family by reading a sonnet after the meal or singing along with Fanny to some tune. He escorted her to church and back and picked wildflowers for her along the way, which he would insert into her bonnet or her hair. He would call on her and Fanny with his friends and they’d play cards and laugh.

It had all been cordial and exciting and precisely the sort of thing Emma’s mother had promised her love would be.

Her parents were thrilled when Albert Clark, the Earl of Dearborn, asked for her hand in marriage and had happily trundled her off to holy matrimony unto death with a modest savings in the event she ever needed money of her own. Emma had been so sure of her and Albert’s mutual affection that she believed she would never need it. The sum had been tucked away, quietly collecting a small interest.

She’d expected marital bliss with Albert. She imagined evenings spent with him reading sonnets as she quietly did her needlework. She imagined they would entertain on occasion but would catch each other’s eye across a crowded room and realize they preferred their own company to anyone else’s. She imagined they would take long walks around the lake and travel to London and spend long winter nights tucked away in bed, making love.

The problem with expectations, she discovered, was that they rarely lived up to reality.

Curiously, from the start, Albert had seemed indifferent to their intimate relations. Which was precisely the opposite of what Fanny had said she might expect. Fanny said she’d spent the first few months of her marriage fending off her husband several times a day. Not Emma. At times, Albert had seemed downright annoyed with the prospect of it. And when he did perform his marital duty, he was not a man to take his time—he wanted it done as quickly as possible. Emma had tried everything she knew to make it more pleasant for him, which, in truth, was not a lot. And when she attempted to make things better, or more pleasurable, he said she made them worse.

And yet, Albert was obsessed with producing his obligatory heir. Unfortunately, human biology required that he have a working appendage, and increasingly, he did not. Every time he failed, he grew angry and verbally abusive. Every month that Emma didn’t conceive, he blamed her. Every month they tried again, but the coupling was rougher and devoid of affection. She’d begun to feel like a cheap vessel, misused and unappreciated.

He soon began to blame her for everything inside and outside of the marital bed. He belittled her and dressed her down in front of family and friends. Everything she said was open to ridicule. He avoided her presence and told others he found her company unendurable.

Emma sincerely believed she’d tried as hard as one might, but she came to loathe her husband. On the day he announced he was going on expedition to Africa, she could not have been happier. He said he needed to go and “clear his head” and didn’t know how long he’d be gone.

Emma secretly rejoiced and imagined being widowed in the event he was gored by a rhinoceros. His family, on the other hand, was distraught. What of the estate? Who would manage his wife? How could he leave them there alone with her?

His older sister Adele was a spinster who looked after his fourteen-year-old brother, Andrew. The boy needed Albert, Adele said. And really, wasn’t it Albert’s duty to remain in England until he’d sired his heir? “Your wife has passed her thirtieth year, Albert,” she’d said. “You haven’t long before she’s no longer any use to you.”

“She’s no use to me now,” he’d said sharply.

“I’m sitting right here,” Emma had reminded the siblings. “You do know that I am a person and not just a womb, don’t you?”

She’d received a tongue-lashing for mentioning her supposedly barren womb.

In the end, Albert turned a deaf ear to the pleas of his sister and prepared to leave. Emma was secretly giddy with happiness. She said she hoped the wind would always be at his back and privately hoped the winds would blow him all the way to China and he’d never return.

And indeed, it had been a beautiful ten months since Albert had left. Emma had begun to feel herself again, free to be who she was without fear of disparagement. She didn’t miss him in the slightest or wish for his return. What she wanted was love—physical, emotional, consuming love—and she would never have that from him.

She was beginning to fear love would not be hers to have. She was biding her time, waiting for her husband, wandering through her life, playing the role of countess and, in her husband’s absence, estate manager. She dined alone, slept alone, spent nights before the hearth alone. And while that was infinitely more desirable than spending that time with Albert, it did make for loneliness.

She reached the hall in something of a mood and tossed her hat carelessly onto a console as she walked into the foyer. Feeney, the butler, appeared from another corridor to take her hat. “You’ve a caller, my lady,” he said. “Mr. Victor Duffy.”

She so rarely had callers. “Who is that?”

“He did not say. He said he has news for you.”

News for her? How odd. It probably had something to do with the town house in London. A tax or something like it. “Thank you, Feeney. Whatever it is, I’ll dispose of it quickly and send him on his way so do stay close by.”

“Very good,” Feeney said.

The man standing in the receiving room was wearing a coat that had faded, the sleeves and hem frayed. His collar appeared to have a ring of dirt around his neck. His waistcoat strained across his paunch, and he’d combed his thinning hair over as much of his head as he could. He coughed as she entered, obviously trying to swallow it down, but as coughs were wont to do, it escaped him. “Lady Dearborn,” he said, and coughed again.

Emma unthinkingly took a step back. “Good day, sir. How may I be of help?”

He suffered a fit of coughing and removed a crumpled handkerchief from his pocket and dabbed at his mouth. “I do beg your pardon. I am perfectly well, but I think I’ve gotten a bit of the road in my throat.” He dabbed at his forehead, which, Emma noticed, had broken out with perspiration. “I’ve have come from Egypt.” He coughed again. “With news of your husband,” he rasped.

“Albert?” Just her luck. “And how does he fare?”

Mr. Duffy reached into the interior of his coat and withdrew an envelope and held it out to her. From where she stood, she could see her husband’s distinctive handwriting. She didn’t move to take it straightaway. “That’s from Albert?”

He nodded.

“You’ve come from Egypt to deliver it?”

He nodded again.

Emma sighed. “He might have posted it and saved you the trouble, Mr. Duffy.” She gingerly took the letter from him.

Mr. Duffy suffered another short fit of coughing. “Unfortunately, madam, I am the bearer of distressing news. You may want to sit.”

Well, now he had her attention. What could be more distressing than the news Albert was coming home? “I’m sturdier than I look. What news?”

He coughed again. He was starting to look a little gray.

“Would you like some water, Mr. Duffy?”

“No, no. Please don’t trouble yourself. I do beg your pardon. As I was saying, it is my solemn and distressing duty to inform you that your husband has…died.”

Emma froze. She was certain she’d misheard him. “Died?”

“Died. Yellow fever.”

She was stunned. So stunned that she didn’t believe him. “What?” Could it possibly be true? Could Albert really be dead? “Are you certain?”

“Quite.” He reached into his pocket again and withdrew a small leather pouch. He opened it and out dropped Albert’s signet ring. “He was buried immediately, as is the custom there.”

“Buried?” She was gaping at this man, her mind racing. Albert was dead? Her belly began to churn with confusion and sorrow and joy all at once. “Have you been to his sister?”

“No, ma’am. I have come to you first.” He tried to stifle another cough.

“Oh my,” she said, and turned away from him, her mind struggling to comprehend.

Mr. Duffy coughed and said hoarsely, “Shall I ring for your butler? Someone to help you?”

“No, no. I… I will manage.” She pressed a hand to her forehead. Would she manage? She stared at the wall, thinking. What did this mean? How would they memorialize him? What would happen to her? Had he left a will? How ridiculous of her to never have asked.

A sudden and tremendous thud startled her, and she whipped around. Mr. Duffy was lying face down on the rug. “Mr. Duffy!” she cried and rushed to his aid. It took all her strength to roll him onto his back. His eyes were bulging, and his face was turning a shade of blue. Emma shoved the letter into her pocket and ran to the door, shrieking for Feeney.

The butler came running. Then came two footmen. One of the footmen fought with the knot of Mr. Duffy’s neck cloth to release it, but it was no use. Mr. Duffy was dead.

They carried the man to a bedroom and laid him out there until they could determine what to do with him.

In the chaos and days that followed that untimely death, no one asked why Mr. Duffy had come to call. Emma was grateful for it, because it gave her a chance to breathe, and when she did, she realized that had Mr. Duffy made it to Adele’s house, or had he gone there before he’d come to Emma, Albert’s little brother would be the earl now.

And she’d be…what? Out on her arse, that’s what, with nothing but her savings to lean on. She had no illusions about Adele’s regard for her or what she’d force Andrew to do.

And then it occurred to her: she was the only person who knew Albert was dead. No remains of her husband were going to suddenly appear, and apparently, his sole personal effect was in that leather pouch.

If everyone assumed Albert was alive, Emma could carry on as she had for the past ten months, living life on her own terms.

The letter Mr. Duffy had delivered had been one Albert had written presumably before he’d taken ill. He curtly informed her he’d be home by Christmas.

Emma tucked the signet ring where no one could find it. She burned Albert’s letter in the fire in her room. She said nothing to no one. Not even Carlotta, her lady’s maid and friend.

Emma was very good at keeping secrets.


Excerpted from An Inconvenient Earl by Julia London. Copyright © 2023 by Dinah Dinwiddie. Published by arrangement with Harlequin Books S.A.




About the Author


Photo Credit: Kathy Wittaker

Julia London is a New York Times and USA Today bestselling author of over sixty novels of historical and contemporary romance. She is the author of the popular Highland Grooms series as well as A Royal Wedding, her most recent series. Julia is the recipient of the RT Bookclub Award for Best Historical Romance and a six-time finalist for the prestigious RITA award for excellence in romantic fiction. She lives in Austin, Texas. Visit her at www.julialondon.com.


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July 5, 2023

HTP Spring Reads Blog Tour (Romance Edition) Promo Post: A Rogue at Stonecliffe by Candace Camp

at 7/05/2023 11:07:00 AM 0 comments


New York Times bestselling author Candace Camp invites you back to Stonecliffe for a second adventure! Action and romance ensue on this adventurous trip through the beautiful English countryside.

When the love of her life left without any explanation, Annabeth Winfield moved on despairingly, knowing she'd never have a love as thrilling as her first ever again. Sloane Rutherford was roguish and daring, but as Annabeth grew up, she realized that their reckless romance was just a passing adventure, never meant for stability. Twelve years later, Annabeth is engaged to someone new, ready to start her life with a dependable man.

That's when Sloane returns. And he brings with him a serious warning: Annabeth is in trouble.

After spending the last dozen years working as a spy, Sloane thought he'd left espionage behind him. But now a dangerous blackmailer is after Annabeth. Sloane offers to hide his former lover at Stonecliffe, the Rutherford estate, but stubborn Annabeth demands to be part of the investigation. As the two embark on a dangerous and exciting journey, memories of their past romance resurface. Sloane and Annabeth aren't the wide-eyed children they used to be, but knowing they're wrong for each other makes a nostalgic affair seem very right...


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CHAPTER ONE

1822

Sloane Rutherford was not a man who hesitated. He made his decisions, for good or ill, and he lived with them. But today he sat slouched at the breakfast table, food untouched, turning a note round and round in his hand, unable to make up his mind. Should he go to the wedding or not?

Actually there was no question whether he should do it; clearly he should not. The question was whether he would. The event itself didn’t figure into his thoughts. While he was surprised and faintly pleased by the fact that Noelle had invited him, he held most of his own family in disregard…and they looked on him with even less liking. Estranged wasn’t the word for his relationship with the Rutherfords. Shunned would be more like it.

So, no, he had no interest in the wedding itself, no reason to go, and normally he would have tossed the invitation in the ash can. But what drew him almost painfully to attend was precisely the thing that set up an equal ache of reluctance inside his chest: she would be there.

“Annabeth?” Marcus said from the doorway.

Sloane glanced up, startled, and scowled at his father.

“So you’re reading minds now? One would think you would have done better at the card tables.”

“Yes, wouldn’t one?” Marcus replied amicably, and strolled across the room. “Sadly, it didn’t seem to work that way. And your problem didn’t take much intuition. It’s written all over your face.”

Marcus settled into a chair across from Sloane. Clad in his dressing gown and soft slippers, Marcus looked every inch the indolent aristocrat that he was—his luxurious white mane of hair combed back stylishly, his jaw smooth from his valet’s shaving, and his dressing gown made of the richest brocade and cut to fit perfectly. Even if he looked somewhat more worn than his age from years of reckless living, he was still a handsome man.

Sloane wondered if his father might catch the eye of some wealthy widow who would take the man off his hands…but no, Marcus was equally banned from the ton—more because of Sloane’s history than his own numerous vices.

“What are you doing up so early?” Sloane asked, ignoring Marcus’s comments. “You usually don’t stir from your room until ten or eleven.”

“Unfortunately the only appointment Harriman had available was at the ungodly time of nine. It’s quite difficult to get in to see him on such short notice.”

“Ah, your tailor. That would be enough to pull you out of bed.” Sloane’s mouth quirked up. Marcus was still a peacock at his age. No doubt the bill the tailor sent Sloane would be enormous, but Sloane didn’t mind. He’d far rather spend his money on his father’s fashion than on some of Marcus’s other habits.

“But I won’t complain. I was lucky he was able to make room to see me.”

“I expect he’s grateful that I pay your bills on time, unlike most of his aristocratic clients,” Sloane said dryly.

“And I’ll have the entire afternoon to enjoy the prospect of the wedding,” Marcus went on.

“A wedding?” Sloane asked skeptically. “You look forward to weddings?”

“Not everyone is as much of a hermit as you are. Some of us find social occasions agreeable.”

“I’m not a hermit.”

“Mmm, yes. No doubt that’s why you spend so much time alone, brooding. Cornwall suits you perfectly.” Marcus picked up the cup of tea the footman had just set before him and took a sip, his blue eyes twinkling with amusement. “But this wedding, I must admit, offers rather more entertainment than the usual one.”

Sloane made no response. The last topic he wanted to discuss was this wedding.

But his father needed no reply. He went on, “For one thing, there is Noelle, the lovely bride herself, and the potential of gossip over her scandalous past.”

“I can’t see how running from Thorne is any scandal,” Sloane interjected. “Anyone with sense would do so. I find it far stranger that she stopped.”

Marcus chuckled. “Yes, he is a dull one, isn’t he? But I suspect Noelle livens him up. Still, the wedding offers more excitement than that. Lady Lockwood can always be counted on to cause some sort of contretemps…though hopefully she will not bring her dog. Of course Lord Edgerton will be there. I believe he annoys her ladyship even more than her first son-in-law—who knows what barbs she will cast his way?” He paused, then added, “And just imagine the stir if you show up.”

Sloane grunted and slid back from the table, standing. “Which is precisely why I am not going to the wedding.”

“Of course not. That’s why you haven’t tossed out that invitation. Why you were sitting there mooning over it when I came in.”

“I wasn’t mooning over anything. I was just…” He trailed off his sentence with a grimace.

“You were just contemplating whether facing down your relatives outweighed the prospect of seeing Annabeth Winfield.”

“I don’t give a tinker’s damn about facing my relatives.”

“Ah…then it’s whether seeing Annabeth is worth the pain.”

“Don’t be absurd.” Sloane’s voice held little conviction, and he turned away, walking over to the window. He crossed his arms and gazed out at the street below. A moment passed, and he said in a quiet voice, “It would be foolish to see her.”

“No doubt.” Marcus let out a sigh. “The foolish things are always the ones you most desire.”

“I’ve done well enough not seeing her for eleven years.” Being out of the country most of that time had helped. But even since he returned to England, Sloane had avoided Annabeth—well, maybe there was that one time when he first returned and he’d stood outside Lady Lockwood’s house in the dark to get a glimpse of Annabeth coming down the front steps and getting into a carriage. With Nathan. Sloane’s lips tightened at the thought.

It had come as something of a shock to see her at Stonecliffe two months ago. He had not realized that she and Lady Lockwood were visiting or he wouldn’t have gone there.

But as he had stood in the entryway with Noelle and the others, a door had opened down the hall, and there she had been: her soft brown hair in a little disarray, her face faintly flushed from activity, carrying a basket full of flowers. And in the moment, he couldn’t speak, couldn’t move, could only stare. She was as lovely as ever. And he was as dumbstruck as ever.

He’d turned and left like someone had shot at him. He wasn’t sure whether he even tossed a goodbye to Noelle and Carlisle. And bloody Nathan—of course he’d been there. That moment had disrupted Sloane’s carefully nurtured indifference, and even after his heart stopped beating like a madman’s and he’d reminded himself that he’d gotten over her years ago, he had not been able to keep his mind from going back to Annabeth time after time. Like a tongue returning to a bad tooth.

Behind him his father said, “Why do you continue like this? Why don’t you go to see her, tell her how you feel?”

Sloane snorted. “I’d have to fight my way through the butler and probably Lady Lockwood, too, to talk to her.”

“I’ve never known you to avoid a fight.”

“Maybe not. But I can’t fight Annabeth. And she’s the one who hates me.”

“How do you know that?” Marcus persisted. “She’s never married in all this time. She has no money, of course, but a sweet, pretty girl like that? She’s bound to have had plenty of offers.”

“No doubt.” Sloane’s jaw tightened. “But that doesn’t mean she’s been pining after me. I broke her heart. I knew I was breaking her heart. And the fact that I broke mine as well wouldn’t have made her feel any better or despise me any less.”

“Why don’t you tell her the truth?” His father’s voice turned sharp, his usual affability gone. “Explain what you did. Why you did it. Tell her that bastard Asquith blackmailed you into it.”

Sloane whirled, his eyes flashing. “I can’t tell her that. The truth would cause her just as much pain now as it would have then. I knew when I did it that I was sacrificing her love for a lifetime. I just thought my lifetime wouldn’t last very long.”

Letting out a disgusted noise, Sloane started out of the room. Before he’d taken two steps, there was a furious pounding at the front door. Frowning, he turned toward it. The pounding continued, along with someone shouting his name. Sloane reached the entry hall just as the footman opened the door and began an indignant dressing-down of the boy before him.

But the boy on the doorstep paid no attention and shoved his way past the footman, calling again. “Mr. Rutherford!”

“Timmy.” Sloane strode toward the door, alarm rising in him. “What is it? What the devil are—”

“It’s the docks, sir. Mr. Haskell sent me. You’ve got to come quick. The new warehouse is on fire.”


Excerpted from A Rogue at Stonecliffe by Candance Camp. Copyright © 2023 by Candace Camp and Anastasia Camp Hopcus. Published by arrangement with Harlequin Books S.A.

About the Author

Photo Credit: Anastasia Hopcus

Candace Camp is a New York Times bestselling author of over sixty novels of contemporary and historical romance. She grew up in Texas in a newspaper family, which explains her love of writing, but she earned a law degree and practiced law before making the decision to write full-time. She has received several writing awards, including the RT Book Reviews Lifetime Achievement Award for Western Romances. Visit her at www.candace-camp.com.


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February 28, 2023

Blog Tour Promo Post: Marvelous by Molly Greeley

at 2/28/2023 03:00:00 AM 0 comments


1547: Pedro Gonzales, a young boy living on the island of Tenerife, understands that he is different from the other children in his village. He is mercilessly ridiculed for the hair covering his body from head to toe. When he is kidnapped off the beach near his home, he finds himself delivered by a slave broker into the dangerous and glamorous world of France’s royal court. There “Monsieur Sauvage,” as he is known, learns French, literature, and sword fighting, becoming an attendant to the French King Henri II and a particular favorite of his queen, the formidable Catherine de’ Medici. Queen Catherine considers herself a collector of unusual people and is fascinated by Pedro… and determined to find him a bride.

Catherine Raffelin is a beautiful seventeen-year-old girl whose merchant father has fallen on hard times and offers up his daughter to Queen Catherine. The queen will pay his debts, and his daughter will marry Monsieur Sauvage.

Catherine meets Pedro for the first time on their wedding day. Barely recovered from the shock of her father’s betrayal, she soon finds herself christened “Madame Sauvage” by the royal courtiers, and must learn to navigate this strange new world, and the unusual man who is now her husband.

A mesmerizing novel set in the French royal court of Catherine de’ Medici during the Renaissance, which recreates the touching and surprising true story behind the Beauty and the Beast legend, from the acclaimed author of The Clergyman’s Wife and The Heiress. Gorgeously written, heartbreaking and hopeful, Marvelous is the portrait of a marriage, the story of a remarkable, resilient family, and an unforgettable reimagining of one of the world’s most beloved fairy tales.


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Excerpted from the book MARVELOUS by Molly Greeley. Copyright © 2023 by Molly Greeley. From William Morrow, an imprint of HarperCollins Publishers. Reprinted by permission.


MARVELOUS
CAPODIMONTE, ITALY
1618


Catherine



It happens in the trembling time between night and day, long after the passing of midnight but well before the cock wakes to crow. The waiting hours. The witching hours. A fitting time for a man long assumed to be born of witchcraft to die.

Many years ago, Catherine spent these same hours with her newborn babes, all four of whom wakened without fail at the same gray and blurry time of morning-night, mouths opening and throats keening for the breast; and then, when their hunger was sated, their eyes opening too, looking around at the darkness. Though she is past sixty now, Catherine’s arms still remember the weight of each infant; the center of her back, the ache of rocking. Her ears and throat hold the memory of cradle songs passed down to her by her mother, which devolved into broken, tuneless humming as the hours passed, and still her children stayed awake and watchful, as if to keep their mother safe from monsters in the night. That frayed-string feeling of waiting for the sun to paint the horizon all the colors of peaches, when at last they consented to sleep again and she, too, could finally rest.

She does not want to rest now. She woke after a short sleep, as she has so often before, with a fragment of a dream ready on her lips, a fragment that unthreaded itself and slithered away when she saw how he exhaled, eyes closed, through his open mouth, and heard the great pauses between one breath and the next. And then she could not sleep at all, waiting with him through the hours for his final exhalation.

Her mind skims now from those early days of motherhood—days that lasted for years and years, when she sometimes hated the man beside her for the completeness of his sleep, his deep insensibility to the world while he dreamed—it skims from there to the early days of love, when they lay together and fought sleep just for joy of one another’s wakeful presence, and for irrational fear of the parting sleep would bring. Now it is only she who struggles to stay awake, though her body subtly shakes with weariness and her eyelids draw down and down, like those of a corpse being gently closed by loving fingers.

A little earlier, she pushed open the window curtains, and in the light of the moon Petrus lies stiller than he ever did in sleep, and ageless, the silver of moonbeams brightening the silver of all his hair. Catherine lies upon her side facing him, facing his stillness. Holds herself nearly as still.

Soon enough will come peach-tinted morning, and the necessity of announcing his leaving to their children and grandchildren. Madeleine and Henri, asleep now in their own homes, will wake and come to see their father, only to find instead the sealike sadness of his loss; and it will be Catherine who must comfort them. Then the washing of his body, and the wrapping. She will tuck bay leaves and rosemary sprigs between his body and his shroud to keep back the creeping scent of decay.

She is strangely aware of her fingers now, at their fleshy tips, a restless sensation. Instinctively, she reaches for Petrus to alleviate it, puts her hand over his where it rests at his side. Moves her whole hand lightly up and down the length of his, that she might feel the familiar whisper against her palm of the fine hairs that cover the backs of his hands and creep up the tops of his fingers. His nails have grown long and ragged, and guilt stuffs her throat with sand. She must trim them before anyone else sees.

MADELEINE IS PREDICTABLY WET in her grief when she arrives to find her parents hand-clasped, her father’s fingers growing stiff. With a wail she clutches at Catherine’s legs like the child she has not been for decades, and Catherine pulls herself from the muck of the sleep that must have closed over her despite her best efforts. She sits, releasing Petrus’s hand without thinking, gathers her daughter into her arms and onto her lap, where Madeleine’s full-grown weight is both burden and delight. Catherine presses their cheeks together, furrowed flesh to long soft hair, and lets her daughter cry.

But after a moment, she turns her head to look back at Petrus. Her own grief rushes up very suddenly from her chest, catching in the slender opening of her throat, and she makes a terrible strangled sound, and would reach for him again, would apologize for letting him go at all; but no—there is no need. For she can see, in the bright of morning: he is more obviously gone than he was while they lay together in the in-between.


THE REST OF THE day is predictable, and predictably exhausting. Catherine prepares Petrus’s body with help from Madeleine, along with Girolama, her son Henri’s wife. Girolama is silent in the face of the weeping of her sister by marriage, Madeleine’s facial hair flattening against her cheeks as if she has been standing in a pour of rain.

Catherine clips her husband’s fingernails and toenails, washes and combs his body, listens to her daughter’s mournful wails, and feels detached from all of it, her earlier grief stuffed back down deep among her dark insides. Never before, in all the times she prepared someone she loved at death, has she felt so far away from her task, her hands working entirely on their own. She thinks of Maman, over whose body she wept as helplessly as Madeleine weeps now for her father. Of Ercole, whom she cradled in his shroud, swaying and singing to him as she had every night of his brief life, raising her voice in spikes of fury to drown the voices of anyone who tried to take him from her. Of Henri and Girolama’s dear Giacomo, dead before his second birthday, how terrible, how unnatural, it seemed to stitch his shroud closed over his round-faced sweetness. The feet, which carried him running before he was twelve months old, stilled; the voice, which was so joyfully raucous, silenced.

Every single time, a knife stab. But she was there in every instance. When it was Girolama who would not release her son, who stroked his softly furred back for hours as if he merely lay sleeping, it was Catherine who kept others from disturbing her. When it was her own child dead, she was present for every slicing wound. She honored them with her pain.

She pauses, palms pressed to the tall arches of Petrus’s feet, and breathes to anchor herself here, in these last moments with this well-known flesh, though already it begins to turn unfamiliar as death makes itself comfortable. She tries to feel, knowing that if she does not, she will wake in the night reaching for his toes with her own.

The last thing she does, once all the rest is finished, is to take up a sharp knife, the best of the kitchen knives, with its handle of bone and its blade whetted to a keen cutting edge. Petrus kept it so for her, knowing that it was her favorite knife, that it sliced through meat like a sword through an enemy. She takes the knife now, feels the familiar weight of it in her hand, and looks at him where he lies. Soon he will be stitched into a shroud, but now he is there for her to look at, and she takes her time choosing where to cut. His head, she decides at last; his head, as if he were any other man, as if it were the only possible place to do this. She moves to his head, looks not into his face but at the hair that grows so thickly from his scalp; takes a soft lock of it between her fingers; slices it off with the knife he sharpened for her when he sat there, just there beside the hearth, the grating sound of the whet stone, the calm concentration on his face. So many nights.

She puts the knife carefully away and ties the lock with a bit of ribbon, knotting it firmly, that not a single hair might escape.

CATHERINE LIES EASILY to the priest when he comes to sit with them in their grief. How terribly unfortunate, he says, gently admonishing that she was too stricken by shock and sadness to send for him in time to administer the last rites.

Yes, Catherine hears herself say. I should have, Padre.

In this one thing, she honors her husband. If she cannot manage tears or wailing, she has at least kept the church’s hand from his brow, though it would have given her some comfort to know he was blessed before passing on to whatever awaits the dead. Heaven, she still likes to think, though Petrus had reason to think otherwise. Wherever he is now, she imagines his quick, conspiratorial smile at her complicity in keeping the priest from him, and something bittersweet fills her mouth.

THE SUN FALLS IN a brilliant flare to sleep, and, together with Madeleine, Catherine sits beside her husband’s body. Untouched plates of white beans in herbs and oil sit congealing beside them both, left there by Girolama. Earlier, Henri came to sit beside his father, his face running with tears as easily as Madeleine’s. But he went away again to his own home, leaving the women alone with the body.

Her other daughter should be here, Catherine thinks. The thought is a little knife-stab of its own. Antoinette—

But she cannot think of her youngest girl just now. She will not.

Instead, she sings. Her voice is not what it once was, age stretching it thinner even than it was when she sang to their children, but Petrus would not mind. After a moment, Madeleine joins her, Madeleine who never sings, for embarrassment of how her voice cracks like plaster on both the highest and the lowest notes. The song is a ninnananna that Catherine’s mother used to sing to her when she was small, an old, old tune that must have soothed thousands of babes to sleep. The firelight flickers lower and lower, and they sing in deepening shadow until their voices grow hoarse, heedless of the rasping, with no one but themselves and the dead to hear it. When at last they fall silent, the creases of Catherine’s face are filled, like the many branches of a river, with wet.

“Another,” Madeleine says, and then begins without awaiting a reply, her voice straining to reach like a child wavering on her toes, fingers stretching toward the sugar on a high shelf. Catherine pauses a moment, listening. From far away, she almost hears something, sweet and improbable as songbirds after dark—the echoing voices of their collective lost. Even Petrus, in that instant, seems about to stir.

There! There is Antoinette, who shouted even when she meant to whisper; Giacomo’s trill; Maman’s hum. Papa, too, who never sang, only spoke, long and often; but whose voice in music Catherine knows all the same. All of them a distant, joyous, discordant racket.

Madeleine trips a little on a note, as if perhaps she can hear them, too.

SHE IS VEILED DURING the funeral Mass, pretending to watch and listen to the priest from behind a skim of gossamer black. This is to the good, for the film of it hides the wandering of her thoughts, which dart like startled sheep from one side of her mind to the other. Long ago, at the beginning of their marriage, she had clutched at the daily Mass, which all courtiers were expected to attend, as if it were a rope thrown as she slipped beneath a roiling sea. Those mornings the rituals and rhythms she had known since infanthood were soothing, as soothing as her mother’s songs when she was a child.

Now, she does not want to hear the priest’s intonations, does not want to think about the reason they are here; about Petrus’s death. She will dissolve if she does, all her bones turning liquid, her spine running in drips down the bench and making a murky pool on the floor.

She thinks instead of things that make her smile, safe, behind her veil, in the knowledge that no one can see her clearly. Petrus’s love of melon, eager as a little boy’s, though the juice ran sticky down his beard. How he taught her to read, long after their children were grown, in spite of her protests that there was no reason, no point; and how he kept his frustrations with her slowness at fifty tucked into his cheeks like a squirrel with a walnut, too big to be hidden, though he tried anyway. The way he slept, noisily, all rumbles—he made her think of a bear in its winter cave; though that was not a comparison he would have appreciated, and so she kept it safe inside herself. She liked his rumbles, once she knew him better, just as she learned to like, to treasure, the soft hairy bristle over his flesh and muscle and bone. Strange to think how two people can be such utter strangers to one another and then so intertwined, as threads of silk weave together to make cloth. The cloth of their life together has unraveled in the days since his death, and she’d have thought she would unravel, as well, all the fibrous parts of her pulling in opposite directions until there was nothing left. But here she still is.

Catherine looks down at her hands. They are still soft, though the skin now is lightly spotted, stretching thin as onionskins across the backs. She remembers when Petrus would not take her hands for fear of frightening her; remembers when she was frightened. It seems so long ago—another man, another woman. Another life entirely.

THE FUNERAL MASS GOES on and on, the warmth of the day bringing out the odors in people’s clothing. Or perhaps Catherine’s mind is drifting, perhaps she is gone from this place, gone away to someplace where time moves differently, where hours stretch slow and aching in the space of ten breaths here in the church. Under the concealing fall of her veil, she holds a little pouch of fawn leather, unadorned, the throat of it pulled tight by a darker leather thong. The lock of Petrus’s hair is inside, and she cups the bag between both palms, a prayer.

Also in the bag is a folded bit of paper, creased, the ink faded. She has nothing left of her mother but the thimble from her sewing kit; even the hair powder she had once used, one of the few things that escaped being sold after the sinking of Papa’s ship, is long gone. Catherine had brought that powder, which smelled so like her mother that it made her weep, with her to Château de Fontainebleau, to her wedding; she wore it in her hair until none of it was left. And though she made more powder, doing her best to reproduce her mother’s recipe, it never smelled quite the same.

But she does have this one bit of her father—this letter, this paper, his words, his slanted hand, his love in ink. When she cups the bag, she can hear the paper rustle, just a little. She inhales, breathing in again the bodily odors of all the people around her, and oh, how she longs suddenly to be small again, to have known no sorrow, to have her father smiling into her face, palms full of rose petals that would one day be turned into scents for women’s wrists and throats, into powder, like Maman’s, for their hair. Smell, ma petite belle. Breathe them in. Would your mother like them?

She rises at the end of the interminable Mass, all the words and rhythms that have comforted her all her life, and which she clung to so desperately for their familiarity in the midst of so much overwhelming strangeness when she arrived at court as a bride, sounding hollow now as poorly cast bells. Henri reaches her first from his seat a little down the bench, and offers her his arm; his wife remained behind at their home, laying out the food.

Catherine finds herself faltering a little as they walk, round stones in the dirt street catching under her feet. She tightens her grip on her son’s arm, and feels really old for the first time in her life. Madeleine detaches herself from her husband and takes Catherine’s other arm in a firm grip; together, her two children steer her toward the funeral feast.

The other mourners straggle out behind them, mumbling to keep their voices at an appropriate, funereal level. There are more of them than Catherine expected. Most, she suspects, will have come because Petrus enjoyed the patronage of the Duke of Parma, under whose protection the whole village rests. Only a few have come because they knew and loved Petrus himself; but then, he made himself difficult to know.

She finds herself looking back, as if her other children might have joined them—Ercole floating alongside from wherever it is the dead do go, Antoinette, grown now and richly dressed, following at a sedater pace than she would have set in childhood. Come from wherever she is now.




ABOUT THE AUTHOR


MOLLY GREELEY earned her bachelor’s degree in English, with a creative writing emphasis, from Michigan State University, where she was the recipient of the Louis B. Sudler Prize in the Arts for Creative Writing. She lives with her husband and three children in Traverse City, Michigan.


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June 18, 2021

Blog Tour Book Review: The Wisteria Society of Lady Scoundrels by India Holton

at 6/18/2021 01:30:00 AM 0 comments


The Princess Bride meets Kingsman in this fantastical romance debut about a delightfully proper young Victorian lady's quest to save her kidnapped aunt while navigating magical hijinks. 

Cecilia Bassingwaite is the ideal Victorian lady. She's also a thief. Like the other members of the Wisteria Society crime sorority, she flies around England drinking tea, blackmailing friends, and acquiring treasure by means far more interesting than purchase. Sure, she has a dark and traumatic past and an overbearing aunt, and no, she's not technically an official member of the Society yet, despite years of petitioning--but all things considered, it's a pretty pleasant existence. Until the men show up.

 

Ned Lightbourne is a sometimes assassin who is smitten with Cecilia from the moment they meet. Unfortunately, that happens to be while he's under direct orders to kill her. His employer (one of them, anyway) is Captain Morvath, who possesses a gothic abbey bristling with cannons and an unbridled hate for the world. He intends to rid England of all its presumptuous women, starting with the Wisteria Society. Ned has plans of his own. But both men have made one grave mistake: Never underestimate a woman.

 

When Morvath kidnaps the members of the Wisteria Society, Cecilia is forced to team up with her devilishly handsome would-be assassin (who seems quite inept indeed), face her demons, and risk her life to save the women who raised her--hopefully proving, once and for all, that she's as much of a scoundrel as the rest of them.


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This book was EVERYTHING I needed! It’s a lovely historical romance disguised as a whimsical fantasy adventure à la The Princess Bride with a good amount of puns. The main character, Cecilia, is a pirate and first-rate scoundrel. Cecilia comes from a long line of cunning lady pirates. She hopes to build a reputation as a swashbuckling pirate and ultimately earn membership into the Wisteria Society of Lady Scoundrels. After interning under another pirate, Cecilia has not made much progress towards her goal. While Cecilia aspires to carry on her family’s legacy, she is also the epitome of a proper Victorian lady with a moral code. This duality of Cecilia’s character serves as a plot device that confounds Ned Lightbourne, a Victorian-era James Bond, who falls in love with Cecilia. Ned is an interesting character. He’s a jack of all trades. He’s a pirate, sometimes assassin, and courier to the Queen. Ned is under orders to kill Cecilia, but ends up falling in love with her. This certainly puts a damper on their budding romance. For me, romances with “instant love” plotlines have lost their appeal, but for this book, I stuck it out and was glad I did. Captain Morvath, one of Ned's employers, has a vendetta to settle with the ladies of the Wisteria Society. After members of the Wisteria Society are kidnapped, Cecilia teams up with Ned to rescue them. Overall, the writing flows well, the characters are interesting, and the pace was perfect for this madcap romp.


4 stars

 

About the Author


India Holton is the author of The Wisteria Society of Lady Scoundrels, a fantastical rom-com set in an alternate Victorian era. She lives in coastal New Zealand, where she grew up running barefoot around islands, following ghosts through forests, and messing around in boats. She spent several years teaching and now writes about plucky girls, unconventional women, and the men who love them. India's writing is fuelled by tea, buttered scones, and thunderstorms.

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March 14, 2020

Blog Tour Promo Post: His Secret Mistress by Cathy Maxwell

at 3/14/2020 12:00:00 AM 0 comments
 
At the Logical Men’s Society—an exclusive bachelor’s club—brandy flows like water, bawdy stories abound, and a gentleman tempted to marry is always persuaded to reconsider . . .

Brandon Balfour made the mistake of trusting his heart to the exquisite, strong-willed actress, Kate Addison, with whom he shared one intimate night before fate intervened. Now a decade later, Brandon is a leading member of the Logical Men’s Society—for no woman since Kate has managed to captivate him.

To Kate, the memory of that night still burns strongly, because it was followed by a stunning betrayal. A chance encounter may have brought Brandon back into her life, but that doesn’t mean Kate will ever forgive him. She’s vowed to make him pay—even as she realizes the promises of the young love they once shared are still etched upon her heart . . .

Loving her exiled him.

Trusting him ruined her.

And now, a clash of passions threatens everything each of them ever desired.

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HIS SECRET MISTRESS
A Logical Man’s Guide to Dangerous Women Novel
© 2020 Cathy Maxwell

Everyone was looking toward the entry-way, and Bran knew the prickling sensation at the back of his neck was a warning.
Slowly, he faced the door. There was Kate Addison . . . but not the Kate Bran had seen this morning. That Kate, in her modest day dress and properly styled hair, could have passed for a Lady of Quality.
This Kate was the conjuring of every erotic image men had for actresses.
Riotous curls framed her face and tumbled down past her shoulders as if she’d just risen from her bed. Her breasts mounded up and over her bodice. Well, Bran hoped there was a bodice.
She was bold. She was beautiful. And there wasn’t a man in the room that wasn’t having fantasies . . . the vicar included.
About the Author


CATHY MAXWELL spends hours in front of her computer pondering the question, “Why do people fall in love?” It remains for her the great mystery of life and the secret to happiness. Contact Cathy at cathy@cathymaxwell.com or the old-fashioned way at PO Box 484, Buda, TX. 78610.

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March 11, 2020

Blog Tour Promo Post/Giveaway: Engaged to the Earl by Lisa Berne

at 3/11/2020 08:18:00 PM 0 comments



A spirited debutante--a brash adventurer--the perfect fiancé--and good intentions gone terribly, deliciously bad. The Penhallow Dynasty continues in this sparkling Regency romp!

Christopher Beck came striding into a glamorous London drawing-room and can’t believe his eyes. The last time he’d seen Gwendolyn Penhallow, she was a dreamy, strong-willed girl with a wild imagination, and now she’s a beautiful and beguiling young lady . . . who’s engaged to Society’s darling the Earl of Westenbury. Christopher had fled England to seek adventure elsewhere. Has he found it here too — the most delightful adventure of his life?


Gwendolyn is sure she’s betrothed to the most wonderful man in the world. But then, shockingly, Christopher Beck shows up. Nobody has heard from him in years — and not only he is very much alive, he’s also sinfully attractive, blithely unconventional, and disturbingly fun to be with. Which wouldn’t be a problem, except for the fact that she’s, well, promised to another. And just what on earth is she going to do about it?


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ENGAGED TO THE EARL
A Novel in The Penhallow Dynasty Series
© 2020 Lisa Berne

She was breathtakingly lovely, golden-haired, blue- eyed, slim, dressed all in white and moving with what struck him as unselfconscious grace. She was smiling at him with such evident friendliness that he couldn’t help but smile back.

And then it hit him.

Of course.

It was Gwendolyn Penhallow.

Christopher took another swallow of his champagne and put the glass onto the tray of a passing servant.

The last time he’d seen Gwendolyn, it was back in Whitehaven and he had been little more than a rude, restless, hostile boy— angry and lost. He had left England the very next day and, every once in a while, when his spirits had sunk very low, he’d thought back to that moment, years ago, when she had taken his hand in hers, and with such kind sweetness that he had been rather paralyzed. And here she was, graceful, radiant, coming close, hold-ing out her gloved hands to him, saying warmly:

“Christopher! You’re alive!”


About the Author



LISA BERNE read her first Georgette Heyer novel at fourteen — it was the effervescent Lady of Quality — and was instantly captivated. Later, she was a graduate student, a grant writer, and a teacher — and now writes historical romance for Avon Books, with her stories set mostly in Regency-era Britain. She lives with her family in the Pacific Northwest.


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To celebrate the release of ENGAGED TO THE EARL by Lisa Berne, we're giving away a paperback copy of the book to one lucky winner!





GIVEAWAY TERMS & CONDITIONS: Open internationally. One winner will receive a paperback copy of Engaged to the Earl by Lisa Berne. This giveaway is administered by Pure Textuality PR on behalf of Avon Books. Giveaway ends 4/30/2020 @ 11:59pm EST.

 

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