HTP Winter Blog Tour (Historical Fiction Edition) Promo Post: A Lullaby For Witches by Hester Fox

Augusta Podos has just landed her dream job, working in collections at a local museum, Harlowe House, located in the charming seaside town of Tynemouth, Massachussetts. Determined to tell the stories of the local community, she throws herself into her work--and finds an oblique mention of a mysterious woman, Margaret, who may have been part of the Harlowe family, but is reduced to a footnote. Fascinated by this strange omission, Augusta becomes obsessed with discovering who Margaret was, what happened to her, and why her family scrubbed her from historical records. But as she does, strange incidents begin plaguing Harlowe House and Augusta herself. Are they connected with Margaret, and what do they mean?

Tynemouth, 1872. Margaret Harlowe is the beautiful daughter of a wealthy shipping family, and she should have many prospects--but her fascination with herbs and spellwork has made her a pariah, with whispers of "witch" dogging her steps. Increasingly drawn to the darker, forbidden practices of her craft, Margaret finds herself caught up with a local man, Jack Pryce, and the temptation of these darker ways threatens to pull her under completely.

As the incidents in the present day escalate, Augusta finds herself drawn more and more deeply into Margaret's world, and a shocking revelation sheds further light on Margaret and Augusta's shared past. And as Margaret's sinister purpose becomes clear, Augusta must uncover the secret of Margaret's fate--before the woman who calls to her across the centuries claims Augusta's own life.

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Prologue

Margaret

I was beautiful in the summer of 1876. The rocky Tynemouth coast was an easy place to be beautiful, though, with a fresh salt breeze that brought roses to my cheeks and sun that warmed my long hair, shooting the chestnut brown through with rich veins of copper. It was enough to make me forget—or at least, not care—that I was an outsider, a curiosity who left whispers in my wake when I walked through the muddy streets of our coastal town.

Do I miss being beautiful? Of course. But it’s the being found beautiful by others that I miss the most. It was the ambrosia that made an otherwise solitary life bearable. And it was being found beautiful by one man in particular, Jack Pryce, that I miss the most.

He would come to find me out behind my family’s house as I helped our maid hang the laundry on the lines or weeded my rocky garden. He always brought me a little gift, whether it was a toffee wrapped in wax paper from his parents’ shop, or just a little green flower he had plucked because it reminded him of my eyes. Something that told me I was special, that those stories around town of him stepping out with the Clerkenwell girl weren’t true.

“There she is,” he would say, coming up with his hands in his pockets and crooked grin on his full lips. “My lovely wildflower.” He called me this, he said, on account of my insistence on going without shoes on warm days when the grass was soft and lush. Whatever little chore I was doing would soon be forgotten as I led him out of sight of the house. With my back against a tree and his hands traveling under and up my skirts, we found euphoria in a panting tangle of limbs and hoarsely whispered promises. Heavy sea mists mingling with sweat in hair (his), the taste of berry-sweet lips (mine), the gut-deep knowing that he must love me. He must. He must. He must.

But like all things, summer came to an end, and autumn swept in with her cruel winds and killing frosts. Jack came less and less often, claiming first that it was work at the shop, then that he could no longer be seen with the girl who was rumored to practice witchcraft and worship at the altar of the moon on clear nights. Finally, on a day where the rain fell in icy sheets and even the screeching cries of the gulls could not compete with the howling wind, I realized he was not coming back.

Time moves differently now. Then, it was measured in church bells and birthdays, clock strokes and town harvest dances. It was measured in the monthly flow of my courses, until they stopped coming and my belly grew distended and full. Now—or perhaps it is better to say “here”—time is a fluid thing, like water that flows in all directions, finding and filling every crack and empty place, like my womb and my heart.

I did not want to give the babe up, though I knew it could only bring heartache and pain to my family. A mother’s heart is a stubborn thing, and no sooner had I felt the first stirrings of life within me, than I knew I would do anything in the world to protect my little one.

It was folly, I know that now. A woman like me could never hope to bring a child into this cruel world, could never hope that the honey-sweet words of a man like Jack Pryce carried any weight. What irony that I should not realize such simple truths until it was too late. Should not realize them until my blood ran icy in my veins and my broken heart stopped beating. Until the man I thought had loved me stood over my body, staring down as the life ran out of me like a streambed running dry. Until I was dead and cold and no longer so very beautiful.

1

Augusta

“Hello?” Augusta threw her keys on the table and slung her bag onto one of the kitchen chairs. As usual, a precarious stack of plates had taken over the sink, and the remnants of a Chinese food dinner sat out on the table. Sighing, she covered the leftovers with plastic wrap, stuck them in the fridge and followed the sounds of video games to the living room.

“I’m home,” she said tersely to the two guys hunched over their gaming consoles.

Doug barely glanced up, but her boyfriend, Chris, threw her a quick glance over his shoulder.

“Hey, we’re just finishing up.” Turning back, he continued mashing keys on the game controller, shaking his dark fringe from his eyes and muttering colorful insults at his opponent.

Chris and Doug weren’t the best housemates. Sure, they paid their share of the rent on time, but the house was constantly a mess, and video games took priority over household chores. She supposed that’s what she got for living with her boyfriend and allowing his unemployed brother to move in with them.

“Well, I guess I’ll be in my room if you need me,” Augusta said, too exhausted to pick a fight about the mess in the kitchen.

“You can stay and watch,” Chris said without turning back around.

She’d had a long, hard day. Between the air-conditioning being broken at work and discovering she only had ninety-eight dollars in her bank account after paying her cell phone bill, she wasn’t in the mood to watch Chris and Doug massacre each other with bazookas. She grabbed an apple from the kitchen, and went back to the room she shared with Chris, closing the door against the sounds of gunfire and explosions. Outside, the occasional car passed by in a sweep of headlights and somewhere down the street a dog barked. Loneliness curled around her as she sat at her laptop and began cycling through her bookmarked job listing sites.

Her job giving tours at the Old City Jail in Salem was all right; she got to work in a historic building, it was close enough that she could walk to work, and the polyester uniform was only a slightly nauseating shade of green. But it wasn’t challenging, and she wasn’t using her degree in museum studies for which she’d worked so hard. Not to mention the student debt she was still paying off. The worst was dealing with the public, though. Some of the people that showed up on her tours were engaged in her talks, but mostly the jail attracted cruise tourists who hadn’t realized that it was a guided tour and were more interested in snapping a quick picture for Instagram than learning about the history. The other day she’d really had to remind a full-grown man that he couldn’t bring an ice cream cone into the house, and then had to clean up said ice cream cone when he’d smuggled it inside anyway and dropped it. And the witches! Just because they were in Salem, everyone who came through the door assumed that there would be history about the witches, never mind that the jail didn’t even date from the same century as the witch trials. Most days she came home tired, irritable and unfulfilled.

From the other room came an excited shout as Chris blew up Doug’s home base. Augusta turned her music up. Most of the listings on the museum job sites were for fundraising or grant writing, the sliver of the museum world where all the money was. She knew she shouldn’t be choosy, the millennial voice of reason in her head telling her that she was lucky to have a job at all. But Chris, with his computer engineering degree, actually had companies courting him, and his job at a Boston tech firm came with a yearly salary and benefits.

She was just about to close her laptop when a new listing popped up. Harlowe House in Tynemouth was looking for a collections manager to work alongside their curator. As she scanned the listing, her heart started to beat faster. She wasn’t familiar with the property, but a quick search showed that it was part of a trust dedicated to the history and legacy of a seafaring family from the nineteenth century. She ticked off the qualifications in her head—an advanced degree in art history, museum studies or anthropology, and at least five years of experience. She would have to fudge the years, but other than that, it was made for her. She bookmarked the listing, making a mental note to update her CV in the morning.

The door swung open and Chris came in, plopping himself on the bed beside her. Tall, with an athletic build and dark hair that was perpetually in need of a trim, he was wearing a faded band shirt and gym shorts. “We’re going to order subs. What do you want?”

“Didn’t you just get Chinese food?” she asked.

“That was lunch.”

Augusta did a quick inventory in her head of what she’d eaten that day, how many calories she was up to, and how much money she could afford. After she’d fished ten dollars out of her purse, Chris wandered back out to the living room, leaving her alone. She picked up a book, but it didn’t hold her interest, and soon she was lost scrolling through her phone and playing some stupid game where you had to match up jewels to clear the board. A thrilling Saturday night if there ever was one.

In both college and grad school, Augusta had had a vibrant, tight-knit group of friends. She’d always been a homebody, so there weren’t lots of wild nights out at clubs, but they’d still had fairly regular get-togethers. Lunches and trips to museums, stuff like that. So what had happened in the last few years?

Her mind knew what had happened, but her heart refused to face the truth. Chris had happened.

She had been with him ever since her dad died. She’d run into Chris, her old high school boyfriend, at the memorial. He’d been a familiar face, and she’d clung to him like a life raft amid the turmoil of putting her life back together without her father. It had been clear early on that beyond some shared history, they didn’t have much in common, but he was steady, and Augusta had craved steady. A year passed, then two, then three, and four. She had invested so much time in the relationship, sacrificed so many friends, that at some point it felt like admitting defeat to break up. For his part, Chris seemed content with the status quo, and so five years later, here they were.

That night, after Chris had rolled over and was lightly snoring, Augusta lay awake, thinking of the job listing. The words Harlowe House, Harlowe House, Harlowe House ran through her mind like the beat of a drum. A signal of hope, a promise of something better.



Excerpted from A Lullaby for Witches by Hester Fox, Copyright © 2022 by Hester Fox. Published by arrangement with Harlequin Books S.A.

About the Author

Photo Credit: Stephanie Patalano Photography

Hester Fox is a full-time writer and mother, with a background in museum work and historical archaeology. A native New-Englander, she now lives in rural Virginia with her husband and their son.

Social Links:

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Blog Tour Promo Post: Orphan of Cemetery Hill by Hester Fox

The dead won’t bother you if you don’t give them permission.

Boston, 1844.

Tabby has a peculiar gift: she can communicate with the recently departed. It makes her special, but it also makes her dangerous.

As an orphaned child, she fled with her sister, Alice, from their charlatan aunt Bellefonte, who wanted only to exploit Tabby’s gift so she could profit from the recent craze for seances.

Now a young woman and tragically separated from Alice, Tabby works with her adopted father, Eli, the kind caretaker of a large Boston cemetery. When a series of macabre grave robberies begins to plague the city, Tabby is ensnared in a deadly plot by the perpetrators, known only as the “Resurrection Men.”

In the end, Tabby’s gift will either save both her and the cemetery—or bring about her own destruction.

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1

IN WHICH WE MEET OUR YOUNG HEROINE.

Boston, 1844

Tabby’s legs ached and the wind had long since snatched her flimsy bonnet away, but she kept running through the night, her thin leather shoes pounding the cobbled Boston streets. She didn’t know where she was going, only that she had to get somewhere safe, somewhere away from the bustling theaters and crowds of the city. Every time someone shouted at her to watch where she was going, or ask if she was lost, she was sure that they were one of her aunt and uncle’s friends. Would they drag her kicking and screaming back to Amherst? Tabby shuddered. She wouldn’t go back. She couldn’t.

Her weary feet carried her up a hill lined with narrow houses, and gradually she left behind the streets choked with theatergoers and artificially brightened with gas lamps. After cresting the hill, she paused just long enough to catch her breath and survey her unfamiliar surroundings.

It was quieter here, the only sounds the groaning of ships in the harbor and the distant call of a fruit hawker trying to sell off the last of the day’s soft apples. Going back down into the heart of the city wasn’t an option, yet a wrought-iron gate blocked her way any farther, forbidding pikes piercing the night sky. Pale headstones glowed faintly in the moonlight beyond the gate. A cemetery.

Tabby stood teetering, her heart still pounding. Dry weeds rustled in the thin night breeze, whispering what might have been a welcome, or a warning. Behind her was the land of the living with house windows glowing smugly yellow, the promise of families tucked safe inside. In front of her lay the land of the dead. One of those worlds was as familiar to her as the back of her hand, the other was only a distant fairy tale. Taking a deep breath, she shimmied through the gap in the gate.

She waded through the overgrown grass and weeds, thorny branches snagging at her thin dimity dress and scratching her. Panic gripped her as she heard the hem tear clean away; what would Aunt Bellefonte say if she found that Tabby had ruined her only frock? Would she smack her across her cheek? Would Uncle lock her in the little cupboard in the eaves? Aunt Bellefonte isn’t here. You’re safe, she reminded herself. As she pulled away to free herself, her foot caught in a tangle of roots in a sunken grave bed and she went sprawling into the dirt. Her lip wobbled and tears threatened to overflow. She was almost twelve years old, yet she felt as small and adrift as the day she’d learned that her parents had perished in a carriage accident and would never step through the front door again.

 This wasn’t how her first day of freedom was supposed to be. Her sister, Alice, had planned their escape from Amherst last week, promising Tabby that they would get a little room in a boarding house in the city. Alice would get a job at a laundry and Tabby would take in mending to contribute to their room and board. They would be their own little family, and they would put behind them the trauma that their aunt and uncle had wrought, making a new life for themselves. That had been the plan, anyway.

When she and Alice had arrived in the city earlier that day, her older sister had sat her down on the steps of a church and told her to wait while she went and inquired about lodgings. Tabby had dutifully waited for what had felt like hours, but Alice never returned. The September evening had turned dark and cold, and Tabby had resolved to simply wrap her shawl tighter and wait. But then a man with red-rimmed eyes and a foul-smelling old coat had stumbled up the steps, heading right toward her. Tabby had taken one look at him and bolted, sure that he had dark designs on her. She had soon become lost and, in a city jumbled with old churches, hadn’t been able to find the right one again.

Another thorn snagged her, pricking her finger and drawing blood. She should have taken shelter in the church; at least then she would have a roof over her head. At least then Alice would know where to find her when she came back. If she came back.

Tabby stopped short. Toward the back of the cemetery, amongst the crooked graves of Revolutionary heroes, stood a row of crypts built into the earth. Most of them were sealed up with iron doors and bolts, but one had a gate that stood just enough ajar for a small, malnourished girl to wriggle through.

Holding her breath against the damp musk, Tabby plunged inside. Without any sort of light, she had to painstakingly feel her way down the crude stone steps. Lower into the earth she descended until she reached the burial chamber.

 Don’t invite them in. As she groped around in the dark for a resting place, Tabby tried to remember what her mother had always told her. Memories of her mother were few and far between, but her words concerning Tabby’s ability remained as sharp in her mind as words etched with a diamond upon glass. The dead won’t bother you if you don’t give them permission, if you don’t make yourself a willing receptacle for their messages. At least, that was how it was supposed to work.

The only other thing she had learned regarding her gift was that she should never, ever tell anyone of it, and the lesson had been a hard one. She couldn’t have been more than six, because her parents had still been alive and had sent her out to the orchard to collect the fallen apples for cider. Their neighbor, little Beth Bunn, had been there, picking wild asters, but she hadn’t been alone; there was a little boy Tabby had never seen before, watching the girls with serious eyes from a branch in an apple tree. Tabby had asked Beth who he was, but Beth insisted she didn’t know what Tabby was talking about. Certain that Beth was playing some sort of trick on her, Tabby grew upset and nearly started crying as she described the little boy with blond hair and big green eyes. “Oh,” Beth said, looking at her askance. “Do you mean to say you see Ollie Pickett? He used to live here, but he’s been dead for three years.” That was how Tabby learned that not everyone saw the people she saw around her. A week later she had been playing in the churchyard and noticed that all the other children were clustered at the far end, whispering and pointing at her. “Curious Tabby,” they had called her. And that was how Tabby learned that she could never tell a soul about her strange and frightening ability.

But even in a place so filled with death, the dead did not bother Tabby that night. With a dirt floor for her bed and the skittering of insects for her lullaby, Tabby pulled her knees up to her chest and allowed the tears she’d held in all day to finally pour out. She was lost, scared, and without her sister, utterly alone in the world.

Excerpted from The Orphan of Cemetery Hill by Hester Fox Copyright © Tess Fedore. Published by Graydon House Books.

About the Author

Hester Fox is a full-time writer and mother, with a background in museum work and historical archaeology. Most weekends you can find Hester exploring one of the many historic cemeteries in the area, browsing bookshops, or enjoying a seasonal latte while writing at a café. She lives outside of Boston with her husband and their son.

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