April 15, 2024

Promo Post: A Sign of Her Own by Sarah Marsh

at 4/15/2024 04:50:00 PM 0 comments


In 1878, five-year-old Ellen Lark’s world forever changes when she loses her hearing to scarlet fever. Ellen’s mother, determined for her daughter to have a “normal” life, painstakingly teaches Ellen how to read both written text and the speech on people’s lips. With the help of a wealthy patron, she enrolls Ellen into a school for the deaf where Ellen for the first time meets others like her.

Ellen’s schooling leads her to Boston University where she becomes a student of Alexander Graham Bell and his Visible Speech method. Visible Speech allows deaf people to pronounce words as clearly as a hearing person would—though without having any understanding of what they’re saying. Ellen is initially captivated by Mr. Bell and his many dreams for a variety of inventions, but as he becomes consumed by the race to invent the telephone, Ellen begins to doubt the value of her mentor’s teachings. Her doubts only deepen after she meets Frank McKinney, a charming deaf man who runs a print shop and promotes the value of sign language.

When Mr. Bell and the Western Union both submit patents for a device that carries the human voice over a wire, there is controversy over who has won the race. In their quest for the patent, the Western Union tries to recruit Ellen to spy on Mr. Bell using her lip-reading abilities. Ellen must decide if she’ll remain loyal to Bell – despite her growing realization of his harmful teachings – or if she’ll spy on him to protect someone she loves.


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ABOUT THE AUTHOR:

Photo Credit:  Rii Schroer

Sarah Marsh was shortlisted for the Lucy Cavendish prize in 2019 and selected for the London Library Emerging Writers program in 2020. She has an MA in Creative Writing from UEA. She is the daughter of neurosurgeon and author Henry Marsh. A Sign of Her Own is her first novel, inspired by her experiences of growing up deaf and her family’s history of deafness. She lives in London.

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April 5, 2024

HTP Winter Reads Blog Tour Promo Post: The Book of Thorns by Hester Fox

at 4/05/2024 03:44:00 PM 0 comments

An enchanting tale of secrets, betrayal, and magic…

Penniless and stranded in France after a bid to escape her cruel uncle goes awry, Cornelia Shaw is far from the Parisian life of leisure she imagined. Desperate and lacking options, she allows herself to be recruited to Napoleon’s Grande Armée. As a naturalist, her near-magical ability to heal any wound with herbal mixtures invites awe amongst the soldiers…and suspicion. For behind Cornelia’s vast knowledge of the natural world is a secret she keeps hidden—the flowers speak to her through a mysterious connection she has felt since childhood. One that her mother taught her to heed, before she disappeared.

Then, as Napoleon’s army descends on Waterloo, the flowers sing to her of a startling revelation: a girl who bears a striking resemblance to Cornelia. A girl she almost remembers—her sister, lost long ago, who seems to share the same gifts. Determined to reunite with Lijsbeth despite being on opposite sides of the war, Cornelia is drawn into a whirlwind of betrayal, secrets, and lies. Brought together by fate and magic at the peak of the war, the sisters try to uncover the key to the source of the power that connects them as accusations of witchcraft swirl and threaten to destroy the very lives they’ve fought for.


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CORNELIA

BEGONIA: a favor repaid, a warning foretold, a promise delivered in darkness.

Sussex, England, February 1815


I can feel Betsy watching me from the doorway.

She hovers like a bee, rehearsing some small speech in whispers. I pretend not to notice her fidgeting and instead focus on the vase of narcissi before me, the weight of my pencil in my hand. Betsy clears her throat, twice, but I am already arcing out the path of the dainty stems and unfurling petals. There is something calming about reducing the flowers to splashes of grays and blacks, finding beauty in the absence of light.

Betsy lets out a throaty cough. “You might as well come in and be done with it,” I tell her without looking up.

“Yes, miss.” She drops a curtsy, her gray ringlets bouncing under her cap. “It’s just that there’s a man in the drawing room with your uncle, miss, and your uncle asks that you join them.”

I continue sketching, watching the frilly petals take shape on my paper. “Please make my excuses,” I tell her. Uncle likes to bring me out when he has business meetings, the same way he sets out the good claret and crystal goblets with the old family crest. With no wife and no children of his own, I make a pretty addition and bring a touch of softness to his otherwise hard demeanor. “There’s a cake in the kitchen and cold ham as well that you might bring them,” I add as an afterthought.

But Betsy doesn’t leave. She wrings her hands and tuts about like a fussing hen. “No, miss. He’s for you.”

I carefully set aside my pencil. This is what I was afraid of. Closing my eyes, I rub my temples, wishing that it was anything else besides this. My time is not even my own, and I hate being pulled out of my work just to oblige Uncle.

“Very well.” I dismiss Betsy and take a moment in front of the mirror in the hall. Uncle’s friends and associates are mostly stodgy old men, but there is always the possibility that it could be someone young, someone exciting. I pinch roses into my cheeks and tease out a few of my yellow curls. If have control of nothing else in this house, I at least can take pride in my appearance.

I take a deep breath and let myself into the drawing room. “Betsy said you wanted me, sir?”

Uncle stands and tugs at his waistcoat. “Cornelia, come in.”

Though not more than fifty years in age, his poor temper and taste for rich food and drink has left my uncle with a ruddy complexion and portly figure. He is not a healthy man, and his jowls are loose, his complexion jaundiced. What he lacks in polished comportment, though, he makes up in his wardrobe, opting for elaborate cravats and showy brocaded waistcoats that never quite fit him but speak of money and an account in good standing at the tailor. Uncle waves me over, impatient. “Come meet Mr. Reeves.”

Obedient, I come and position myself near the window where I know the soft gray light is especially flattering to my fair complexion. The man unfolds himself from his chair. He is tall and spare, his black frockcoat well-cut and his boots shined. He looks familiar, perhaps from church or one of Uncle’s interminable business dinners. I suppose some might consider him handsome, but there is an intensity in his dark eyes that is more predatory than charming. “Miss Cornelia,” he says, taking my hand and bowing over it, “a pleasure.”

“Mr. Reeves.” I withdraw my hand. “I hope my uncle is not boring you with land yields and livestock accounts.”

He shares a confidential look with my uncle. “On the contrary. Our conversation has been on the most enjoyable of topics.”

“He’s here to see you,” Uncle says, plowing straight into the heart of the matter as he always does. “Mr. Reeves comes as a suitor.”

Uncle makes the outcome of this meeting perfectly clear in the sharp downturn of his lips. His patience with the matter of my marital status is wearing thin.

Well, that makes two of us.

I don’t fancy marriage, but I certainly don’t fancy spending one more day than I have to under my uncle’s roof, either. My dreams of publishing a book remain foggy and out of reach, and the money from my illustrations published in a French newspaper under a nom de plume pays only a pittance. It is not enough to live on, and certainly not enough for a young woman who enjoys fine things and an easy life. A husband would solve at least two of my problems, but it would create a host more.

“I’ll leave you two alone to talk,” Uncle says, cutting me with a look that says there will be hell to pay if I emerge from this room without securing an engagement.

The air usually lightens, the room sighing a breath of relief, when Uncle leaves, but Mr. Reeves’s presence prickles me under my stays, makes me fidgety.

Betsy is posted outside the door, her needles softly clacking as she knits some horrid bonnet or muffler. Outside, a fine mist has rolled over the gentle Sussex hills. A smile spreads over Mr. Reeves’s sharp features. “Your uncle says you’re a spirited filly. That you need a strong hand to break you.”

Ah, so it is to go like that, then. I pour a cup of tea, ignoring my guest’s outstretched hand, instead lifting the cup to my lips. “That does sound like the sort of nonsense my uncle would say.”

Mr. Reeves regards me, his dark eyes calculating. “Your uncle was right, but I think he also underestimated you. I can see you possess some wits, so I’ll not mince words.” He crosses his long legs. “I am looking for a wife, and your uncle is looking to expand his landholdings to the south of the county.”

If the man who has sat down across from me was meek, pliable, then perhaps I would have more patience in hearing his suit; I don’t need someone who will get underfoot or try to handle me. Even some doddering old lord who might die quickly and leave me a widow would be acceptable. But Mr. Reeves is irritatingly young and looks to be in good health.

“My uncle was mistaken. I am not in need of a husband.” I offer him a cold smile, my mind already back on my flowers, my fingers itching to hold my pencil. The light has shifted with the gathering clouds, and I will have to rework my shading.

He pours himself a cup of tea. “Come, wouldn’t you like to have a fine house? Be mistress of a whole host of servants? I can see that you enjoy some degree of freedom, and I can give you that. You will have a mare and a generous allowance.”

“I should think it would be terribly lowering to have to lure a wife into one’s home with promises of horses and gowns. Shouldn’t you rather wish her to come of her own volition because she holds you in some esteem?”

“You are naive if you think that marriage is anything other than a business transaction. You are a young woman of beauty and some small means but a drain on your guardian. I am an enterprising man, with successful business dealings and a good bloodline looking for a wife who will elevate his status and ornament his home. I hold a commission in the army and anticipate traveling to the Continent shortly. It is a good deal for you, and you would be hard-pressed to find a better one, especially with your lack of polish and manners.”

“It’s a little late to be going over to the Continent, isn’t it? I believe we quite vanquished Napoleon.”

Irritation animates his dark eyes before he glances away, taking what I suspect is an intentionally long sip of his tea.

I study him over the rim of my cup, imagining the way I would draw the sharp angle of his chin, the aquiline nose, before finally placing where I’ve seen him. “You were married before, were you not?”

There is an almost imperceptible stiffening of his body. “Yes, I make no secret of the fact that I am a widower,” he says shortly.

“And how, exactly, did your first wife die?” The roses in the vase on the table beside me are vibrating, warning me. I pretend not to notice, pretend that I am a normal young woman who does not receive messages from flowers.

His lips thin. “An unfortunate fall.”

“Mm. She did not bear you any children, did she?”

“Barren.” He tugs at his cravat, irritated. “You would do well not to let your ear wander to every housemaid that has a piece of gossip to peddle,” he says coldly.

“In any case, I am not interested.” I move to put my cup down, but a hand closes around my wrist, hard. I look up to find that he has leaned in close, his breath hot on my neck.

“Perhaps you’ve also heard that I have certain…proclivities.”

The roses in the vase strain toward me, singing, setting my teeth on edge. My fingers begin to tremble, but I do not let him see it. “Why would you tell me that?”

“Because I think, dear girl, that you are under the impression that I would use you poorly.” He leans back, but only slightly, the air around him still charged and menacing. “I can be a very hard man when I’m tested, but I can take my pleasures elsewhere, so long as my wife is obedient.”

His gaze is sharp, his grip painful, and I realize that here is a dangerous man, one who is not just a brute but also clever. He cannot be fobbed off with witty barbs or batting eyelashes.

“This conversation bores me,” I tell him, standing. “I will not be your wife. I’m sorry that you wasted your time in coming here.”

But he makes no move to stand, his cool gaze sliding over me in a way that leaves me feeling horribly exposed. “I’ve seen you often, Cornelia. In church, sitting so demurely with your hands folded in your lap. You may think to have everyone else fooled, but I see the spirit in your eyes. A woman like you can never be satisfied with the life of a spinster, put on a shelf here in Sussex. I can offer you fine things, take you to exciting places abroad with me.”

And I’ve seen you, I think. I’ve seen how cruelly you used your first wife, the bruises on her pretty face. The way she faded little by little every week in church, until she was just a ghost in a dress, her final service that of her funeral. That will not be me.

“Surely there are other young ladies that would be flattered by your attentions,” I tell him.

“None so beautiful, none that I would take so much pleasure in breaking. The more you deny me, the more determined I am. Ask your uncle. I am a man who gets what he wants, one way or another.”

All the promise of gold or Continental trips would not be enough to tempt any marriage-minded mama to let her daughter enter into an arrangement with a man like Mr. Reeves. But of course, I have no mama to arrange such matters for me, to keep me safe.

“Then, perhaps it was time you lose for a change. Do you not find it dull to always get what you expect?”

He stands, drawing close and jabbing a finger into my bodice. It takes some great force of will to stand my ground and not let him see my fear. “You may think yourself clever, but this visit was just a courtesy. Your uncle and I have all but drawn up the contract already.”

He storms out, and the room grows quiet in the wake of the front door slamming. Betsy startles from her seat where she had fallen to dozing. I close my eyes, take a breath, wait until my heartbeat grows even again. Then I return to my waiting drawing in the parlor.

If I work quickly, I can still finish it and have it ready for tomorrow’s post. But for now, there is no waiting publisher, no silly French pseudonym; it is just the light and the shadows and me, a silent dance as I commit them to paper. Mr. Reeves and his odious proposal quickly fade away from my mind.

But then a raised voice shatters the silence, breaking my concentration, and there is the thundering velocity of Uncle coming down the hall.


Excerpted from THE BOOK OF THORNS by Hester Fox. Copyright © 2024 by Hester Fox. Published by Graydon House, an imprint of HarperCollins.


About the Author

Photo Credit: Stephanie Patalano Photography

Hester Fox is a full-time writer and mother, with a background in museum work and historical archaeology. She is the author of such novels as The Witch of Willow Hall, A Lullaby for Witches, and The Last Heir to Blackwood Library. When not writing, Hester can be found exploring old cemeteries, enjoying a pastry and seasonal latte at a café, or scouring antique shops for old photographs to add to her collection. She lives in a small mill town in Massachusetts with her husband and their two children.

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March 21, 2024

HTP Winter Reads Blog Tour Promo Post: Good Half Gone by Tarryn Fisher

at 3/21/2024 12:17:00 PM 0 comments

Iris Walsh saw her twin sister get kidnapped—so why does no one believe her?

Iris narrowly escaped her twin sister’s fate as a teen: abducted in broad daylight and long gone before she could convince the cops there was anything to investigate. With Piper presumed a runaway and no evidence to go on but Iris’s scattered memories, the case quickly goes cold.

Ever since that terrible day, Iris’ search for Piper has bordered on obsession. Chasing leads across years and following clues that all seem to point to a single name, Iris does everything she can to get close to the only person who might know the answer to the question that still haunts her: where did Piper go? And if the police still won’t help, she’ll just have to find the answer herself--using her criminal psychology degree to intern at the isolated psychiatric hospital on Shoal Island, where secrets lurk in the shadows and are kept under lock and key. But Iris soon realizes that something even more sinister is simmering beneath the surface of the Shoal, and that the patients aren’t the only ones being observed…


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1


“911, WHAT IS your emergency?”

“Hello? Help me, please! They took my sister! Please hurry, I don’t know where they are. I can’t find them.” *rustling noise* *yells something* “Oh my god—oh my god. Piper!”

“Ma’am, I need you to calm down so that I can understand you.”

“Okay…” *crying*

“Who took your sister?”

“I don’t know! I don’t know them. Two guys. Dupont knows them, I—”

“Miss, what is the address? Where are you?”

“The theater on Pike, the Five Dollar…” *crying* “They took my phone, I’m calling from inside the theater.”

“Wait right where you are, someone is going to be there to help shortly. Can you tell me what your name is?”

*crying*

“What is your name? Hello…?”

*crying, indecipherable noises*

“Can you tell me your name?”

“Iris…”

“What is your sister’s name, Iris? And how old is she?”

“Piper. She’s fifteen.”

“Is she your older sister or younger sister… Iris, can you hear me?”

“We’re twins. They just put her in a car and drove away. Please hurry.”

“Can you tell me what kind of vehicle they were driving?”

“I don’t know…”

“—a van, or a sedan—?”

“It was blue and long. I can’t remember.”

“Did it have four doors or two… Iris?”

“Four.”

“And how many men were there?”

“Three.”

“I’m going to stay on the line with you until the officers get there.”

He leans forward, rouses the mouse, and turns off the audio on his computer. Click click clack. I was referred to Dr. Stanford a year ago when my long-term therapist retired. I had the option of finding a new therapist on my own or being assigned someone in the practice. Of course I considered breaking up with therapy all together, but after eight years it felt unnatural not to go. But I was a drinker of therapy sauce: a true believer in the art of feelings. I imagined people felt that way about church. At the end of the day, I told myself that a weird therapist was better than no therapist.

I disliked Allen Stanford on sight. Grubby. He is the grownup version of the kindergarten booger eater. A mouth breather with a slow, stiff smile. I was hoping he’d grow on me.

Dr. Stanford clears his throat.

“That’s hard to listen to for me, so I can only imagine how you must feel.”

Every year, on the anniversary of Piper’s kidnapping, I listen to the recording of the 911 call I made from the lobby of the Five Dollar. When I close my eyes, I can still see the blue diamond carpet and the blinking neon popcorn sign.

“Do you want to take a break?”

“A break from what?”

“It must be hard for you to hear that even now…”

That is true, reliving the worst day of my life never gets easier. The smell of popcorn is attached to the memory, and I feel nauseated. A cold chill sweeps over me. Swallowing the lump in my throat, I nod once.

“What happened after you hung up the phone?”

“I waited…what else could I do? I was afraid they were outside waiting to take me too. My brain hadn’t fully caught up to what was happening. I felt like I was dreaming.”

My voice is weighed down with shame; in the moments after my twin was taken, I was thinking of my own safety, worried that her kidnappers would come back. Why hadn’t I chased the car down the street, or at least paid attention to the license plate so I could give it to the cops? Hindsight was a sore throat.

“I wanted to call Gran.” I shake my head. “I thought I was crazy because I’d dialed her number hundreds of times and I just… I forgot. I had to wait for the cops.”

My lungs feel like they’re compressing. I force a deep breath.

“I guess it took five minutes for the cops to get there, but if you asked me that day, I would have said it took an hour.”

When I close my eyes, I can still see the city block in detail— smell the fry oil drifting across the street from the McDonald’s.

“The cops parked their cruiser on the street in front of the theater,” I continue. “I was afraid of them. My mother was an addict—she hated cops. To certain people, cops only show up to take things away, you know?”

He nods like he knows, and maybe he does, maybe he had a mom like mine, but for the last twenty years, he’s been going to Disney World—according to the photos on his desk—and that somehow disqualifies him in my mind as a person who’s had things taken away from him.

I take another sip of water, the memories rushing back. I close my eyes, wanting to remember, but not wanting to feel— a fine line.

I was shaking when I stumbled out of the theater and ran toward the cop car, drunk with shock, the syrupy soda pooling in my belly. My toe hit a crack in the asphalt and I rolled my ankle, scraping it along the side of the curb. I made it to them, staggering and crying, scared out of my mind—and that’s when things had gone from bad to worse.

“Tell me about your exchange with the police,” he prompts. “What, if anything, did they do to help you in that moment?”

The antiquated anger begins festering now, my hands fisting into rocks. “Nothing. They arrived already not believing me. The first thing they asked was if I had taken any drugs. Then they wanted to know if Piper did drugs.”

The one with the watery eyes—I remember him having a lot of hair. It poked out the top of his shirt, tufted out of his ears. The guy whose glasses I could see my face in—he had no hair. But what they had both worn that day was the same bored, cynical expression. I sigh. “To them, teenagers who looked like me did drugs. They saw a tweaker, not a panicked, traumatized, teenage girl.”

“What was your response?”

“I denied it—said no way. For the last six months, my sister had been hanging with a church crowd. She spent weekends going to youth group and Bible study. If anyone was going to do drugs at that point, it would have been me.”

He writes something down on his notepad. Later I’ll try to imagine what it was, but for now I am focused.

“They thought I was lying—I don’t even know about what, just lying. The manager of the theater came outside to see what was going on, and he brought one of his employees out to confirm to the police that I had indeed come in with a girl who looked just like me, and three men. I asked if I could call my gran, who had custody of us.”

“Did they let you?”

“Not at first. They ignored me and just kept asking questions. The bald one asked if I lived with her, but before I could answer his question, the other one was asking me which way the car went. It was like being shot at from two different directions.” I lean forward in my seat to stretch my back. I’m so emotionally spiked, both of my legs are bouncing. I can’t make eye contact with him; I’m trapped in my own story—helpless and fifteen.

“The men who took my sister—they took my phone. The cops wanted to know how I called 911. I told them the manager let me use the phone inside the theater. They were stuck on the phone thing. They wanted to know why the men would take my phone. I screamed, ‘I have no idea. Why would they take my sister?’”

“They weren’t hearing you,” he interjects.

I stare at him. I want to say No shit, Sherlock, but I don’t. Shrinks are here to edit your emotions with adjectives in order to create a TV Guide synopsis of your issues. Today on an episode of Iris in Therapy, we discover she has never felt heard!

“I was hysterical by the time they put me in the cruiser to take me to the station. Being in the back of that car after just seeing Piper get kidnapped—it was like I could feel her panic. Her need to get away. They drove me to the station…” I pause to remember the order of how things happened.

“They let me call my grandmother, and then they put me in a room alone to wait. It was horrible—all the waiting. Every minute of that day felt like ten hours.”

“Trauma often feels that way.”

“It certainly does,” I say. “Have you ever been in a situation that makes you feel that way—like every minute is an hour?” I lean forward, wanting a real answer. Seconds tick by as he considers me from behind his desk. Therapists don’t like to answer questions. I find it hypocritical. I try to ask as many as I can just to make it fair.



Excerpt from Good Half Gone by Tarryn Fisher. Copyright © 2024 by Tarryn Fisher. Published by Graydon House.



About the Author

Photo Credit: HarperCollins

Tarryn Fisher is the New York Times and USA TODAY bestselling author of nine novels. Born a sun hater, she currently makes her home in Seattle, Washington, with her children, husband, and psychotic husky. She loves connecting with her readers on Instagram.

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March 18, 2024

HTP Winter Reads Blog Tour Promo Post: The Day Tripper by James Goodhand

at 3/18/2024 01:00:00 AM 0 comments

What if you lived your days out of order?

It’s 1995, and twenty-year-old Alex Dean has it all: a spot at Cambridge University next year, the love of an amazing woman named Holly and all the time in the world ahead of him. That is until a brutal encounter with a ghost from his past sees him beaten, battered and almost drowning in the Thames.

He wakes the next day to find he’s in a messy, derelict room he’s never seen before, in grimy clothes he doesn’t recognize, with no idea of how he got there. A glimpse in the mirror tells him he’s older—much older—and has been living a hard life, his features ravaged by time and poor decisions. He snatches a newspaper and finds it’s 2010—fifteen years since the fight.

After finally drifting off to sleep, Alex wakes the following morning to find it’s now 2019, another nine years later. But the next day, it’s 1999. Never knowing which day is coming, he begins to piece together what happens in his life after that fateful night by the river.

Why does his life look nothing like he thought it would? What about Cambridge, and Holly? In this page-turning adventure, Alex must navigate his way through the years to learn that small actions have untold impact, even in a life lived out of order. And that might be all he needs to save the people he loves and, equally importantly, himself.


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SEPTEMBER 6, 1995 | AGE 20

It’s three-deep at the bar, and I get my order in seconds before they ring for time. I double up: a JD and Coke each and two beers to take with us. The lights are up and the music’s gone quiet as I weave the tray through the punters. Standing in the doorway out to the terrace, I am disorientated. There must be fifty tables outside between here and the river and it’s still packed out, darker and smokier than ever. I search the crowd but can’t see Holly.

I negotiate my way down to the water’s edge. She’s maybe ten tables away, oblivious, a ciggie poised skyward in her fingers like she’s posing for Vettriano. I smirk, enjoy my good fortune again.

“Excuse me, good gentlemen,” I say to a group of four in my path, voice cocky with booze and lust. They shuffle over, not breaking from their conversation. The resulting gap between their circle and the edge of the path isn’t wide enough—a careless elbow would send the tray of drinks into the river, possibly me with them.

“If you don’t mind, guys?” I lay a palm on the forearm of the bloke with his back to me. Their circle opens out and he turns side-on, ushering me past. “Nice one,” I say, glancing at him as I pass.

I look back at the ground. There’s a delay in my brain processing who it is I’m walking past. There’s a moment in which it seems that we’ll just carry on, pretend like we don’t know each other.

The air thickens. Time slows. I stop, a step past him. Look again. Razor-sharp short back and sides, hooded eyes, lopsided mouth. Preppy. It’s a face I catch myself imagining sometimes, never for long. A waking nightmare. Not that my imagination does it justice. Not even close, I now realize.

His recognition of me unfolds in slow motion. Perhaps like me, alcohol has dulled his synapses, delayed the inevitable shift of mode.

Blake Benfield. There have been times in the past when just hearing that name in my head has stopped me dead, left me incapable.

How long since we last ran into each other? I was sixteen—best part of four years, then. Feels so recent. Our paths crossing has always been inevitable; we grew up barely a mile apart. He spat at me that last time, called me faggot cunt. The many times before that I’d just legged it, hidden from his fury and his hatred. But you get too old to do that.

This crowded place seems so quiet now. Like there’s cotton wool stuffed in my ears. The two bottles tip over on my trembling tray, foam splattering to the ground. One rolls over the edge and shatters on the concrete. People turn.

How long have we stood here, him glaring at me, me unable to hold his stare? Saying nothing. A few seconds? Feels longer.

There’s the smell of burned-out house in my nose. The sound of his whisper in my ears that I try to drown out.

Don’t think about it. Do not think about that day.

Why do I shake? I’m a fucking grown man. Why am I shaking?

He takes a half step closer to me.

I once told him I was sorry. It was years ago—when I was still a kid. I was sorry. Does he remember?

I spin around. Where’s Holly? She must be watching this.

There’s no more delay. There is, of course, nothing for me and this bloke to say to each other. We have ventured into each other’s space, and that brings with it a remembering. And, as we always have, we must deal with that in our own way.

His knuckles graze my chin. I stumble backward and the tray falls to the ground. His swing is off, though; there is no pain. Not even surprise. We definitely have an audience now.

My response is pure instinct: palms raised, lean away. Easy now.

I don’t want to fight this man. I want to go back thirty seconds, walk a different route, have this night back for myself.

Blake closes the gap, my weakness an invitation. His second punch crashes into my ear like a swinging girder. My brain slaps side to side in my skull. Vision sways. My head boils, a cool trickle from my eardrum.

Where is Holly? Panic grips. I can’t just stand here and take this.

My eyes flit to our audience. He swings again, this time with his left. But I see it coming, dodge. He stumbles.

I drive my weight, shoulder first, into his ribs. He goes over, sprawled among the spilled drinks and shattered glass.

On all fours, he stares up at me. I’m perfectly positioned. I could kick him square in the face. End this right now. Why don’t I do it? Why can’t I bring myself to do it? I’d rather turn my back and cry than kick his head in.

He glares up at me. Why do I pity him? Why am I so uncomfortable towering over him like this? It’s like the positions we’ve always held have been reversed. The power is mine.

I let him find his feet.

He’s up and level with me again. He glares like a bloodthirsty dog, wipes his nose on the sleeve of his polo shirt. If we were alone, maybe I’d run. But with people watching, with Holly watching, that’s no option.

My punch lands perfectly. His jaws scissor against each other. For a second his head floats, eyes rolling.

I realize my error too late. I should’ve followed up when I had the chance. One punch is only enough in the movies, everyone knows that. His hands are on the collar of my shirt, cloth tearing as he holds firm. His forehead slams into the bridge of my nose like a sledgehammer. My face is suddenly and totally numb. I drop to the ground. A ruby-red stain spreads fast through the jewels of broken glass around me.

He shouts above me. Every filthy word I’ve long come to expect. Something soft disperses against my head. Spit.

The neck of the Stella bottle I dropped lies on the ground. Inches away. Blood gurgles in my mouth as I take a deep breath. I launch like a sprinter. Leading with the dagger of green glass, I’m aiming straight at his face and closing fast.

Blake backs into a table, stumbles, hands slow to cover his face. His eyes widen, abject fear. But this is no time to be derailed.

I see it too late. No time to react. One of Blake’s friends windmilling a table ashtray. The side of my skull cracks like thunder.

The ground feels like a cushion, drawing me in and bouncing me back. My vision finds enough order in time to see the sole of boot accelerating toward me, like a cartoon piano from the sky.

There is no pain. Just a sense of floating in space.

Time passes. More blows land.

The surface of the Thames billows like a black satin sheet as it rises toward me. There’s no fear. Is that Holly I can hear calling my name? It’s so distant, so hard to tell.

The river gathers me in like it’s here to take care of me.

Cool water spears my lungs like sharpened icicles. I sink forever.

A low hum builds in my ears. Lights fades to nothing.

And I sleep.


NOVEMBER 30, 2010 | AGE 35


My head throbs. It doesn’t matter if I open or close my eyes, the pain worsens either way. My mouth is like dust. Joints and muscles lie seized.

Last night is a blank. I hate that. I look above me. Focusing is excruciating. The ceiling is browny cream, textured in spikes like a Christmas cake. An unshaded bulb swings in the draft, the filament shivering. It’s really cold in here.

Where the fucking hell am I?


Excerpted from THE DAY TRIPPER by James Goodhand. Copyright © 2024 by James Goodhand. Published by MIRA Books, an imprint of HarperCollins.


About the Author


Photo Credit: HarperCollins

James Goodhand has written two YA novels. His YA debut, Last Lesson, was called "a powerfully charged study in empathy," by the Financial Times. THE DAY TRIPPER is his adult debut. He lives in England with his wife and young son.


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March 7, 2024

HTP Winter Reads Blog Tour Promo Post: What Grows in the Dark by Jaq Evans

at 3/07/2024 01:54:00 PM 0 comments

The Babadook meets The Blair Witch Project in this chilling contemporary horror novel about confronting trauma. When fake spiritualist Brigit returns home to investigate the disappearance of two teenagers, the case eerily echoes her own sister's death sixteen years earlier.

This chilling tale of siblings, the emotional toll of the places you once called home, and the necessity of confronting and moving beyond past trauma brings together the psychological horror of The Babadook with the found footage and supernatural eeriness of The Blair Witch Project.

Brigit Weylan’s older sister, Emma, is dead. Sixteen years ago, Emma walked into the woods in their small hometown of Ellis Creek and slit her wrists. She was troubled, people said—moody and erratic in the weeks leading up to her death, convinced that there was a monster in Ellis Creek, and had even attempted to burn down the copse of trees where she later took her life. Marked by the tragedy, Brigit left and never once looked back. Now, Brigit and her cameraman Ian travel around the country, investigating paranormal activity (and faking the results), posting their escapades on YouTube in the hopes that a network will pick up their show. The last thing she expects is a call from an Ellis Creek area code with a job offer—and payout—the two cannot refuse.

When Brigit and Ian arrive in Ellis Creek, they’re thrust in the middle of an investigation: two teenagers are missing, and the trail is growing colder with each passing day. It’s immediately apparent that Brigit and Ian are out of their depth; their talents lie in faking hauntings, not locating lost kids. Except for the fact that, in the weeks leading up to their disappearance, the teens had been dreaming about Emma—Emma in the woods where she died, ringed with trees and waiting for them. As Brigit and Ian are drawn further into the investigation, convinced that this could be the big case to make their show go viral, the parallels to Emma’s death become undeniable. But Brigit is worried she’s gone too far this time, and that the weight of being back in Ellis Creek, overwhelmed by memories of Emma, will break her…if it hasn’t already. Because Brigit can’t explain what’s happening to her: trees appearing in her bedroom in the middle of the night, something with a very familiar laugh watching her out in the darkness, and Emma’s voice on her phone, reminding Brigit to finish what they started.

More and more, it looks like Emma was right: there is a monster in Ellis Creek, and it’s waited a long time for Brigit Weylan to come home.


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1: BRIGIT


Connecticut
October 2019
An Attic



Brigit Weylan slid her fingers across the vintage tape recorder in her lap, the plastic warm as living skin.

“Are you picking anything up?” Ian asked, snaking a hand beneath the camera on his shoulder to massage his trapezius. He caught her watching and she cut her eyes away, thumbed off her mic.

“Nothing but your breathing.”

“It’s ambience. And we’re stalling because…”

She shifted on the pine floor. Pinkish clouds of insulation erupted from the walls on either side, and the ceiling sloped aggressively. It was a delicate maneuver to uncross and stretch out her legs in this tight space, but her foot was at risk of falling asleep. Brigit switched her mic back on.

“Sorry for the technical difficulties. We’re getting a little interference, which is actually a good sign—
At the far end of the attic, a cardboard box fell off its stack. Papers spilled across the plywood in a plume of dust that brought the moldering scent of dried mouse droppings. Ian coughed but kept the camera level. In the living room downstairs, the baby goth who’d hired them would have a perfect view.

“Hello?” Brigit asked calmly, holding in her own cough as her throat burned. “Logan, is that you?”

Logan Messer, struck down by a heart attack in 1998. Craggy of face and black of eye, he’d glared up from the obituary they’d found in the Woodbridge library like a nineteenth-century oil magnate. Definitely the most likely of several spirits that could be haunting Haletown House. At least, that’s what Brigit and Ian had told its newest occupant.

A gust of wind ruffled the scattered papers in the corner, although the attic had no windows and the rest of the air sat thick and claustrophobic. Dust motes swirled through the wedges of light cast by the single hanging bulb. Brigit pushed her short hair back from her forehead and presented Ian’s camera with an unobstructed slice of profile.

“Logan, my name is Brigit Weylan. My sister and I are here to help you find peace.” She took a moment to steady her voice. “Is Emma with you now?”

From the corner came a sharp rap like knuckles on wood. At the same time Ian strangled another cough in the crook of his arm, nearly drowning out the knock. Brigit kept the tension from her face by digging her fingertips into her thighs. A small black hole had opened in her chest where her sister’s name had passed.

“I know you don’t want to leave, but I promise you’ll be happier once you do. All you need to do is take Emma’s hand and you’ll be free.”

The knocking came again, louder. Brigit had expected an echo, but the air seemed to catch the sound. The rest of the house was so chilly, all its warmth trapped up here like breath. Whatever mice had left those droppings probably suffocated. Little mummies in the walls.

“Brigit,” Ian murmured. “Can you see them?”

“I can’t see anything.” She licked her lips. Her tongue felt dry, chalky with dust. “But Logan is here. I can feel him in the room with us. I may need to move—don’t lose me.” Brigit raised her voice. “Emma, I’m with you. Let me help. Let me give you strength.”

She stretched her hand toward the corner. The knocking was a drumbeat now, even faster than her pulse. Slowly, Brigit shifted to her knees and readied herself to crawl toward that wedge of darkness—and the drumming stopped. Ian let out his breath in a quiet whoosh. Brigit exhaled too, long and slow. Then she turned to face the camera and smiled.

“It’s done,” she told Haletown House’s youngest resident.

“This house is clean.”





The boy who’d paid for their services was waiting on the couch when Brigit and Ian climbed down from the attic. Brigit went first, Ian following with the camera bag now stuffed with their equipment: the laptop and its associated Bluetooth speaker, the miniature fan she’d hidden underneath the boxes, the fishing line trap in the corner. There were a few other props around the outside of the house—such as the rotten eggs in the upstairs gutter, which had been carefully planted in an early-morning excursion that had nearly put Ian in the hospital—but those were all biodegradable and couldn’t be traced back to them.

In and out, that was the modus. They were surgeons like that, implanting a psychic placebo effect. Honestly, most of these people? They just wanted to feel believed. The rest wanted to see themselves on YouTube.

Brigit hadn’t needed that moral reassurance when she finally agreed to Ian’s pitch for the series a year ago, but there was something about this kid today. A familiar sloppiness to the liner drawn below his pale blue eyes. He asked, “You think the old man’s really gone?”

“I hope so,” she said. Ian watched her from the doorway to the living room. Brigit could feel it on her neck as she dropped into a plush armchair. “You’ve got our contact info if he isn’t.”

The boy shrugged. “Guess I’ll be on the show either way.”

“Technically we need the waiver signed by someone over eighteen,” Ian put in. The kid looked at him while Brigit looked at the kid. Dyed black hair, chapped lips. His sneakers weren’t actually black, just Sharpied to a purplish gray. She sat forward.

“You’ll be on the show. Your birthday’s what, next year? This wouldn’t go online for a few months anyway. We can hold the episode.”

Why had she said that? It didn’t matter how old he was. Their first season hadn’t gotten picked up despite all attempts to woo a real television network, and neither would the second. Ian was fooling himself if he thought this thing was going to happen for real.

The kid smiled, and his eyeliner cracked. Discomfort fisted in Brigit’s chest. “Cool,” he said. “Thanks.”

“I do need something in exchange. If things keep happening around here, stuff only you can hear, smell, whatever? Tell your parents. Call us too, but you have to tell your folks.”

“Why? They’d lose their minds if they knew about this.”

“Because you’re a minor, and this isn’t exactly a hard science. If it turns out I screwed up in there and it comes back on you, I need to know you’ve got someone in this house who can get you out.”

Or if he was in real trouble, the kind that could hit kids at around his age, that he would confide in someone other than a fake psychic out to pocket his summer cash. It was a moment of weakness, wanting this promise she’d never be able to confirm, but Brigit couldn’t stop herself.

The kid chewed at the inside of his lip. Something turned behind his eyes, a decision being weighed as Brigit held her ground. Then he grimaced. “What if I lied to you just now?”

“About what?”

“They wouldn’t lose their minds. They wouldn’t care at all,” he said. “My dad doesn’t even live here. The house was a bribe to keep my mom from making his life more difficult, and she hates that she took it, so she just works all the time. I tried telling her before, about the old man, and she said I needed more friends. That was before the wine.”

The spike of decade-old commiseration at this was so sharp and startling that Brigit almost laughed. Behind the kid, Ian looked faintly stricken.

“Got it,” she said briskly, and relief eased the kid’s shoulders. “How about a neighbor? Someone at school?”

“Ms. Brower, maybe. My English teacher?”

“Classic choice.” Brigit calibrated a wry smile and won half of one in return. “Okay. More weird stuff goes down, you tell Ms. Brower and then you call me. Deal?” She stretched her hand across the coffee table.

The kid hesitated. Behind her, Ian’s breathing was louder than anything else. Then a slim, chilly hand smacked into hers, and for a moment, Brigit wasn’t in this stranger’s living room at all. She was in the woods, the Dell, in the cold dark night, her sister’s icy fingers clamped around her own.

You want to be the wild child, Wild Child?

“Deal,” said the kid. Brigit didn’t blink. The room came back to her, his grub-white face, cold palm against her own. Vanilla candles on the mantel. Nothing of Emma or their game but the bitter tinge of earth beneath her tongue.




Excerpted from What Grows in the Dark by Jaq Evans. Copyright © 2024 by Jaq Evans. Published by MIRA.


About the Author

Photo Credit: Eric Thomas

Jaq Evans is a graduate of the University of Southern Maine’s Stonecoast MFA program and a former Pitch Wars mentee. Her short fiction has been published in Three-Lobed Burning Eye, Apparition Literary Magazine, Fusion Fragment, and others.


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February 23, 2024

HTP Winter Reads Blog Tour Promo Post: A Step Past Darkness by Vera Kurian

at 2/23/2024 03:37:00 PM 0 comments


I KNOW WHAT YOU DID LAST SUMMER meets Stephen King in this character-driven thriller about a study group of six teenagers who witness something tragic in an abandoned mine, which comes back to haunt them 20 years later.

SIX CLASSMATES.

ONE TERRIFYING NIGHT.

A MURDER TWENTY YEARS IN THE MAKING…

There’s more to Wesley Falls than meets the eye, but for six high school students, it’s home.

Kelly, the new girl and rule-follower.

Maddy, the beauty and the church favorite.

Padma, the brains and all-A student.

Casey, the jock and football star.

James, the burnout and just trying to make it to graduation.

And Jia, the psychic, who can see the future.


When these six are assigned to work on a summer group project, their lives are forever changed. At an end of the year party in the abandoned mine, they witness a preventable tragedy, but no one will take them seriously. As things escalate, they realize the church, the police, and the town’s founders are all conspiring to cover up what happened. When James is targeted as the scapegoat, to avoid suspicion, they vow their silence and to never contact each other again. Their plan works – almost.

Twenty years later, Maddy is found murdered is Wesley Falls, and the remaining five are forced to confront their past and work together to finally put right what happened all those years ago. If they can survive…


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1


August 17, 2015


The mountain had existed long before there had been anyone around to name it, pushed up by the inevitable forces that made the Appalachian Range millions of years ago. Hulking, it stood with a peculiar formation at its apex, two peaks like a pair of horns, giving the mountain its eventual name of Devil’s Peak. The coal mine inside was abandoned long ago.

On the southern side of Devil’s Peak was the town of Wesley Falls, where there were no remnants of the mine except for the overgrown paths crisscrossing up to two entrances, ineffectually boarded up, partially hidden but available to anyone looking hard enough. Down the western side were the steeper paths, far more overgrown with vegetation, leading down to the abandoned town of Evansville. That side of the mountain and beyond grew strange because of the coal fire that had been burning underground for almost a century. The Bureau of Mines had managed to contain the fire to the western side of the mountain so that only Evansville suffered. Only Evansville had bouts of noxious gases, open cracks of brimstone in the roads, residents complaining of hot basements and well water. Over time they left town, leaving behind a ghost.

Unlike its unfortunate neighbor, Wesley Falls had avoided the mine fire and transitioned from a coal-mining town to something not unlike Pennsylvania suburbia. It was the sort of town where one of the billboards outside the Golden Praise megachurch proclaimed, “Wesley Falls: the BEST place to raise a family!” and most adults agreed with that assessment. The sort of place where the city council had voted against a bid to allow a McDonalds to open, arguing that it would “lead to the deterioration of the character of Wesley Falls.” This had less to do with concerns about childhood obesity or dense traffic than it did a desire to keep the town trapped in amber. The sort of town where the sheriff was the son of the previous sheriff.

Jia Kwon, stepping off a train at the station some miles away from Wesley Falls, looked around the crowded station for that son—the sheriff—now in his thirties, though she had trouble picturing this. Sheriff Zachary Springsteen had an air of formality that she couldn’t match up with the image of the boy she knew from high school, whom everyone called Blub. He was an inoffensive, nondescript kid who delivered papers via his clackety bike, who then grew to be the generic teen who stood in the back row of yearbook pictures. She had always been friendly with him, but never quite friends, starting from when she had transferred from St. Francis to the Wesley Falls public school system and Blub sat next to her in homeroom.

Was the fact that she had chosen to keep in contact with this not-quite-friend after she moved away from Wesley Falls an accident? No—she knew that now. Blub had been the perfect person to report back town news over the years because he never suspected her interest was anything more than curiosity. Their exchanges over the years had been just enough for him to feel comfortable, or compelled enough, to make the phone call that had brought her here.

Jia paused to put her phone in her purse, pretending she did not notice any stares. No one looked twice at her in Philly, but here she stood out as the only Asian, drawing even more attention to herself because she had dyed her hair a shade of silvery gray with hints of lavender in it. It would only be worse when she got into town, but even as a kid she had been so used to being stared at that she just exaggerated her strangeness, opting for bright clothes rather than trying to blend in.

“Jia?” said an uncertain voice.

She turned her head and instantly recognized Blub, who stood with the gawky awkwardness of someone uncomfortable with his own height. “Blub!” she exclaimed, coming closer. She embraced him, her head only coming up to his midchest. “You’ve grown two feet!”

He shoved his hands into his pockets, smiling. “Want to ask me if I play basketball?” Their smiles felt hollow, she realized, because of the strangeness of the situation and everything they weren’t saying. “I appreciate you taking the time to come out here. I know you’re probably busy but…” He led her to his patrol car. “Sorry, you’ll have to ride in the back.”

“It’s no problem,” she murmured, surprised to see that he had brought someone along for the ride.

“This is Deputy Sheriff Henry,” Blub said, turning the car on. A smaller man whom she did not recognize half turned and nodded at her curtly, though Jia could see him looking at her in the rearview mirror as they pulled away from the station. What on earth had Blub told him?

That once, in one of their email exchanges, when he complained about having to repair his roof, she made a joke about which team to bet on for the Super Bowl, and he did, and she had been right? That she had one too many stock tips that turned out to be good? That she inexplicably sent him a “You okay?” email at 8:16 a.m. on September eleventh, thirty minutes before American Airlines Flight 11 crashed into the North Tower of the World Trade Center? There had been enough incidents as strange as these that when he called her last year asking for help, it felt like something clicking into place. Something that was supposed to happen. Over the years, she had started to feel comfortable with that clicking feeling, rather than being afraid of it. Last winter he had called her saying that Jane Merrick was missing from the old-folks home—she was prone to running— and she was outside in the freezing weather in only a nightgown, and they were worried about her. He did not say why he was asking her, a person who hadn’t lived in Wesley Falls for two decades, a person who neither knew nor liked Jane Merrick. She told him to look in the barn on the Dandriges’ property without providing an explanation of how she knew. She knew because she saw it. She knew because sometimes she could call up things when she wanted to, though not all the time, but this was still significantly better than when she was a kid and she couldn’t control when the visions hit her, or stop them, or even understand them.

And now, in the peak of summer heat, he had called again, saying that there was a missing person, could she help, friends were worried. She did not ask who because she felt something like the deepest note on a double bass vibrating, reverberating through her body. She saw herself walking, her white maxi dress—the one she was wearing right now—catching on brambles as she maneuvered her way down the overgrown path to the ghost town.

She had to go back to Wesley Falls. It was time.

“You all went to school together?” Deputy Sheriff Henry said when they pulled onto the highway.

“Yeah,” she said. “We didn’t overlap with you, did we?” Henry shook his head. “Blub and I go way back,” she said, meeting Blub’s eyes in the rearview mirror.

“I’ll never get over the fact that people call you Blub,” Henry remarked. “How’d you get that name anyway? Were you chubby or something?”

“I don’t think there’s an origin story,” Blub said, looking like he wanted the subject to change.

“I remember!” Jia exclaimed. “It’s when you threw up in fourth grade.” She leaned forward, pressing against the grate that divided the car, addressing Henry directly. “It was during homeroom. He threw up on his pile of books. I remember because it was clear and ran down the sides like pancake syrup.”

Henry laughed and Blub flushed. “Jia, you can’t remember that because you weren’t there. You were at St. Francis in grade school!”

She stopped laughing abruptly. “I could have sworn I remember that happening!”

“Sometimes when enough people tell you a story, you start to remember it like you were there,” Henry mused.

Sometimes, Jia thought. But there were other people who could see things that had happened or would happen, even if they weren’t there.

As they drove down the highway and drew closer to Wesley Falls, the mood shifted to an anxious silence. Jia checked her phone for anything work related. She ran a small solar panel company called Green Solutions with her two best friends, both hyper-competent, both probably picking up on Jia’s strange tone when she said she had to go back home for a short trip. They probably thought that it had to do with the settling of her mother’s estate, and Jia, even though she was uncomfortable with lying, allowed them to believe this. When her mother had died, Jia had come to Wesley Falls to liquidate everything in The Gem Shop and sell the store itself to the least annoying bidder: a fifty-something-year-old former teacher who wanted to open a bakery. A significant part of the decision had been not that her baked items were good—they were—but something about her aggressive combinations of spices had seemed witchy, and, most importantly, she did not attend Golden Praise. Jia’s mother, Su-Jin, would have approved.

And now, with Blub turning off the highway, her heart felt torn in different directions. Wesley Falls wasn’t home, but it was, because it was where most of her memories of Su-Jin lived. As the car moved it felt as if they traveled through an invisible veil, something that felt uncomfortable in a way she could not put into words anyone else would understand, but was familiar and, she knew, strange. Strange like how she was strange.

But then it came: the feeling that arose every time she had gone home to visit her mother—the feeling that she shouldn’t be here. Except this time, it was worse. They had just arrived in Wesley Falls, passing Wiley’s Bar, which was on the outskirts of town. It was frequented by truckers stopping for a cheap burger and beer.

“That place is still here?” she murmured.

“They got karaoke now,” Blub offered.

“Please kill me,” Jia responded, trying to sound light. Blub laughed, then turned onto Throckmartin Lane. The street hadn’t changed in twenty years: it still housed Greenbriar Park, which everyone called “The Good Park,” and the larger homes where the wealthier families lived. Built before McMansions had hit this part of Pennsylvania, the houses differed in their architecture—some colonial, some farmhouse—but were all similar with their immaculate lawns, American flags, and WESLEY FALLS FOOTBALL signs.

Blub slowed to a stop, making eye contact with her in the rearview mirror. He was waiting for directions.

She gestured for him to turn onto Main Street, that old, curved road with the bottom half of the C drawn out like a jaw that had dropped wide open—it was impossible to drive anywhere in Wesley Falls without driving on Main Street at some point. They passed the police station, then the row of shops. Some of the mom-and-pop stores that lined Main Street had changed, but Wesley Falls still didn’t have a Target, a chain grocery store, or a reasonable place to buy clothes. Indeed, the best place to raise a family was apparently a place where you had to drive ten miles to the mall to get many of the things people wanted. She gazed at the bakery that used to be The Gem Shop. Spade’s Hardware was still there—her mother had had a grudging friendship with the owners. The candy shop had changed ownership but it was still a candy shop. They drove along the north side of town, by the lake and the Neskaseet River—called Chicken River by locals because of its proximity to and usage by the chicken processing plant at the north edge of town.

Wesley Falls and Evansville had both popped up in the 1800s, their economies at first built entirely around the Wesley coal mine, which resided inside Devil’s Peak. No matter how many times well-meaning adults attempted to close off the entrance of the mine, which had been abandoned in the 1930s when the coal ran out, high school kids always found their way in. Drawn to the allure of ghost stories, rumors that if you found the right path you could find the mine fire in Evansville, and the inevitable urban legends about the Heart.

Jia pointed and Blub turned onto the unpaved road that crossed the Neskaseet and wound up the side of Devil’s Peak to Evansville. From this elevation, she could see the entire tiny, abandoned town. The simple, squared-off eight shape of the town’s few roads, the dilapidated strip of larger buildings at the center, then the rectangles of homes, all identical because they had been provided by the mining company.

The road came to an end, trees and shrubbery blocking their passage. Blub put the car in Park, turning to face Jia. “Can’t drive farther.”

“Then we walk,” she said. She led the way, ignoring the looks from both men as she freed herself from prickly branches that caught onto her dress. Blub used his nightstick to whack away a tangle of vegetation, then Jia found a path that led down to the town.

It smelled like sulfur with a hint of cigar. Jia picked her way gingerly down the main road, which was buckled and cracked in places, then turned a corner behind the old church and stopped. There was someone in the road wearing a bright fuchsia shirt. She could only see the top half of the figure’s body. The lower part, from the stomach down, was trapped inside the road in what looked like a fresh sinkhole.

Jia knew without looking. Some part of her had known from the moment Blub called her. He needed help finding a missing person, but he hadn’t said who. This was the thing that had pulled her back, made her feel an insistent anxiety for the past few months.

Blub and Henry were running to the body, the latter yelling. When Jia finally approached, Blub was trying to get a pulse. She watched the two men huddle over the body, Henry almost making an attempt to pull her from the chasm before Blub stopped him. This could be a crime scene.

Blub sat back on his haunches. The fuchsia T-shirt was soaked with last night’s rain. Her blond hair was pulled into a ponytail, tendrils stuck to the sides of her face. That face. Familiar but different. She’s still so pretty, Jia thought. Her mouth was open and a scratch stood out livid on her pale cheek. Her eyes were closed.

“It’s her,” Blub stated.

“Maddy Wesley,” Henry said, disturbed and awed.

“You knew that Maddy was the missing person? You didn’t tell me,” Jia said, trying to keep her voice stable.

Blub remained crouched, his elbows on his knees with his hands dangling down. “Didn’t think I needed to,” he stated, his voice devoid of the warmth it had had while in the car. He didn’t look at her as he examined the scene, and it occurred to Jia that he was actually the sheriff. Not Blub, the kid who threw up on his pile of books, but an actual agent of the law.

Jia edged backward, fearful that the road could break under her.

“You know her?” Henry asked.

His gaze made her self-conscious. Jia had never been a good liar. Much of the lying she had done that summer so many years ago had been by omission. She was working on a project. She was hanging out with Padma. These things had been true, but misleading.

“She was in our year,” Jia managed. “We all went to high school together.”

Blub’s eyes went from the body to Jia. “You weren’t friends, though, were you?” Maddy ran with the popular crowd, the Golden Praise crowd. Jia had been the opposite of that.

“No,” she said finally. “We weren’t friends.”




Excerpted from A Step Past Darkness by Vera Kurian, Copyright © 2024 by Albi Literary Inc. Published by Park Row Books.



ABOUT THE AUTHOR:


Photo Credit: Fredo Vasquez Photography

Vera Kurian is a writer and scientist based in Washington DC. Her debut novel, NEVER SAW ME COMING (Park Row Books, 2021 was an Edgar Award nominee and was named one of the New York Times’ Best Thrillers of 2021. Her short fiction has been published in magazines such as Glimmer Train, Day One, and The Pinch. She has a PhD in Social Psychology, where she studied intergroup relations, ideology, and quantitative methods. She blogs irregularly about writing, horror movies and pop culture/terrible TV.

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