Showing posts with label Historical Fiction. Show all posts
Showing posts with label Historical Fiction. Show all posts

August 13, 2024

Promo Post: Scandalous Women by Gill Paul

at 8/13/2024 11:30:00 AM 0 comments

Mad Men meets the world of publishing in international bestselling author Gill Paul’s new novel about Jackie Collins and Jacqueline Susann, two dynamic, groundbreaking writers renowned for their scandalous and controversial novels, and the beleaguered young editorial assistant who introduces them.

1966, NYC: Jacqueline Susann’s Valley of the Dolls hits the bookstores and she is desperate for a bestseller. It’s steamy, it’s a page-turner, but will it make the big money she needs? In London, Jackie Collins’s racy The World Is Full of Married Men launches her career. But neither author is prepared for the price they will pay for being women who dare to write about sex.

Jacqueline and Jackie are lambasted by the literary establishment, deluged with hate mail, and even condemned by feminists. In public, both women shoulder the outcry with dignity; in private, they are crumbling—particularly since they have secrets they don’t want splashed across the front pages.

1965, NYC: College graduate Nancy White is excited to take up her dream job at a Manhattan publishing house, but she could never be prepared for the rampant sexism she will encounter. While working on Valley of the Dolls, she becomes friends with Jacqueline Susann, and, after reaching out to Jackie Collins about a US deal, she is responsible for the two authors meeting.

Will the two Jackies clash as they race to top the charts? Will Nancy achieve her ambition of becoming an editor, despite all the men determined to hold her back? Three women struggle to succeed in a man’s world, while desperately trying to protect those they love the most.

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ABOUT THE AUTHOR
Photo Credit: Gill Paul's Website


Gill Paul has written thirteen historical novels, many of them re-evaluating extraordinary 20th-century women whom she thinks have been marginalized or misjudged by historians. Her books have reached the top of the US, Canadian, and UK charts, and have been translated into twenty-three languages.

Gill was born and raised in Scotland, apart from an eventful year at school in the US when she was ten. She worked as an editor in nonfiction publishing, then as a ghostwriter, before giving up the “day job” to write fiction full-time. She is also an events organizer for the Historical Writers Association.

Gill loves wild swimming year-round, arranging parties, and traveling whenever and wherever she can.


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April 15, 2024

Promo Post: A Sign of Her Own by Sarah Marsh

at 4/15/2024 04:50:00 PM 0 comments


In 1878, five-year-old Ellen Lark’s world forever changes when she loses her hearing to scarlet fever. Ellen’s mother, determined for her daughter to have a “normal” life, painstakingly teaches Ellen how to read both written text and the speech on people’s lips. With the help of a wealthy patron, she enrolls Ellen into a school for the deaf where Ellen for the first time meets others like her.

Ellen’s schooling leads her to Boston University where she becomes a student of Alexander Graham Bell and his Visible Speech method. Visible Speech allows deaf people to pronounce words as clearly as a hearing person would—though without having any understanding of what they’re saying. Ellen is initially captivated by Mr. Bell and his many dreams for a variety of inventions, but as he becomes consumed by the race to invent the telephone, Ellen begins to doubt the value of her mentor’s teachings. Her doubts only deepen after she meets Frank McKinney, a charming deaf man who runs a print shop and promotes the value of sign language.

When Mr. Bell and the Western Union both submit patents for a device that carries the human voice over a wire, there is controversy over who has won the race. In their quest for the patent, the Western Union tries to recruit Ellen to spy on Mr. Bell using her lip-reading abilities. Ellen must decide if she’ll remain loyal to Bell – despite her growing realization of his harmful teachings – or if she’ll spy on him to protect someone she loves.


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ABOUT THE AUTHOR:

Photo Credit:  Rii Schroer

Sarah Marsh was shortlisted for the Lucy Cavendish prize in 2019 and selected for the London Library Emerging Writers program in 2020. She has an MA in Creative Writing from UEA. She is the daughter of neurosurgeon and author Henry Marsh. A Sign of Her Own is her first novel, inspired by her experiences of growing up deaf and her family’s history of deafness. She lives in London.

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April 5, 2024

HTP Winter Reads Blog Tour Promo Post: The Book of Thorns by Hester Fox

at 4/05/2024 03:44:00 PM 0 comments

An enchanting tale of secrets, betrayal, and magic…

Penniless and stranded in France after a bid to escape her cruel uncle goes awry, Cornelia Shaw is far from the Parisian life of leisure she imagined. Desperate and lacking options, she allows herself to be recruited to Napoleon’s Grande Armée. As a naturalist, her near-magical ability to heal any wound with herbal mixtures invites awe amongst the soldiers…and suspicion. For behind Cornelia’s vast knowledge of the natural world is a secret she keeps hidden—the flowers speak to her through a mysterious connection she has felt since childhood. One that her mother taught her to heed, before she disappeared.

Then, as Napoleon’s army descends on Waterloo, the flowers sing to her of a startling revelation: a girl who bears a striking resemblance to Cornelia. A girl she almost remembers—her sister, lost long ago, who seems to share the same gifts. Determined to reunite with Lijsbeth despite being on opposite sides of the war, Cornelia is drawn into a whirlwind of betrayal, secrets, and lies. Brought together by fate and magic at the peak of the war, the sisters try to uncover the key to the source of the power that connects them as accusations of witchcraft swirl and threaten to destroy the very lives they’ve fought for.


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CORNELIA

BEGONIA: a favor repaid, a warning foretold, a promise delivered in darkness.

Sussex, England, February 1815


I can feel Betsy watching me from the doorway.

She hovers like a bee, rehearsing some small speech in whispers. I pretend not to notice her fidgeting and instead focus on the vase of narcissi before me, the weight of my pencil in my hand. Betsy clears her throat, twice, but I am already arcing out the path of the dainty stems and unfurling petals. There is something calming about reducing the flowers to splashes of grays and blacks, finding beauty in the absence of light.

Betsy lets out a throaty cough. “You might as well come in and be done with it,” I tell her without looking up.

“Yes, miss.” She drops a curtsy, her gray ringlets bouncing under her cap. “It’s just that there’s a man in the drawing room with your uncle, miss, and your uncle asks that you join them.”

I continue sketching, watching the frilly petals take shape on my paper. “Please make my excuses,” I tell her. Uncle likes to bring me out when he has business meetings, the same way he sets out the good claret and crystal goblets with the old family crest. With no wife and no children of his own, I make a pretty addition and bring a touch of softness to his otherwise hard demeanor. “There’s a cake in the kitchen and cold ham as well that you might bring them,” I add as an afterthought.

But Betsy doesn’t leave. She wrings her hands and tuts about like a fussing hen. “No, miss. He’s for you.”

I carefully set aside my pencil. This is what I was afraid of. Closing my eyes, I rub my temples, wishing that it was anything else besides this. My time is not even my own, and I hate being pulled out of my work just to oblige Uncle.

“Very well.” I dismiss Betsy and take a moment in front of the mirror in the hall. Uncle’s friends and associates are mostly stodgy old men, but there is always the possibility that it could be someone young, someone exciting. I pinch roses into my cheeks and tease out a few of my yellow curls. If have control of nothing else in this house, I at least can take pride in my appearance.

I take a deep breath and let myself into the drawing room. “Betsy said you wanted me, sir?”

Uncle stands and tugs at his waistcoat. “Cornelia, come in.”

Though not more than fifty years in age, his poor temper and taste for rich food and drink has left my uncle with a ruddy complexion and portly figure. He is not a healthy man, and his jowls are loose, his complexion jaundiced. What he lacks in polished comportment, though, he makes up in his wardrobe, opting for elaborate cravats and showy brocaded waistcoats that never quite fit him but speak of money and an account in good standing at the tailor. Uncle waves me over, impatient. “Come meet Mr. Reeves.”

Obedient, I come and position myself near the window where I know the soft gray light is especially flattering to my fair complexion. The man unfolds himself from his chair. He is tall and spare, his black frockcoat well-cut and his boots shined. He looks familiar, perhaps from church or one of Uncle’s interminable business dinners. I suppose some might consider him handsome, but there is an intensity in his dark eyes that is more predatory than charming. “Miss Cornelia,” he says, taking my hand and bowing over it, “a pleasure.”

“Mr. Reeves.” I withdraw my hand. “I hope my uncle is not boring you with land yields and livestock accounts.”

He shares a confidential look with my uncle. “On the contrary. Our conversation has been on the most enjoyable of topics.”

“He’s here to see you,” Uncle says, plowing straight into the heart of the matter as he always does. “Mr. Reeves comes as a suitor.”

Uncle makes the outcome of this meeting perfectly clear in the sharp downturn of his lips. His patience with the matter of my marital status is wearing thin.

Well, that makes two of us.

I don’t fancy marriage, but I certainly don’t fancy spending one more day than I have to under my uncle’s roof, either. My dreams of publishing a book remain foggy and out of reach, and the money from my illustrations published in a French newspaper under a nom de plume pays only a pittance. It is not enough to live on, and certainly not enough for a young woman who enjoys fine things and an easy life. A husband would solve at least two of my problems, but it would create a host more.

“I’ll leave you two alone to talk,” Uncle says, cutting me with a look that says there will be hell to pay if I emerge from this room without securing an engagement.

The air usually lightens, the room sighing a breath of relief, when Uncle leaves, but Mr. Reeves’s presence prickles me under my stays, makes me fidgety.

Betsy is posted outside the door, her needles softly clacking as she knits some horrid bonnet or muffler. Outside, a fine mist has rolled over the gentle Sussex hills. A smile spreads over Mr. Reeves’s sharp features. “Your uncle says you’re a spirited filly. That you need a strong hand to break you.”

Ah, so it is to go like that, then. I pour a cup of tea, ignoring my guest’s outstretched hand, instead lifting the cup to my lips. “That does sound like the sort of nonsense my uncle would say.”

Mr. Reeves regards me, his dark eyes calculating. “Your uncle was right, but I think he also underestimated you. I can see you possess some wits, so I’ll not mince words.” He crosses his long legs. “I am looking for a wife, and your uncle is looking to expand his landholdings to the south of the county.”

If the man who has sat down across from me was meek, pliable, then perhaps I would have more patience in hearing his suit; I don’t need someone who will get underfoot or try to handle me. Even some doddering old lord who might die quickly and leave me a widow would be acceptable. But Mr. Reeves is irritatingly young and looks to be in good health.

“My uncle was mistaken. I am not in need of a husband.” I offer him a cold smile, my mind already back on my flowers, my fingers itching to hold my pencil. The light has shifted with the gathering clouds, and I will have to rework my shading.

He pours himself a cup of tea. “Come, wouldn’t you like to have a fine house? Be mistress of a whole host of servants? I can see that you enjoy some degree of freedom, and I can give you that. You will have a mare and a generous allowance.”

“I should think it would be terribly lowering to have to lure a wife into one’s home with promises of horses and gowns. Shouldn’t you rather wish her to come of her own volition because she holds you in some esteem?”

“You are naive if you think that marriage is anything other than a business transaction. You are a young woman of beauty and some small means but a drain on your guardian. I am an enterprising man, with successful business dealings and a good bloodline looking for a wife who will elevate his status and ornament his home. I hold a commission in the army and anticipate traveling to the Continent shortly. It is a good deal for you, and you would be hard-pressed to find a better one, especially with your lack of polish and manners.”

“It’s a little late to be going over to the Continent, isn’t it? I believe we quite vanquished Napoleon.”

Irritation animates his dark eyes before he glances away, taking what I suspect is an intentionally long sip of his tea.

I study him over the rim of my cup, imagining the way I would draw the sharp angle of his chin, the aquiline nose, before finally placing where I’ve seen him. “You were married before, were you not?”

There is an almost imperceptible stiffening of his body. “Yes, I make no secret of the fact that I am a widower,” he says shortly.

“And how, exactly, did your first wife die?” The roses in the vase on the table beside me are vibrating, warning me. I pretend not to notice, pretend that I am a normal young woman who does not receive messages from flowers.

His lips thin. “An unfortunate fall.”

“Mm. She did not bear you any children, did she?”

“Barren.” He tugs at his cravat, irritated. “You would do well not to let your ear wander to every housemaid that has a piece of gossip to peddle,” he says coldly.

“In any case, I am not interested.” I move to put my cup down, but a hand closes around my wrist, hard. I look up to find that he has leaned in close, his breath hot on my neck.

“Perhaps you’ve also heard that I have certain…proclivities.”

The roses in the vase strain toward me, singing, setting my teeth on edge. My fingers begin to tremble, but I do not let him see it. “Why would you tell me that?”

“Because I think, dear girl, that you are under the impression that I would use you poorly.” He leans back, but only slightly, the air around him still charged and menacing. “I can be a very hard man when I’m tested, but I can take my pleasures elsewhere, so long as my wife is obedient.”

His gaze is sharp, his grip painful, and I realize that here is a dangerous man, one who is not just a brute but also clever. He cannot be fobbed off with witty barbs or batting eyelashes.

“This conversation bores me,” I tell him, standing. “I will not be your wife. I’m sorry that you wasted your time in coming here.”

But he makes no move to stand, his cool gaze sliding over me in a way that leaves me feeling horribly exposed. “I’ve seen you often, Cornelia. In church, sitting so demurely with your hands folded in your lap. You may think to have everyone else fooled, but I see the spirit in your eyes. A woman like you can never be satisfied with the life of a spinster, put on a shelf here in Sussex. I can offer you fine things, take you to exciting places abroad with me.”

And I’ve seen you, I think. I’ve seen how cruelly you used your first wife, the bruises on her pretty face. The way she faded little by little every week in church, until she was just a ghost in a dress, her final service that of her funeral. That will not be me.

“Surely there are other young ladies that would be flattered by your attentions,” I tell him.

“None so beautiful, none that I would take so much pleasure in breaking. The more you deny me, the more determined I am. Ask your uncle. I am a man who gets what he wants, one way or another.”

All the promise of gold or Continental trips would not be enough to tempt any marriage-minded mama to let her daughter enter into an arrangement with a man like Mr. Reeves. But of course, I have no mama to arrange such matters for me, to keep me safe.

“Then, perhaps it was time you lose for a change. Do you not find it dull to always get what you expect?”

He stands, drawing close and jabbing a finger into my bodice. It takes some great force of will to stand my ground and not let him see my fear. “You may think yourself clever, but this visit was just a courtesy. Your uncle and I have all but drawn up the contract already.”

He storms out, and the room grows quiet in the wake of the front door slamming. Betsy startles from her seat where she had fallen to dozing. I close my eyes, take a breath, wait until my heartbeat grows even again. Then I return to my waiting drawing in the parlor.

If I work quickly, I can still finish it and have it ready for tomorrow’s post. But for now, there is no waiting publisher, no silly French pseudonym; it is just the light and the shadows and me, a silent dance as I commit them to paper. Mr. Reeves and his odious proposal quickly fade away from my mind.

But then a raised voice shatters the silence, breaking my concentration, and there is the thundering velocity of Uncle coming down the hall.


Excerpted from THE BOOK OF THORNS by Hester Fox. Copyright © 2024 by Hester Fox. Published by Graydon House, an imprint of HarperCollins.


About the Author

Photo Credit: Stephanie Patalano Photography

Hester Fox is a full-time writer and mother, with a background in museum work and historical archaeology. She is the author of such novels as The Witch of Willow Hall, A Lullaby for Witches, and The Last Heir to Blackwood Library. When not writing, Hester can be found exploring old cemeteries, enjoying a pastry and seasonal latte at a café, or scouring antique shops for old photographs to add to her collection. She lives in a small mill town in Massachusetts with her husband and their two children.

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February 14, 2024

HTP Winter Reads Blog Tour Promo Post: The Framed Women of Ardemore House by Brandy Schillace

at 2/14/2024 06:24:00 PM 0 comments

An abandoned English manor. A peculiar missing portrait. A cozy, deviously clever murder mystery, perfect for fans of Richard Osman and Anthony Horowitz.

Jo Jones has always had a little trouble fitting in. As a neurodivergent, hyperlexic book editor and divorced New Yorker transplanted into the English countryside, Jo doesn’t know what stands out more: her Americanisms or her autism.

After losing her job, her mother, and her marriage all in one year, she couldn’t be happier to take possession of a possibly haunted (and clearly unwanted) family estate in North Yorkshire. But when the body of the moody town groundskeeper turns up on her rug with three bullets in his back, Jo finds herself in potential danger—and she’s also a potential suspect. At the same time, a peculiar family portrait vanishes from a secret room in the manor, bearing a strange connection to both the dead body and Jo’s mysterious family history.

With the aid of a Welsh antiques dealer, the morose local detective, and the Irish innkeeper’s wife, Jo embarks on a mission to clear herself of blame and find the missing painting, unearthing a slew of secrets about the town—and herself—along the way. And she’ll have to do it all before the killer strikes again…

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CHAPTER ONE


The house was enormous. Jo didn’t know enough about local architecture to date it, but the walls stretched up in the damp air, big and dark and lichen flecked. Windows had been boarded up; they wept black mildew creases over sandstone sills. Staring through the car window, Jo dropped her eyes down to the stairs, flanked by columns where Jo imagined regal statues might have stood. Or ought to have stood.

“It’s…a castle,” she whispered.

“It is most certainly not a castle,” said Rupert Selkirk, solicitor of Selkirk and Associates, in the driver’s seat beside her. “Not even the largest house in Abington.”

Solicitor. Jo rolled the word around in her mouth. She’d pocket it for later rumination; it was nice to have a word for chewing on. It suggested antique leather chairs and brass lampstands, felt safer than divorce lawyer, and didn’t trigger the same sort of gut gripe. Rupert looked exactly as a solicitor ought to, with a high forehead, disappearing hairline, and two very bushy eyebrows. He also drove a puddle-green sedan with the steering wheel on the wrong side of Jo’s expectations. She wondered if the sense of dislocation would fade with the jet lag. It hadn’t exactly improved her first impressions. She forgot to introduce herself, forgot the handshake, stared in absolute stunned silence at the landscape as they drove.

Online pictures had suggested something endlessly green, but the reality was wet and ragged, browned out from the end of winter and laced at the edges with naked tree branches. Jo squinted into the distance, taking in the brackish heath, then trees, then fog. A cluster of trees appeared, lanky pin oaks and a few copper beeches. A crumbling dry-stone wall snaked away from decayed posts; no fence, but the remnants of one. She let her eyes wander its length to a dark smudge of woodland and black bark dotted with lichen. The rest of the hill loomed treeless, stark, and scarred by eruptions of additional stone. Moors, she thought. Endless and rolling with dry heather and wet peat.

Jo had pressed herself to the glass, ignoring the steam prints she made. She hadn’t brought much with her—certainly not her books. But Wuthering Heights might have been a good choice. Relaxation breathing had never been much use to her; whenever she consciously thought about autonomic responses, they went all wrong. So she mentally recited the opening lines of the novel as the car grumbled to a halt in the shadow of Ardemore House. As for Rupert, he was repeating himself.

“—Not a castle. The house is wider than it is deep, mostly to take advantage of the south-facing aspect.” Seeing the blank look on Jo’s face, he tried again. “In England, south-facing gardens get the most sun. That’s where you’ll find the Ardemore Gardens. They were the highlight of the property, once. Overgrown now, I’m afraid.” Rupert swept his hand across the horizon as if bisecting it. “Everything east of here is rented for grazing livestock. There is also, as you know, the cottage. It helps defray the tax burden.”

Tax burden. She might want to hold on to those words, too.

“Emery Lane, my assistant, will be drawing up papers while we walk the property,” he said. Jo was starting to run out of processing space, internally. She felt a hiccup of emotion and press-ganged it into a smile.

“Papers?”

“For you to sign. To take over the property as your inheritance.”

The smile failed. Better say something like yes, good. Quite. Exactly the thing. But Rupert got there first, offering her a hand out of the passenger seat.

“Your mother always spoke very warmly of you, by the way. I was very sorry to hear of her passing.”

At these words, Jo quietly abandoned her pursuit of professionalism.

“Y-yeah. I got the card. Thanks.”

Rupert was still looking at her. She could tell, but wasn’t about to look back. She took in the house, instead, this not-castle that rose straight out of bracken and into a cloud bank.

“I want to go inside,” she said. Rupert joined her across the weedy lawn.

“I thought we would see the cottage first. It’s at least habitable.”

He didn’t seem to understand; Jo was standing in front of Wuthering Heights, and no, she did not want to go poke around a cottage. Not yet.

“Inside,” she said. “Please.” Rupert sighed.

“All right. But have proper expectations. This property has been vacant for a century, at least since at least 1908.”

Now in front of the door, Jo furrowed her brow as Rupert hunted for the right key. That was a surprise, actually. And it didn’t make sense.

“But you said my uncle Aiden had the property? In your email—”

“Ah, but he did not live on-site. Had a flat in York, and—” Rupert stopped abruptly and stumbled back. Jo followed his gaze to see a pair of bright eyes peering back at them through the glass.

“Jesus!”

“Tut, now.” Rupert waved his hand airily. “That’s only Sid Randles, caretaker.”

A moment later, and the man himself opened the door. Lean, lanky, all arms, legs, and a shock of red hair. Attractive in the way of highwaymen and pirates, he was either a very well-kept forty-something, or thirty gone to seed. He was also blocking the way.

“Here’s a surprise,” he said. “This the American, then?”

“Yes. Sid Randles, meet Josephine Black,” Rupert offered.

“Jones,” Jo corrected. “It’s Jo Jones now. I mean, again.” Jo faltered slightly, then dutifully stuck her hand out. Sid tucked an industrial-grade flashlight under his arm and gave her a shake, then squeezed her palm.

“Sounds like an alias,” he said.

“Jo Jones was an American Jazz drummer of the Count Basie Orchestra rhythm section from 1934 to 1948,” Jo said, then puckered her lips as if that would bring the words back. Sid eyed her a minute, then let out a yelp of laughter, and not very kindly.

“Ms. Jones would like a tour. Sid, will you do the honors, please?” Rupert checked his wristwatch. “I need to take this call and there’s no signal inside.” He turned away, and Sid grinned at Jo, one crooked canine slipping over his lip like a storybook fox.

“There’s no electricity,” he said.

“I figured that’s why you have the flashlight,” Jo said, pointing. Imagining him as Reynard from the French fables had done wonders for her confidence. She could almost imagine the swish of his irritated tail.

“Fine, fine. Come on in.” He backed into the hall. “Hope you don’t mind the smell.”

It would be hard to miss it. A puff of musty air assaulted Jo’s nostrils on entering—a wet, rotten odor. The windows were boarded, and in the slanted peek-a-boo light she could just make out the ghost of a table, a phantom of chairs in the foyer. Sid swept the light across the hall from a dust-webbed staircase to a grand room that opened off their left.

“You’ll want to pay respects to the Lord and Lady,” he said, then marched her through the pocket doors. The smell was stronger in here, sharper and more tangible. Then, her heart leapt; she’d caught a glimpse of distant book spines.

“It’s a library?” she asked.

“Yeah. A rotten one.” Sid played the flashlight beam along the mantel of a marble fireplace. “But up there, see ’em? That would be Lord William Ardemore. And his wife, Gwen, of course.”

The portraits were too large, and the beam of the light too small, but she could make out a frowning man with deep set eyes and a woman with a rosebud mouth, who might have suitably graced a Victorian cookie tin. Family members she had never known.

“Damned odd, those two.” Sid flicked the light between them. “Just up and vanished from the place.”

Jo sucked a breath. Did everyone know more about them than she did?

“What do you mean? Vanished how?”

“I mean just that.” He played the light against his own face, campfire style. “Just up sticks and gone. Fired everybody, too, didn’t they? Oh, they’d been toast of the town, like.” He did an awful falsetto: “Jobs for the big garden and big bloody house. Then poof. Like they were running from something.”

Jo was watching carefully for signs of a joke. There didn’t appear to be any, so then she waited for him to carry on. Except he didn’t. She studied him for a few silent seconds, until he gave another bark of laughter.

“Nothin’ to say about that, eh? Well, the old Lord and Lady are the least of your worries, anyhow. There’s a hole in the roof upstairs, an honest to God hole. Between you and me? Be cheaper to pull the house down than to fix it up.”

Jo pursed her lips so hard she felt teeth.

“I just got it! I can’t tear it down!”

Sid only shrugged at her outburst.

“Fair, I guess. But what do you plan to do with it, then? Look around.”

Jo did not, in fact, have an answer to that. Sid apparently meant it rhetorically, anyway, since he was now herding her toward the door.

“To the cottage,” he said. “Come on.”




Excerpted from The Framed Women of Ardemore House by Brandy Schillace. Copyright © 2024 by Brandy Schillace. Published by arrangement with Harlequin Books S.A., a division of HarperCollins


About the Author


Brandy Schillace, PhD, is a historian of medicine and the critically acclaimed author of Death's Summer Coat: What Death and Dying Teach Us About Life and Living and Clockwork Futures: The Science of Steampunk. The editor-in-chief of the journal Medical Humanities, she previously worked as a professor of literature and in research and public engagement at the Dittrick Medical History Center and Museum. Brandy also hosts the Peculiar Book Club Podcast, a twice-monthly show. The Framed Women of Ardemore House, featuring an autistic protagonist caught at the center of a murder mystery, is her fiction debut. Brandy is also autistic, though has not (to her knowledge) been a suspect in a murder investigation. Find her at https://brandyschillace.com/.


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January 30, 2024

Promo Post: The Excitements by CJ Wray

at 1/30/2024 01:00:00 AM 0 comments


A brilliant and witty drama about two brave female World War II veterans who survived the unthinkable without ever losing their killer instinct…or their joie de vivre.

Meet the Williamson sisters, Britain’s most treasured World War II veterans. Now in their late nineties, Josephine and Penny are in huge demand, popping up at commemorative events and history festivals all over the country. Despite their age, they’re still in great form—perfectly put together, sprightly and sparky, and always in search of their next “excitement.”

This time it’s a trip to Paris to receive the Légion d’honneur for their part in the liberation of France. And as always, they will be accompanied by their devoted great-nephew, Archie.

Keen historian Archie has always been given to understand that his great aunts had relatively minor roles in the Women’s Royal Navy and the First Aid Nursing Yeomanry, but that’s only half the story. Both sisters are hiding far more than the usual “official secrets”. There’s a reason sweet Auntie Penny can dispatch a would-be mugger with an umbrella.

This trip to Paris is not what it seems either. Scandal and crime have always quietly trailed the Williamson sisters, even in the decades after the war. Now armed with new information about an old adversary, these much decorated (but admittedly ancient) veterans variously intend to settle scores, avenge lost friends, and pull off one last, daring heist before the curtain finally comes down on their illustrious careers.


ABOUT THE AUTHOR

Photo Credit: Author's Webpage

CJ Wray is the pseudonym of Christine Manby, a Sunday Times bestselling author with more than forty books to her name. Raised in the west of England, she studied psychology before embarking on an entertaining and wide-ranging career that has seen her selling kitchens, editing erotica, interviewing an armed robber, and impersonating a princess.


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October 2, 2023

HTP Fall Reads Blog Tour Promo Post: The Roaring Days of Zora Lily by Noelle Salazar

at 10/02/2023 04:00:00 AM 0 comments

Set during a period of rapid social and technological change, The Roaring Days of Zora Lily follows a struggling young seamstress from her long nights sewing costumes in the smoke-filled speakeasies of Seattle to designing gowns for Hollywood’s biggest starlets.

2023, The Smithsonian's National Museum of American History: A costume conservator is preparing an exhibition featuring movie costumes from the 1920s to present day. As she gingerly places a gown once worn by Greta Garbo on a mannequin, she discovers another name hidden beneath the designer's label, leaving her to wonder—who is Zora Lily?

1924, Seattle: Poverty-stricken Zora Hough spends her days looking after her younger siblings while sewing up holes and fixing hems for clients to bring in extra money, working her fingers to the bone just to survive. But at night, as she lies in the bed she shares with one of her three sisters, she secretly dreams of becoming a designer like Coco Chanel and Jeanne Lanvin.

When her best friend gets a job dancing in a club downtown, Zora is lured in by her stories of music, glittering dresses and boys. She follows her friend to the underground speakeasies that are at once exciting and frightening—with smoke hanging in the air, alcohol flowing despite Prohibition, couples dancing in a way that makes Zora blush and a handsome businessman named Harley. It’s a world she has only ever imagined, and one with connections that could lead her to the life she's always dreamed of. But as Zora's ambition is challenged by tragedy and duty to her family, she'll learn that dreams come with a cost.


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Washington, DC, 2023



The fluorescent lights blinked on in a domino effect, one after the other, a faint buzzing sound filling the room as I stood squinting in the unnatural light.

I inhaled, taking in my small slice of heaven within the storied walls of the Smithsonian National Museum of American History. The long room with its high ceiling, soothing taupe walls, and wood floors—weathered in spots from years of conservators standing and pacing as they labored over the works of great minds—brought a sense of peace as soon as I stepped inside.

The museum had been my happy place since I was a little girl, when my mother would walk with me from our baby blue–painted row house on Capitol Hill, her slender fingers wrapped around my pudgy ones. We’d wander past sprawling parks, melancholy monuments documenting history, to the austere but magical facade housing wonders my six-year-old eyes could barely comprehend. By the age of eight I knew all the regular exhibits like the back of my hand, and waited anxiously for the monthly newsletter that arrived in our mailbox, telling us what traveling exhibits we could expect next. It was one such exhibit, a gallery of gowns worn by British royalty, that had burrowed itself inside me in such a way that a dream was born.

“I’m going to work here one day,” I’d told my mother, pushing back a strand of dirty-blond hair as I stared up at a jewel-colored gown once worn by Queen Elizabeth the Second.

I was twelve.

I wanted to exist within these walls. It was my church, and I believed in its teachings wholeheartedly. I had drunk the water. Read the great books. And prayed to the gods of knowledge and creativity. I wanted to be part of whatever it took to bring history to life for others. And for the past nine years…that’s exactly what I’d done.

I stared at the scene sprawled out before me.

“Sanctuary,” I whispered, tucking a blond-highlighted strand of hair behind my ear.

Gleaming table after gleaming table sat covered in silk, satin, lace, and velvet. Gowns and dresses and blouses previously only seen on movie screens and in photographs now lay delicately in wait of tending to, their sparkle and sinew in contrast to the stark lights and tepid surroundings. Mannequins, my constant companions, stood at the ready, waiting for their moment.

Thread in every color imaginable, like a rainbow of rotund spool soldiers on a rolling rack, waited to be chosen. Needles in pincushions, strips of bias tape, shimmering appliqués, ribbons, seam rippers, clear drawers filled with buttons and clasps and snaps, and boxes upon boxes of straight pins, their colorful heads a happy bouquet of tiny plastic globes, were scattered across every surface, peeking from where they’d fallen to the f loor, rolled beneath furniture, and stuck—I bent to pull a pink-headed pin from the rug beneath my feet—in a variety of inconvenient places.

The door clicked open behind me and I smiled.

“Good morning, Sylvia,” a familiar voice said.

“Morning, Lu,” I said to the one member of my team who, like me, couldn’t wait to get to work.

Every day, my friend and fellow fashion-obsessed cohort, Lu Huang, and I arrived within minutes of one another, and a full half hour before anyone else. Working as conservators for the museum was a coveted get for us. A dream job that every morning caused us to rush from our respective homes, grabbing an insufficient breakfast on our way out the door, and wondering hours later why we were so hungry. We lost track of time constantly, surviving on coffee and bags of chips from the vending machine, and leaving friends and family waiting on us as we turned up late to holiday parties, dinners, and events we’d implored others to attend but couldn’t possibly get to on time, and having forgotten to blend the concealer we’d hurriedly dotted on in the train, with paint under our nails and bits of thread or glue on our jacket cuffs.

In Lu I’d found not only the perfect work companion, but a kindred spirit. Over the nine years we’d worked together, we’d enjoyed laughing over our shared love of no-nonsense ponytails, and waxing poetic about old films and vintage fashion. We sat in her living room or mine, rewatching the movies that had shaped us and sharing stories of our schoolgirl walls plastered with images of iconic women of the silver screen, while our schoolmates favored posters of half-clothed men. So, when the idea for the newest exhibit started floating around our superiors’ offices upstairs, we’d spent many a night poring over which films we’d choose if asked, and then deliberated, scrapped, and chose again until we had the perfect array.

Out of curiosity, we began to inquire with movie studios about the costumes we’d be interested in displaying, running into new obstacles with each call we made. Several times we chose a beloved film only to find half the costumes had been lost in a fire, were part of a decades-long legal battle, or were just plain lost—a travesty over which we consoled ourselves with a huge plate of nachos and a pitcher of margaritas. Eventually, the decisions about which movies to include boiled down to three simple things: Where were the costumes we’d need? Would they be available to us for the time required? And what kind of shape were they in?

Once we’d gotten the green light that the exhibit was on, we finalized our list, made the calls, gathered confirmations, and began the design for the wing the costumes would be shown in. And then we waited, barely able to contain ourselves as one by one the garments that would be featured in The Hollywood Glamour Exhibition arrived.

We chose two movies per decade, going back one hundred years to the 1920s. Every piece that had been worn by the female lead was sent to us from studios, museums, or estates. Once in our possession, my job as costume curator, along with my staff of seven, was to remove each gown or outfit from its protective garment bags or boxes, and go over it with a fine-tooth comb, looking for tears, stains, missing buttons, and the like. We’d been working for months. Some of the more intricate gowns needed extensive rebeading or sequin replacement, and many of the older pieces needing patching inside to hold the outside fabric together. In two cases we’d had to sew exact replicas of the linings, and then carefully fit them inside the original, giving it something to cling to, extending its life.

A pantsuit from the forties had lost an outside pocket and matching the fabric had been hell. The brim of an iconic straw hat that belonged to another outfit had been scorched by a cigarette and needed to be patched. Each garment presented its own set of unique problems, and we were giddy as we worked to solve each puzzle.

With our intention for each item to be viewed from all sides, it was crucial they looked as flawless as possible. Thankfully, my team were experts in their field, and excited at the opportunity to handle costumes worn by some of the most famous women in film history.

“Can’t believe we’re down to the final film,” Lu said, running a finger over a strip of fringe hanging from a black evening gown. “I think this batch is my favorite.”

I nodded, taking in the room of costumes from the 1928 film The Star. Each piece had been worn by the iconic Greta Garbo and was the epitome of elegance and class. And a notable diversion from the designer’s usual style.

“It’s so odd Cleménte changed her MO for this one film,” I said, tilting my head as I took in the distinct wide neckline featured in each of the eight pieces. Even a blouse and jacket had been designed to show off the actress’s collarbones. The pieces were alluring, but Cleménte had always been known for a more modest style.

Michele Cleménte had been a well-known designer in the ’20s and ’30s, her signature style demure, with higher necklines and longer hems. But for this movie, she’d completely diverged.

“It is strange,” Lu said, frowning. “The studio must’ve wanted something exact.”

“Then why hire her?” I asked. “Not that she didn’t do a lovely job. The clothing is exquisite. I’d wear them all now.”

“And look fab doing it.”

I felt myself blush with pleasure at the compliment. Being tall and willowy had its advantages. Unfortunately for me, I had neither the opportunity nor the bank account to wear clothes as fine as the ones before us.

“Thanks, Lu,” I said, bending to peer closer at the large white beaded star on the white satin gown that was to be the centerpiece for the entire show.

Aside from the star, the rest of the fabric had been left unadorned, letting the beaded element shine before one’s eye went to the skirt, which fell in soft overlapping layers to the floor. It was a stunning piece of art. But a confusing one. Because it

had no resemblance to any piece ever sewn before by Cleménte. At least not any piece I’d seen in my years of studying the different famous designers. It didn’t have her specific way of hand sewing or her distinctive technique of tying off a knot, or even her tendency toward geometric shapes. But it was the neckline that really threw me off. Cleménte had preferred to leave a lot to the imagination. It was her calling card during a time when everyone else was showing more skin. And yet for these, she’d completely gone off-script.

The rest of the crew arrived at nine on the dot and the quiet of the room rose to a dull roar as individual desk lights were turned on, loupes donned to scrutinize the tiniest details, and we all began to sew, glue, and chat our way through the day.

“Syl?”

I glanced up and winced as my back protested from having been bent over a table for the past hour. Lu stood, her coat over her arm, by the door. Everyone else had vanished.

“What time is it?” I asked.

“Nearly seven.”

“Shit. How does that always happen?” I pulled the loupes from my head.

“You happen to be in love with a dress,” Lu said. “That’s how.”

“Story of my life.”

“Explains so much.”

“Does it?”

“I mean, it definitely explains why you haven’t had a date with a real live human in a while. Only—” She gestured to the mannequin beside me.

We laughed. She wasn’t wrong.

Lu was the only person who truly understood me. The only person besides my sister who I’d ever allowed to see inside my guest room closet where dozens of scavenged vintage dresses, trousers, jackets, and hats hung, waiting to be delicately cared for like the ones I lovingly handled at work.

“You gonna stay?” Lu asked, watching me as I looked back at the dress spread out before me.

I rubbed my eyes and stared at the tiny white beads I’d been replacing. We’d named the dress The Diaphanous Star, and I’d been carefully sewing on one bead at a time for the past two hours. It was a delicate task as the fabric they clung to was nearly one hundred years old. I had to work slowly and thoughtfully to keep from shredding it.

“Yeah,” I said, rotating my head. “I want to get this star done. How’d you do today?”

I glanced over at the black evening gown she was working on.

“I’m close,” she said. “You can barely see the snag in the back now, and I should be able to replace the bit of fringe that’s missing tomorrow.”

“Perfect,” I said, reaching over to wake my laptop and clicking on the calendar. “We are ahead of schedule, which bodes well should we have any catastrophes.”

Lu knocked a small wooden box holding scissors inside it.

“Don’t jinx us,” she said and then waved. “See you B and E.”

“See you B and E,” I said.

B and E. Bright and early. We’d made it up one day after the youngest woman in our group rattled off a bunch of acronyms as if the rest of us should know what they mean. We used it constantly. She didn’t think it was amusing. This of course made it that much funnier.

I pulled my loupes back down and resumed placing the beads that formed the shimmering star. Thirty minutes later I sat up, set the magnifying glasses on the table, and arched my back in a well-deserved stretch.

“Okay, you,” I said to the dress. “Time to get you on a mannequin.”

Sliding my arms beneath the gown, I lifted it carefully and carried it to the far end of the table where a mannequin with roughly Greta Garbo’s 1927 torso measurements stood in wait,

minus its arms which would be attached once I got the dress on it.

Unfortunately, the wide neckline made it hard to secure.

“You’re pretty,” I muttered, trying to keep the dress from slipping to the floor while I reached for one of the arms. “But a pain in my ass.”

I clicked an arm into place, moving the capped sleeve over the seam where the appendage attached to the shoulder, and making sure the hand was resting just right on the mannequin’s hip. Satisfied, I reached for the other arm and did the same on the other side.

“Not bad, headless Garbo,” I said, straightening the gown and smiling at the beaded star glimmering under the lights.

I grabbed my notepad and made my way around the dress, writing down problems that still needed to be addressed. Loose threads, the unraveling second tier of the skirt, and a bit of fabric that looked like it had rubbed against something and was scuffed. There was a stain on the hem in back, and one of the capped sleeves sagged, leading me to investigate and find a spot inside where the elastic was stretched out of shape.

My eyes moved along every inch of fabric, bead, and thread, my fingers scribbling notes as I took in what was easier to see with the dress hanging rather than sprawled on a tabletop. As I scrutinized the neckline in back, I noticed the tag was exposed and reached up to tuck it in. But as I pulled the material back, the tag fluttered to the floor.

With a sigh, I bent to pick it up. I could leave the fix until morning, but as I had nothing but an empty apartment waiting for me, I began the task of detaching the arms of the mannequin and sliding the dress back off and onto the table.

“Always something with you ladies,” I said, grabbing a needle and thread. “Can’t complain, I guess. Hottest date I’ve had in a while.”

But as I turned my attention to the spot the tag had fallen

from, I frowned and pulled the dress closer, peering at a small, elegant stitch no longer than the length of the tag that had covered it.

“Is that…”

I grabbed my loupes and looked again, the stitching now magnified and leaving zero doubt that beneath the tag, in white thread and a beautiful freehand stitch, was a name—and it wasn’t Cleménte’s.

Sitting back, I removed my glasses and stared at the gorgeous dress with its beautiful wide neckline and capped sleeves, the beaded star, the tiered skirt that was so unlike Cleménte in style, and wondered aloud to the empty room—

“Who the hell is Zora Lily?”




From THE ROARING DAYS OF ZORA LILY by Noelle Salazar. Copyright © 2023 by Noelle Salazar. Published by MIRA, an imprint of HarperCollins.


About the Author

Photo Credit: Noelle Salazar


Noelle Salazar was born and raised in the Pacific Northwest, where she's been a Navy recruit, a medical assistant, an NFL cheerleader, and always a storyteller. As a novelist, she has done extensive research into the Women Airforce Service Pilots, interviewing vets and visiting the training facility—now a museum dedicated to the WASP—in Sweetwater, Texas. When she’s not writing, she can be found dodging raindrops and daydreaming of her next book. Her debut The Flight Girls, was an instant bestseller, a Forbes Hypable book of the month, and a BookBub Top Recommended book from readers. Her second novel, Angels of the Resistance: A Novel of Sisterhood and Courage in WWII was also published to wide praise including an Amazon Editors’ Fiction Pick of the Month. Noelle lives in Bothell, Washington with her family.


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Author Website: https://www.noellesalazar.com/

Instagram: https://www.instagram.com/noelle__salazar/

Facebook: https://www.facebook.com/noellesalazar

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Goodreads: https://www.goodreads.com/author/show/18424925.Noelle_Salazar




August 15, 2023

Blog Tour Promo Post: The Keeper of Hidden Books by Madeline Martin

at 8/15/2023 10:12:00 AM 0 comments


1939, Warsaw: All her life, Zofia has found comfort in two things during times of hardship: books and her best friend since childhood, Janina.

But now as Germany bombs and destroys their city, and the horror increases around her, Zofia jumps to action to save her friend and salvage whatever books she can from the wreckage, hiding them away, and even starting a clandestine book club. She and her dearest friend never surrender their love of reading, even when Janina, half Jewish, is forced to relocate into the newly formed Warsaw ghetto.

But life only becomes more dangerous for the women and their families – and escape may not be possible for everyone. Through the war raging around them, Marta and Janina find hope and the will in each other to survive, and fight using the only weapon they have left – literature.


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Warsaw, Poland August 1939





ZOFIA NOWAK SAT BACK on her calves in the warm sum­mer grass while her friend Janina clumsily wound a bandage around her head. The other pairs of Girl Guides sat in a semi­circle beneath the oak trees in Łazienki Park, all working to perfect their first aid skills. Not that the looming war on Po­land would ever come to Warsaw.

Still, it was wise to be ready and everyone in the city was preparing in their own particular way. For Papa, it was stocking medical supplies at the hospital while Zofia’s mother waited in endless grocer’s lines to ensure their cabinets were overflowing with tinned food. Posters were plastered all over the city ask­ing men to line up at elementary schools and enlist, and radio stations filled the air with the pulse of patriotic music.

And it was why Helen Keller’s The Story of My Life was nes­tled in Zofia’s bag, another read inspired by the list of books Hitler had banned in Germany.

Zofia pulled the bandage from her head and repurposed the linen to bind a splint onto Janina’s lower leg. “How’s that?”

“It feels good.” Janina wriggled her limb. “Studying medi­cine like your father might be a good choice for next year.”

Rather than reply, Zofia considered her handiwork.

“Have you decided what you want to do after our final exams?” Janina’s voice was gentle as she spoke, but nothing could lighten the pressing decision that weighed on Zofia every day.

This was their last year of secondary school, a final exam away from graduating. They would be eighteen then—adults. The whole world stretched out ahead of them like a runway so they could soar into the future.

For everyone, except her.

“You sound like Matka,” Zofia groused.

Though it wasn’t really true. Janina’s characteristic delicacy was nowhere near the brusque tone of Zofia’s mother. Whether she was insisting Zofia dress nicer, be more outgoing, or be more proactive with choosing a career path—something lucra­tive, like medicine—there was always a demanding air about her mother. Which was precisely why Zofia referred to her in the more formal regard as Matka, rather than Mama.

Janina’s mother was a Mama. The type to smile and ask after a test, or to offer hugs on a bad day rather than criticism.

Perhaps that was why Janina was always so kind and con­siderate. It was that congeniality that started their friendship so many years ago when they were children. Zofia had never been gregarious, more the kind to keep to herself and tuck into a book than drum up conversation with people she didn’t

know. Being the tallest in class did her no favors, leaving her feeling as though she stuck out like an ugly duckling among baby chicks. On Janina’s first day in school, she’d strode over to Zofia with an enviable confidence and shared some of the flower-shaped butter cookies her mother had baked, filling in any silence between them with an animated chatter that made Zofia instantly like her.

Now, Janina moved her leg, testing Zofia’s bandage. “If I sound like Matka, then I take back my suggestion.” The loosely tied bandage gave and the neat knot slipped free, the band un­raveling from her leg. One of the splints tilted over into the grass.

“Being in medicine is not my path, evidently.” Zofia col­lected the splint with what she hoped was an uncaring smile. “I think Papa understands.”

Her father was a renowned doctor in Warsaw, specializing in surgeries. His was a name that would be impossible to live up to, especially for a daughter who couldn’t commit to any kind of future.

“You love to read.” Janina blew a lock of dark hair out of her brown eyes. “Maybe you could study literature.” She gasped in excitement and sat up straighter. “Perhaps you could become an author, like Marta Krakowska.”

It sounded ridiculous even when Janina said it with such sin­cerity. While Zofia had no idea what she wanted to do, she did know she was no Marta Krakowska. The author penned epic tales of romance featuring lovers who meet amid the strife of war. Every story was better than the last, each ending in con­tented happiness for the couple and a little calico cat.

But Zofia didn’t believe in romance, and she didn’t have the lyrical voice of Krakowska. She was no author, to be sure.

Zofia pulled the other splint from Janina’s leg and wound the bandage into a neat ball. “Did you read The Story of My Life yet?”

Janina’s eyes lit up. “I did. What an incredible—”

“No,” a voice called out from the pair beside them.

Their friend Maria shook her head, blond curls swaying, her arm extended toward her Guide partner, who had it wrapped partially to the elbow. “You can’t talk about the book right now, when I can barely hear you.”

“At the library then.” Janina turned her attention back to Zofia with a mischievous glint in her eye. “But you clearly want to change the subject, so let’s turn to something more pleasant. Like how much you’re looking forward to school tomorrow.”

Zofia groaned and Maria turned away with a quiet smile.

Math was tediously dull, the series of numbers lacking any real challenge. Government was dryer than the dust gathering on her unopened textbooks from last year. Even art was awful. While Zofia appreciated the beauty of it, the medium of their application was of little interest to her. Oh, and how she hated, hated, hated being subjected to the mediocrity of her own lim­ited skills when forced to try her hand. On and on it went with every class, each one more lackluster than the last.

Except literature. She did enjoy that subject.

At least at university, her courses would be tailored to her future endeavors. Whatever they might be.

Their Girl Guide captain, Krystyna, clapped her hands to get their attention, sparing Janina a sardonic reply from Zofia about just how much she was not looking forward to school tomorrow.

“Great job today, Guides.” Krystyna looked around the cir­cle of paired-off girls, her head lifted with satisfaction. “War with Germany is coming, and Poland must be ready. At least the Girl Guides definitely are.”

Warmth effused Zofia’s chest at those words.

The Girl Guides was a scouting organization meant to pre­pare girls and young women for life with social skills, phil­anthropic ideals, and the ability to offer aid to the public in whatever form was needed.

If Germany did attack, the Girl Guides’ efforts would help Poland.

Zofia was part of the generation of Poles born in a free state after regaining its sovereignty during the Treaty of Versailles. It was something Poland had fought for more than one hundred and twenty years to obtain. From their earliest days, they were fed tales of heroism and bravery until their eyes burned bright with patriotism and their hearts thumped with Polish pride.

Theirs might be a country young in her independence, hav­ing only just celebrated twenty years, but she was ready to cut her teeth on victory.

Something the Germans would likely soon learn.

“What does Antek say about the war?” Janina asked as they pushed up from the grass.

Zofia smoothed a hand over her hair to tame her waves back into place after Janina’s bandaging attempts.

Like most men and boys in Warsaw, her brother was a self-appointed battle strategist in casting his predictions on the im­pending incursion. The map he had tacked on his wall was crowded with red-tipped pins representing the German army where they clustered around potential attack points.

“He thinks it’ll start in Gdansk.” She kept her tone glib. Antek may be one year older than Zofia, but that didn’t mean she trusted his assessment. “Maybe it’ll happen before school starts tomorrow.”

“Zofia,” Janina scolded. “You shouldn’t say such things.”

Zofia picked a blade of grass from where it had stuck to her knee and grinned up at Janina. “Maybe you should come see his map sometime.”

Janina’s face went red, just as Zofia knew it would. Though the two had been friends for well over a decade, Antek had never noticed Janina until earlier that year. Ever since, he’d made a fool of himself whenever she visited, tripping over his words and giving a funny smile that made a little muscle under his right eye tick.

And as much as Janina protested her own lack of affection for him, Zofia caught her discreet glances and inevitable blushes.

Maria sidled up next to Zofia, her honey-brown eyes as bril­liant as Baltic amber. “Are we still going to the library? Papa was recently in Paris and said he’d bring me with him on his next trip. I have to study more books.”

“More?” Janina teased.

As any Francophile worth her Parisian silk, Maria knew ev­erything about the city. And, no, it was not enough that War­saw was considered the Paris of Eastern Europe. She wanted Paris. The Paris of all the world.

The trio wandered toward Koszykowa Street, keeping to the shadows where the late-August sun couldn’t beat down upon them. They were at the main branch of the Warsaw Public Li­brary nearly every day now, not that Zofia minded.

In previous times, however, they might have gone to the cinema or purchased ice cream from one of the vendors in the park, but the recent lack of coins made such things difficult.

Rumor had it that Hitler ordered all the bronze and nickel coins out of Poland until not a groszy remained, so little things like a single postage stamp or an ice cream were impossible to pay for.

“Can we finally talk about The Story of My Life?” Janina slid a pointed glance toward Maria, who smirked.

“Now that I can hear and participate without being wrapped up like a mummy, yes.” Her chin lifted slightly, a sure sign she’d had her way.

“What Helen Keller has been able to accomplish in her life is truly incredible.” Janina nudged Maria with her elbow. “As I was going to say before.”

“That’s why I thought this was such a good selection to all read together,” Zofia said. It had been her idea for them to read Germany’s banned books as a slight against Hitler. Maria and Janina had agreed, but only after Maria accused Zofia of try­ing to assign them all summer homework. Once Janina was on board, so was Maria. So far this was the fourth banned book they had read.

Zofia turned to regard her friends, almost tripping over a crack in the walkway. “Did you know she wrote a letter to Hit­ler and the students of Germany who burned books?”

“Really?” Maria’s brows lifted.

A chimney sweep passed, and the three young women im­mediately grasped for a button on their Girl Guide uniforms. After all, who would turn down an opportunity for good luck with war on the horizon?



From THE KEEPER OF HIDDEN BOOKS by Madeline Martin. Copyright 2023 Madeline Martin. Published by Hanover Square Press, an imprint of HarperCollins.



About the Author


Madeline Martin is a New York Times, USA Today, and internationally bestselling author of historical fiction and historical romance with books that have been translated into over twenty-five different languages.

She lives in sunny Florida with her two daughters (known collectively as the minions), two incredibly spoiled cats and a man so wonderful he's been dubbed Mr. Awesome. She is a die-hard history lover who will happily lose herself in research any day. When she's not writing, researching or 'moming', you can find her spending time with her family at Disney or sneaking a couple spoonfuls of Nutella while laughing over cat videos. She also loves research and travel, attributing her fascination with history to having spent most of her childhood as an Army brat in Germany.


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