HTP Fall Reads Blog Tour (Mystery & Thriller Edition) Promo Post: Someone Had to Do It by Amber Brown and Danielle Brown

It’s the perfect crime…until the accused fights back.

Brandi Maxwell is living the dream as an intern at prestigious New York fashion house Simon Van Doren. Except “living the dream” looks more like scrubbing puke from couture dresses worn by hard-partying models and putting up with microaggressions from her white colleagues. Still, she can’t help but fangirl over Simon’s it-girl daughter, Taylor. Until one night, at a glamorous Van Doren party, when Brandi overhears something she shouldn’t have, and her fate becomes dangerously intertwined Taylor’s.

 

Model and influencer Taylor Van Doren has everything…and is this close to losing it all. Her fashion mogul father will donate her inheritance to charity if she fails her next drug test, and he’s about to marry someone nearly as young as Taylor, further threatening her stake in the family fortune. But Taylor deserves the money that’s rightfully hers. And she’ll go to any lengths to get it, even if that means sacrificing her famous father in the process.

 

All she needs is the perfect person to take the fall…

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BRANDI

I had a ton of illusions, vivid fantasies of what it would be like to score a coveted internship at Van Doren. Deluded old me thought I would be strutting around the stunning tri-story headquarters in single-soled heels, flitting from design concept meetings to on-location photo shoots, living my best fashion-girl life. Instead, I’m in the back corner of the two-thousand-square-foot ready-to-wear samples closet scrubbing fresh vomit from a slinky gown worth double my rent during my lunch hour.

Italian Vogue’s current cover girl borrowed the hand-sewn dress for a red-carpet event last night, and apparently getting it back on a rack without ruining it was too much for one of the other interns to handle. She was so hungover when she came to the office this morning that she vomited all over the dress before making it out of the elevator. But of course this dress needs to be ready for another model to wear to some big extravaganza tonight, and since I’m the designated fuckover intern, I have to clean it by hand because the satin-blend fabric is too delicate to be dry-cleaned.

This is what it takes.

I chant this to remind myself why I’m here as the lactic acid builds up in my biceps. Working for Van Doren has been on my proverbial vision board ever since I reluctantly gave up the idea, in middle school, that I could be Beyoncé. It’s a storm of hauling hundreds of pounds of runway samples around the city and sitting in on meetings with the sketch artists. A glorious, next-to-holy experience when I’m on duty at photo shoots and one of the stylists sends me to fetch another blazer, not a specific blazer, which means I get to use my own vestiary inclinations to make the selection. Which has only happened once, but still.

Just as I get the stain faded by at least seventy percent, I hear the sharp staccato of someone in stilettos approaching. I turn around and see Lexi. Lexi with her bimonthly touched-up white-blond hair and generous lip filler that she’ll never admit to having injected. When she steps closer in her head-to-toe Reformation, I am grateful that I remembered to put on a few sprays of my Gypsy Water perfume. The one that smells like rich people. But the way she’s staring at me right now, it’s clear that no matter how much I try, I am still not on her level. I do not fit in here. She does not see me as her equal, despite the fact that we are both unpaid, unknown, disposable interns. It’s become glaringly obvious that at Van Doren, it’s not actually about what you contribute, but more about how blue your blood is. Lexi doesn’t even know my name, though I’ve been here a solid nine weeks and I’m pretty sure I’ve told her at least a dozen times.

I’m already on edge because of my assignment, so I jump in before she can ask in her monotone voice. “Brandi.”

“Right,” she says, like she does every time yet still forgets. “Chloé wants the Instagram analytics report for last week. She said she asked you to put it together an hour ago.”

Which is true, but completely unfair since Jenna from marketing also asked me to run to Starbucks to buy thirty-one-ounce cups of liquid crack for her and her entire department for a 9:00 a.m. meeting, an effort that took three trips total, and technically I’m still working on the data sheets I promised Eric from product development. Not to mention the obvious: getting rid of the puke from the dress.

“I’m still working on it,” I tell her.

Lexi stares at me, her overly filled brows lifted, as if she’s waiting for the rest of my excuse. I understand her, but also I’m wondering how she still hasn’t realized this is not a case of Resting Bitch Face I have going on, that I am actually intolerant of her nagging.

Normally, I am not this terse. But nothing about today has been normal. Since this week is my period week, I’m retaining water in the most unflattering of places and the pencil dress I’m wearing has been cutting off the circulation in my thighs for the past couple of hours, and being that I’ve spent most of my break destroying the evidence of someone else’s bad decisions, it is not my fault that I’m not handling this particularly well.

“I’ll send it over as soon as I’m done,” I say to Lexi so she can leave. But she doesn’t.

“HR wants to see you,” she says with what looks like a smirk.

My mouth opens. I have no idea what HR could want, and although I’m still new to this employee thing, I know this can’t be good.

“Like, now,” Lexi barks and pivots away in her strappy, open-toe stilts.

I hang the sample next to the door, and before I leave the room I pause to briefly take in the rest of the dresses stuffed on the racks, each one in that chic, elevated aesthetic that is the cornerstone of Van Doren. This is my favorite part of the day, the chaotic nature of this room a little overwhelming but also inspiring, and I can’t wait for the day that this is my world, not just one I’m peeking my head into. A world in which I command respect.

I cross through the merchandising department, where everyone has their own private office with aerial views of Hell’s Kitchen, Soho and the Garment District, and then move through the maze of the sprawling suite in a mild sort of panic until I remind myself that I have done nothing wrong. Ever since spring semester ended, I’ve been putting in more hours than the sun. I slip in at six-thirty when the building is dark and vaguely ominous, my eyes still puffy with sleep, and when I finally drag myself into the elevator at the end of the day, it’s just as black and quiet outside. I religiously show up in current-season heels despite the blisters, albeit mass-produced renditions of the Fendi, Balenciaga and Bottega Venetas the other summer interns casually strut around in, and mostly stick to myself. I am careful about raising my voice, even if I vehemently disagree with my neurotic supervisor. I keep my tongue as puritanical as a nun’s, even when fucking incel or coddled narcissistic bitch are on the tip of it. I’m not rude or combative. I stay away from gossip. I complete all my tasks with time to spare, which is usually when I check Twitter and help out some of the other interns, even though I’d rather FaceTime Nate in the upstairs bathroom with the magical lighting. I even entertain the gang of sartorially inclined Amy Coopers in the making who insist on obnoxiously complaining to me about all of their first-world, one-percenter problems. I’ve done nothing but consistently given them reasons to think I am a capable, qualified, talented intern who would make an exceptional employee.

I have nothing to worry about.

When I knock on the door to Lauren’s office, she looks up from her desk and waves me in through the glass. I have a feeling this will not go my way when I see that my supervisor, Chloé, one of the more amiable assistants, is also here, fiddling with her six-carat engagement ring in the corner and avoiding eye contact.

“Have a seat, Brandi,” Lauren says, and I tell myself to ignore that her bright pink lipstick extends above her lip on one side.

There is no small talk. No hello or how’s it going? Under alternate circumstances, I would feel slighted, but because I’m growing more anxious by the second, I’m grateful for her smugness.

As I sit down, Chloé shifts in her chair, and I speak before she can. “I’m sorry. The Instagram report is at the top of my task list. I’ll definitely have it to you before I leave today. I just—”

“That’s not why you’re here, Brandi,” Lauren interjects.

“Oh.” I pause, and as she glances down at her notes, I try to make meaningful eye contact with my supervisor, but she is still actively dodging my eyes.

Lauren begins by throwing out a few compliments. My work ethic is admirable and I have great attention to detail, she says, and the whole time my heart is pounding so loud, I can barely make out most of her words. Chloé jumps in to effusively agree, then Lauren finally stops beating around the bush and looks me directly in the eyes.

“We just don’t feel like you’re fitting into the culture here at Van Doren.”

Every word feels like a backhanded slap across the face, the kind that twists your neck and makes the world go still and white for a few disconcerting moments, like an orgasm but not like an orgasm. It’s obvious what they mean, yet can’t quite bring themselves to say.

They just don’t like that I’m black.

They don’t like the way I wear my braids—long and unapologetic, grazing my hips like a Nubian mermaid.

They don’t like that I’m not the smile-and-nod type, willing to assimilate to their idea of what I should be, how I should act.

Culture.

That’s their code for we-can’t-handle-your-individuality-but-since-we-don’t-want-to-seem-racist-we’ll-invent-this-little-loophole.

Black plus exceptional equals threat.

“If we don’t see any improvement in the coming weeks, we’re going to have to let you go,” Lauren says with no irony, her mouth easing into a synthetic smile.

I blink. I cannot believe this is happening right now. It wasn’t supposed to go like this, my internship at Van Doren, the one fashion company whose ethics align with mine. I wasn’t just blowing smoke up Lauren’s ass when I interviewed for this job, though I was looking at her sideways, wondering why she had not a stitch of Van Doren on. I’d splurged on a single-shouldered jumpsuit from this year’s spring collection that I couldn’t really afford just to impress her, while she hadn’t even felt the need to represent the brand at all as she shot out all those futile questions interviewers love propelling at candidates, I’m convinced, just to see them squirm. Even minuscule amounts of power can be dangerous.

This is bullshit, being put on probation, and I’d give anything to have the balls to call them on it. As I sit here paralyzed, Lauren’s words reverberate in my head and I rebuke them, want to suffocate and bury them.

About Amber and Danielle Brown

Photo Credit: Deidhra Fahey Photography

Amber and Danielle Brown both graduated from Rider University where they studied Communications/Journalism and sat on the editorial staff for the On Fire!! literary journal. They then pursued a career in fashion and spent five years in NYC working their way up, eventually managing their own popular fashion and lifestyle blog. Amber is also a screenwriter, so they live in LA, which works out perfectly so Danielle can spoil her plant babies with copious amount of sunshine.

Our debut novel with Graydon House, SOMEONE HAD TO DO IT, is available for preorder now.

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Website | Amber's Twitter | Danielle's Twitter | Instagram

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Blog Tour Promo Post: Summertime Guests by Wendy Francis

 

Sip cocktails in the lounge, bask in the summer sun by the pool, and experience the drama of the rich and famous firsthand in Wendy Francis’s newest novel, SUMMERTIME GUESTS. With its rich history and famous guests, The Seafarer is no stranger to drama. But the bustle at the social hotspot reaches new heights one weekend in mid-June when a woman falls tragically to her death from the tenth floor, unwittingly intertwining her life with the lives of the hotels’ guests and staff.

Claire O’Dell, reeling from the loss of her husband and possibly her job, has gone to The Seafarer for a little vacation…and to reconnect with a long-lost-love.  Jean-Paul, the hotel’s manager, is struggling to keep his marriage and new family afloat. Bride-to-be Riley is at the hotel to plan her wedding with her fiancé ... or, she’s at the hotel with her fiancé while her mother-in-law tells them how to plan their wedding. Jason, whose romantic getaway with his girlfriend has not exactly gone the way he'd hoped and instead has him facing questions about his past that he can't bring himself to answer.

As their truths and secrets come to light, the lives of these four will collide in tragic, beautiful ways none of them could have expected that will teach them about the love they deserve and the strength they possess to change their lives for the better.

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Friday June 11th, 2021

 ONE

It wasn’t as if Riley could have anticipated what would happen later that day. None of them could. Because when you’re at a tasting for your wedding reception at one of Boston’s ritziest hotels, trying to decide between crab cakes or lobster quiches, no one thinks of anything bad happening. Or at least, this is what Riley tells herself later. Why she—and no one else there—could possibly be to blame.

At the moment, though, Riley is sitting at a table by the window, half-listening to her future mother-in-law while she sips gazpacho the color of marigolds. Something about wanting to know if the outdoor terrace can be transformed into a dance floor, assuming the weather cooperates. If Riley were asked to gauge her interest in planning her own wedding, she would characterize it as mild at best. Her only requirement being that she and Tom marry in July—and that the flowers are pale pink peonies from Smart Stems, the shop where she has worked for the past three years.

It was Tom who’d suggested the Seaport District for their reception, Boston’s new up-and-coming neighborhood, and Riley had happily agreed. It’s an easy spot for guests to travel to, and the setting is over-the-top gorgeous with views of both the city and the water. Not to mention the promise of fresh seafood—an almost impossible request if they were to wed in Riley’s hometown of Lansing, Michigan, where everything remains hopelessly landlocked.

But she hadn’t counted on Tom’s mother wanting to be so, well, involved. Maybe it’s the fact that Riley’s own mother passed away a few short years ago, and so Marilyn feels compelled to step up and fill her mother’s shoes. A retired schoolteacher, her mother-in-law-to-be still tackles each new day with the necessary energy for a classroom of boisterous second-graders, a gusto which she now seems to be funneling into her son’s nuptials. At first, Riley was grateful, but while she sits listening to the hotel’s wedding coordinator drone on about the Seafarer’s rich history, she’s beginning to feel as though she has stepped into one of those horrible, never-ending lines at Disney for a ride she doesn’t particularly want to go on.

Riley is well aware that the Seafarer is one of the most coveted venues for weddings, especially in light of its recent renovations. It’s no secret that New England’s most glamorous, its most fashionable clamor to stay here and that the Seafarer’s well-appointed rooms are typically booked months in advance. She should be grateful that they’re even considering it as an option. Rumor has it that everyone from Winston Churchill to Taylor Swift has been a guest (as the saying goes, if you want to appear in the society pages of the Boston Globe, then spend a few hours at the Seafarer’s exclusive summer cocktail hour from four to six). As for out-of-towners hoping to take in the full scene that Boston can be—with its attendant snobbishness and goodwill and weird accents wrapped into one—the Seafarer, Riley understands, puts you in the heart of it.

Not that she has anything against tradition, but if it were up to her alone, she would probably choose a smaller, more modest setting, a wedding with no more than fifty guests. There’d be a justice of the peace and rows of white chairs lining the harbor, the wind whipping her veil in front of her face. Naturally, she’d want a reception afterward, but Riley counts herself as the type of girl who’d be equally content with trays of fish tacos and margaritas under a tent as with oysters on the half shell served in a tony hotel restaurant.

“I can’t reveal everyone,” the coordinator is saying in hushed tones, “but it’s no secret that some of Boston’s greatest legends have celebrated their nuptials with us.” Riley shoots Tom a sideways glance, as if to say Is she for real? but her fiancé’s chin rests firmly in his hand, his attention rapt. He’s eating up every word.

“Well, Gillian, it’s all very impressive,” Tom’s mother says, slipping her reading glasses back into her pocketbook after a review of the menu. Her hair is pulled back in a severe ponytail, her lips coated in her trademark color, fuchsia. “It’s no wonder Boston’s finest flock here for their special occasions. The view alone is to die for.” She gestures toward the expanse of crystalline water out the window, the romantic outline of the city’s financial district in the distance. “Kids, wouldn’t it be something to come back here every year to toast your anniversary?”

Marilyn shoots Riley a wink, as if the two of them are in cahoots to convince Tom that this is the spot, meant to be. There’s no need to point out that she and Tom could never afford such a venue. They already discussed it over dinner the other night when Marilyn revealed that she’d gone ahead and booked an appointment for a tasting at the Seafarer on Friday and how she hoped Riley wouldn’t mind. “I don’t want you to worry about money, dear,” she instructed. “Tom’s dad and I would be honored to host. Tom is our only child after all.”

And Riley had breathed a tiny sigh of relief while swallowing her pride. Not because she wants an extravagant wedding but because it means that she and Tom can now channel the nest egg they’ve been building toward a mortgage on a new home instead of toward an elaborate one-day celebration. It’s a much more sensible use of their money, and Riley, having grown up poor verging on destitute, is nothing if not sensible.

Can she really imagine herself celebrating her marriage here, though? Tom keeps missing her not-so-thinly veiled comments about the food on the menu, which leans toward the bite-size variety that he hates (precisely because it never fills him up), but he has said nothing. Maybe he’s just being polite. Riley quickly scans the room for other future newlyweds, but most of today’s diners appear to be here for business lunches—buttoned-up men in suits and women in sharp blazers with silk shifts underneath. A few couples, perhaps away for a romantic long weekend, and a group of older women sharing a bottle of wine, sit wedged into the corners. It’s a lovely space, but is it too lovely?

She shifts in her seat and tries to picture her dad here, wearing his familiar old sports coat that’s nearly worn through at the elbows, his khaki pants and penny loafers, pretending to feel comfortable when he wouldn’t know which fork to reach for, which glass to use.

When Marilyn turns toward to her and says, “Don’t you agree, Riley?” Riley feels her cheeks flushing because she hasn’t been paying attention. She has no idea what her future mother-in-law is referring to.

“I’m sorry. What was the question again?” She’s slightly annoyed that Tom can’t—or won’t—decide on a few things himself or at the very least rein his mother in. Especially because they talked about this very thing—not letting Marilyn take over the tasting—last night! They’re discussing the appetizers, apparently, and all Riley knows is that she doesn’t want crudités. If there’s one rule she’s abiding by, it’s that her wedding menu will include only those foods that she can pronounce.

It seems there should be a box on a list that they can check for the Standard Reception—something not overtly cheap but not insanely expensive, either. Tom squeezes her knee beneath the table, though it’s unclear if it’s meant as encouragement or as a reprimand for her not giving this conversation one hundred percent. What Riley really wants to know is this: How can she avoid attending any more tastings with Marilyn? Should she just agree to the Seafarer right now and be done with it?

“Mom was wondering,” Tom says in complete seriousness, “if you thought it would be better to have cold and hot hors d’oeuvres or just cold since the wedding will be in July?”

“Oh, right.” Riley pretends to consider her options. “Good point. It’s bound to be hot, so I wonder—”

But somewhere between the words so and wonder, a loud whistle of air followed by a deafening blast socks through the room like a fist, sending Riley to grab the table and Tom to reach for her hand. Marilyn’s fork drops from her elongated fingers, clattering onto her plate, and the room seems to shake for a brief moment. There are shouts followed by an eerie hush while the dining room settles back into itself. Riley watches the other diners who begin to mumble to each other across their tables, asking if they’re okay and spinning in their seats to better determine the source of the blast. The woman at the adjacent table hovers on the edge of her chair, as if considering diving underneath the table.

When Riley glances over at Gillian, she looks equally alarmed and as surprised as the rest of them, which means this isn’t some kind of bizarre emergency testing by the hotel. Whatever they heard was real. Significant. Riley’s eyes slide toward Tom, then Marilyn, whose face has turned a shade as pale as milk, then back to Tom.

“What on earth was that?” Marilyn gasps, her voice an octave too high, her fingers fluttering to her necklace. It’s a silver chain studded with azure stones, the kind of jewelry that Riley has come to associate with women of a certain age.

“I’m not sure.” Gillian’s voice cracks. “It almost sounded like some kind of explosion, didn’t it?” And then, as if remembering her wedding-coordinator cap, she rushes to reassure them. “But I’m sure it’s nothing like that. Maybe a blown transformer?

But both Riley and Tom exchange glances because no matter how ill-versed they are in loud noises, that definitely was not a transformer. It wasn’t so much a popping sound as a crash, she thinks. Did the massive chandelier in the lobby fall? Did it come from the kitchen? Construction work outside maybe? It’s hard to tell.

“Not to be overly dramatic, but it almost felt like an earthquake,” Riley says. “The table actually shook, I think.” And although she understands that the curiosity sparked inside her is somehow inappropriate, she wants an explanation. “Whatever it was,” she says, lowering her voice, “it sounded awfully close.”

“Yes, very close,” Marilyn agrees, still fiddling with her necklace.

And that’s when the screams begin. Not from the kitchen at the back of the restaurant, not from the lobby, but from outside, just beyond the elegant bay windows peering out onto the terrace that fronts the water, the ocean seemingly close enough to dip a hand into. Riley’s glance swivels toward the small crowd that’s beginning to form outside near the firepit and hot tub.

“If you’ll excuse me?” Gillian says, as if emerging from a fog, and rises awkwardly to her feet before heading toward the row of windows.

Riley’s gaze follows her, and suddenly, she, too, feels compelled to get up, as if an invisible string tugs her toward the window. She hurries forward and angles around Gillian for a better view. But when she does, she immediately regrets her decision. Because it’s not a collapsed scaffolding or an awning or even construction work that has caused the sudden shaking, the loud blast.

But a woman, lying facedown on the terrace, several yards beyond the window.

The body lies completely still, the woman’s legs scissored like a rag doll’s, her left leg angled upward awkwardly. A curtain of muddy blond hair shields her face from view. Riley watches while a few bystanders move hesitantly toward the woman, as if afraid of startling her, until someone kneels down and grasps her wrist, presumably to check for a pulse. A man in blue running shorts and a Red Sox T-shirt yells for someone to call 9-1-1.

To Riley, it looks as if the woman was perhaps reaching for a glass that slipped from her hand, her arms still outstretched above her head. Her body is long, lean, even elegant. Riley holds her breath, waiting, and feels Gillian stiffen beside her when a youngish man, nicely tanned and formally dressed, parts the crowd and gently encourages everyone to take a few steps back. He assures them that an ambulance is on the way and speaks with an authority that suggests his importance.

“That’s Jean-Paul, our manager,” Gillian says quietly as they watch him crouch down next to the woman and brush her hair away from her face.

Just then, a young man in the crowd throws his hand to his mouth and rushes off, and Riley stands on her tiptoes for a better view. And that’s when she sees it, too—the wild splash of bright red she hadn’t noticed earlier that lies at the far edge of the woman’s hair. And in that awful moment, Riley—and everyone else watching—understands. An image of a woman in her yellow summer dress, cartwheeling through the air from somewhere up high, perhaps her hotel balcony, spirals through her mind.

“Oh, my God.” It hits her all at once, a hollow pit forming in her stomach.

“Jesus,” says Tom, who has come up beside her to rest a hand on her shoulder. “She’s not moving.”

“No.”

It’s obvious to them both, but somehow still needs to be said, as if by acknowledging it aloud, the woman might hear their words through the open window, might somehow will herself to move an inch, if only to give them a sign—a flutter of a hand, the shifting of a foot—that she’s going to be all right.

But her body remains completely, horribly still.

 

Excerpted from Summertime Guests by Wendy Francis, Copyright © 2021 by Wendy Francis

Published by Graydon House Books

About the Author

Wendy Francis is a former book editor and the author of the novels The Summer Sail, The Summer of Good Intentions, Three Good Things, and Best Behavior. Her essays have appeared in Good Housekeeping, The Washington Post, Yahoo Parenting, The Huffington Post, and WBUR's Cognoscenti. A proud stepmom of two grown-up children, she lives outside Boston with her husband and eleven-year-old son.

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Blog Tour Promo Post: The Forgotten Sister by Nicola Cornick

In the tradition of the spellbinding historical novels of Philippa Gregory and Kate Morton comes a stunning story based on a real-life Tudor mystery, of a curse that echoes through the centuries and shapes two women’s destinies…

1560: Amy Robsart is trapped in a loveless marriage to Robert Dudley, a member of the court of Queen Elizabeth I. Surrounded by enemies and with nowhere left to turn, Amy hatches a desperate scheme to escape—one with devastating consequences that will echo through the centuries…

Present Day: When Lizzie Kingdom is forced to withdraw from the public eye in a blaze of scandal, it seems her life is over. But she’s about to encounter a young man, Johnny Robsart, whose fate will interlace with hers in the most unexpected of ways. For Johnny is certain that Lizzie is linked to a terrible secret dating back to Tudor times. If Lizzie is brave enough to go in search of the truth, then what she discovers will change the course of their lives forever.

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PROLOGUE

Amy Robsart, Cumnor Village

They came for me one night in the winter of 1752 when the ice was on the pond and the trees bowed under the weight of the hoar frost. There were nine priests out of Oxford, garbed all in white with tapers in hand. Some looked fearful, others burned with a righteous fervour because they thought they were doing the Lord’s work. All of them looked cold, huddled within their cassocks, the one out ahead gripping the golden crucifix as though it were all that stood between him and the devil himself.

The villagers came out to watch for a while, standing around in uneasy groups, their breath like smoke on the night air, then the lure of the warm alehouse called them back and they went eagerly, talking of uneasy ghosts and the folly of the holy men in thinking they could trap my spirit.

The hunt was long. I ran through the lost passageways of Cumnor Hall with the priests snapping at my heels and in the end, exhausted and vanquished, my ghost sank into the dark pool. They said their prayers over me and returned to their cloisters and believed the haunting to be at an end.

Yet an unquiet ghost is not so easily laid to rest. They had trapped my wandering spirit but I was not at peace. When the truth is concealed the pattern will repeat. The first victim was Amyas Latimer, the poor boy who fell to his death from the tower of the church where my body was buried. Then there was the little serving girl, Amethyst Green, who tumbled from the roof of Oakhangar Hall. Soon there will be another. If no one prevents it, I know there will be a fourth death and a fifth, and on into an endless future, the same pattern, yet different each time, a shifting magic lantern projecting the horror of that day centuries ago.

There is only one hope.

I sense her presence beside me through the dark. Each time it happens she is there too, in a different guise, like me. She is my nemesis, the arch-enemy. Yet she is the only one who can free me and break this curse. In the end it all depends on her and in freeing my spirit I sense she will also free her own.

Elizabeth.

I met her only a handful of times in my life. She was little but she was fierce, always, fierce enough to survive against the odds, a fighter, clever, ruthless, destined always to be alone. We could never have been friends yet we are locked together in this endless dance through time.

 I possessed the one thing she wanted and could not have and in my dying I denied it to her forever. For a little while I thought that would be enough to satisfy me. Yet revenge sours and diminishes through the years. All I wish now is to be released from my pain and to ensure this can never happen again.

Elizabeth, my enemy, you are the only one who can help me now but to do that you must change, you must see that the truth needs to be told. Open your eyes. Find the light.

Excerpted from The Forgotten Sister by Nicola Cornick Copyright © Nicola Cornick. Published by Graydon House Books. 

About the Author

USA Today bestselling author Nicola Cornick has written over thirty historical romances for Harlequin and HQN Books. She has been nominated twice for an RWA RITA Award and twice for the UK RNA Award. She works as a historian and guide in a seventeenth-century house. In 2006 she was awarded a Masters's degree with distinction from Ruskin College, Oxford, where she wrote her dissertation on heroes.

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Blog Tour Promo Post: Orphan of Cemetery Hill by Hester Fox

The dead won’t bother you if you don’t give them permission.

Boston, 1844.

Tabby has a peculiar gift: she can communicate with the recently departed. It makes her special, but it also makes her dangerous.

As an orphaned child, she fled with her sister, Alice, from their charlatan aunt Bellefonte, who wanted only to exploit Tabby’s gift so she could profit from the recent craze for seances.

Now a young woman and tragically separated from Alice, Tabby works with her adopted father, Eli, the kind caretaker of a large Boston cemetery. When a series of macabre grave robberies begins to plague the city, Tabby is ensnared in a deadly plot by the perpetrators, known only as the “Resurrection Men.”

In the end, Tabby’s gift will either save both her and the cemetery—or bring about her own destruction.

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1

IN WHICH WE MEET OUR YOUNG HEROINE.

Boston, 1844

Tabby’s legs ached and the wind had long since snatched her flimsy bonnet away, but she kept running through the night, her thin leather shoes pounding the cobbled Boston streets. She didn’t know where she was going, only that she had to get somewhere safe, somewhere away from the bustling theaters and crowds of the city. Every time someone shouted at her to watch where she was going, or ask if she was lost, she was sure that they were one of her aunt and uncle’s friends. Would they drag her kicking and screaming back to Amherst? Tabby shuddered. She wouldn’t go back. She couldn’t.

Her weary feet carried her up a hill lined with narrow houses, and gradually she left behind the streets choked with theatergoers and artificially brightened with gas lamps. After cresting the hill, she paused just long enough to catch her breath and survey her unfamiliar surroundings.

It was quieter here, the only sounds the groaning of ships in the harbor and the distant call of a fruit hawker trying to sell off the last of the day’s soft apples. Going back down into the heart of the city wasn’t an option, yet a wrought-iron gate blocked her way any farther, forbidding pikes piercing the night sky. Pale headstones glowed faintly in the moonlight beyond the gate. A cemetery.

Tabby stood teetering, her heart still pounding. Dry weeds rustled in the thin night breeze, whispering what might have been a welcome, or a warning. Behind her was the land of the living with house windows glowing smugly yellow, the promise of families tucked safe inside. In front of her lay the land of the dead. One of those worlds was as familiar to her as the back of her hand, the other was only a distant fairy tale. Taking a deep breath, she shimmied through the gap in the gate.

She waded through the overgrown grass and weeds, thorny branches snagging at her thin dimity dress and scratching her. Panic gripped her as she heard the hem tear clean away; what would Aunt Bellefonte say if she found that Tabby had ruined her only frock? Would she smack her across her cheek? Would Uncle lock her in the little cupboard in the eaves? Aunt Bellefonte isn’t here. You’re safe, she reminded herself. As she pulled away to free herself, her foot caught in a tangle of roots in a sunken grave bed and she went sprawling into the dirt. Her lip wobbled and tears threatened to overflow. She was almost twelve years old, yet she felt as small and adrift as the day she’d learned that her parents had perished in a carriage accident and would never step through the front door again.

 This wasn’t how her first day of freedom was supposed to be. Her sister, Alice, had planned their escape from Amherst last week, promising Tabby that they would get a little room in a boarding house in the city. Alice would get a job at a laundry and Tabby would take in mending to contribute to their room and board. They would be their own little family, and they would put behind them the trauma that their aunt and uncle had wrought, making a new life for themselves. That had been the plan, anyway.

When she and Alice had arrived in the city earlier that day, her older sister had sat her down on the steps of a church and told her to wait while she went and inquired about lodgings. Tabby had dutifully waited for what had felt like hours, but Alice never returned. The September evening had turned dark and cold, and Tabby had resolved to simply wrap her shawl tighter and wait. But then a man with red-rimmed eyes and a foul-smelling old coat had stumbled up the steps, heading right toward her. Tabby had taken one look at him and bolted, sure that he had dark designs on her. She had soon become lost and, in a city jumbled with old churches, hadn’t been able to find the right one again.

Another thorn snagged her, pricking her finger and drawing blood. She should have taken shelter in the church; at least then she would have a roof over her head. At least then Alice would know where to find her when she came back. If she came back.

Tabby stopped short. Toward the back of the cemetery, amongst the crooked graves of Revolutionary heroes, stood a row of crypts built into the earth. Most of them were sealed up with iron doors and bolts, but one had a gate that stood just enough ajar for a small, malnourished girl to wriggle through.

Holding her breath against the damp musk, Tabby plunged inside. Without any sort of light, she had to painstakingly feel her way down the crude stone steps. Lower into the earth she descended until she reached the burial chamber.

 Don’t invite them in. As she groped around in the dark for a resting place, Tabby tried to remember what her mother had always told her. Memories of her mother were few and far between, but her words concerning Tabby’s ability remained as sharp in her mind as words etched with a diamond upon glass. The dead won’t bother you if you don’t give them permission, if you don’t make yourself a willing receptacle for their messages. At least, that was how it was supposed to work.

The only other thing she had learned regarding her gift was that she should never, ever tell anyone of it, and the lesson had been a hard one. She couldn’t have been more than six, because her parents had still been alive and had sent her out to the orchard to collect the fallen apples for cider. Their neighbor, little Beth Bunn, had been there, picking wild asters, but she hadn’t been alone; there was a little boy Tabby had never seen before, watching the girls with serious eyes from a branch in an apple tree. Tabby had asked Beth who he was, but Beth insisted she didn’t know what Tabby was talking about. Certain that Beth was playing some sort of trick on her, Tabby grew upset and nearly started crying as she described the little boy with blond hair and big green eyes. “Oh,” Beth said, looking at her askance. “Do you mean to say you see Ollie Pickett? He used to live here, but he’s been dead for three years.” That was how Tabby learned that not everyone saw the people she saw around her. A week later she had been playing in the churchyard and noticed that all the other children were clustered at the far end, whispering and pointing at her. “Curious Tabby,” they had called her. And that was how Tabby learned that she could never tell a soul about her strange and frightening ability.

But even in a place so filled with death, the dead did not bother Tabby that night. With a dirt floor for her bed and the skittering of insects for her lullaby, Tabby pulled her knees up to her chest and allowed the tears she’d held in all day to finally pour out. She was lost, scared, and without her sister, utterly alone in the world.

Excerpted from The Orphan of Cemetery Hill by Hester Fox Copyright © Tess Fedore. Published by Graydon House Books.

About the Author

Hester Fox is a full-time writer and mother, with a background in museum work and historical archaeology. Most weekends you can find Hester exploring one of the many historic cemeteries in the area, browsing bookshops, or enjoying a seasonal latte while writing at a café. She lives outside of Boston with her husband and their son.

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Blog Tour Promo Post: The Dazzling Truth by Helen Cullen

Poised to celebrate Christmas Eve on a beautifully scenic island off the coast of Ireland, the Moone family’s holiday is instead marred by tragedy. So begins Helen Cullen’s stirring family saga, THE DAZZLING TRUTH (Graydon House; August 18, 2020; $17.99 USD). Maeve and Murtagh Moone’s love story began in 1978, at Trinity College. As an aspiring actress and potter respectively, the two creative spirits were drawn to each other in an intense and lasting way, able to withstand almost anything, even Maeve’s bouts of crippling depression and anxiety. For a short time, anyway.

Marriage and children are the next chapters in the Moone family story, but Maeve struggles to reconcile her old life with that of the wife and mother she is supposed to be. Until one heartbreaking Christmas Eve in 2005 changes everything. Now each member of the Moone family must learn to confront the past on their own, until one dazzling truth brings them back together towards a future that none of them could have predicted. Except perhaps Maeve herself.

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Inis Óg: 2005

Murtagh had woken that morning, once again, to an empty bed; the sheets were cool and unruffled on Maeve’s side. He had expected to find her sitting at the kitchen table, wrapped in her hound’s-tooth shawl, pale and thin in the darkness before dawn, a tangle of blue-black hair swept across her high forehead like a crow’s wet wing, her long, matted curls secured in a knot at the nape of her neck with one of her red pencils. He had anticipated how she would start when he appeared in the doorway. How he would ignore, as he always did, the few moments it would take for her dove-grey eyes to turn their focus outward. For the ghosts to leave her in his presence. The kettle would hiss and spit on the stove as he stood behind her wicker chair and rubbed warmth back into her arms, his voice jolly as he gently scolded her for lack of sleep and feigned nonchalance as to its cause.

But Maeve wasn’t sitting at the kitchen table.

Nor was she meditating on the stone step of the backdoor drinking milk straight from the glass bottle it was delivered in.

She wasn’t dozing on the living-room sofa, the television on but silent, an empty crystal tumbler tucked inside the pocket of her peacock-blue silk dressing gown, the one on which she had painstakingly embroidered a murmuration of starlings in the finest silver thread.

Instead, there was an empty space on the bannister where her coat should have been hanging.

Murtagh opened the front door and flinched at a swarm of spitting raindrops. The blistering wind mocked the threadbare cotton of his pyjamas. He bent his head into the onslaught and pushed forward, dragging the heavy scarlet door behind him. The brass knocker clanged against the wood; he flinched, hoping it had not woken the children. Shivering, he picked a route in his slippers around the muddy puddles spreading across the cobblestoned pathway. Leaning over the wrought-iron gate that separated their own familial island from the winding lane of the island proper, he scanned the dark horizon for a glimpse of Maeve in the faraway glow of a streetlamp.

In the distance, the sea and sky had melted into one anthracite mist, each indiscernible from the other. Sheep huddled together for comfort in Peadar Óg’s field, the waterlogged green that bordered the Moones’ land to the right; the plaintive baying of the animals sounded mournful. Murtagh nodded at them.

There was no sight of Maeve.

As he turned back towards the house, he noticed Nollaig watching him from her bedroom window. The eldest daughter, she always seemed to witness the moments her parents had believed—hoped—were cloaked in invisibility, and then remained haunted by what she had seen. Ever since she was a toddler, Murtagh had monitored how her understanding grew, filling her up, and knew it would soon flood her eyes, always so questioning, permanently.

He waved at her as he blew back up the pathway. Later, he would feel the acute pain of finally recognising the prescience his daughter seemed to have absorbed from the womb.

‘How long is she gone?’

Nollaig was now standing before the hallway mirror, her face contorted as she vigorously tried to brush her frizzy mouse-brown hair into shape. She scraped it together into a tight ponytail that thrust from the back of her head as if it were a fox’s brush.

‘Ach, you should leave your gorgeous curls be, Noll,’ her father cajoled, ‘instead of fighting them.’

She smiled at him but slammed the mother-of-pearl hairbrush down on the sideboard.

‘I don’t have curls, I have Brillo pads,’ she sighed. ‘Did she say where she was going?’

Murtagh squeezed his daughter’s arm as he continued into the kitchen. ‘I’m sure your mother is just out for a walk. Happy birthday, love. Lá breithla shona duit.’

He placed a small copper saucepan of water on the range to boil and waved the invitation of an egg at his daughter. She nodded begrudgingly and curled into the green-and-gold striped armchair that sat in front of the stove.

‘With your white nightdress, you could almost pass for the Irish flag,’ he joked, and was gratified with her snort of glee.

He watched the clock hand count three minutes in silence. Expected any moment to hear his soaked wife splash through the door. He was poised, ready to run towards her with a towel and hushed reprimands for her careless wandering, but the boiling, cooling, cupping, cracking and spooning of each egg passed uninterrupted. Nollaig yawned, stretching her arms and legs before her in a stiff salute.

‘Why don’t you go back to bed for an hour?’ Murtagh asked. ‘We’ll all have proper breakfast together later.’

She eyed him with suspicion but acquiesced. ‘If Mam’s not back soon,’ she said, sidling away, ‘come and wake me. Promise? We’ll go out and find her. Remind her what day it is, for God’s sake.’

Murtagh nodded, ushered his daughter out of the kitchen and watched her climb the stairs.

Born on Christmas Eve, twenty years before, she was the only one of their children who came into the world via Galway maternity hospital and not into the impatient arms of Máire O’Dulaigh, the midwife of the island. She resented it; how it made her feel less of a true islander. What was more, the specialness of her own day for individual attention, her birth day, was irrevocably lost in the shared excitement of Christmas. In retrospect, it had been a mistake, perhaps, naming her Nollaig, the Irish for Christmas, and further compounding the association. No nickname had ever stuck, however. She wasn’t the sort of child who inspired others to claim her for their own with the intimacy of a given name.

‘Born ancient,’ her little sister, Sive, always said of her, with bored disdain.

And Murtagh sympathised. Nollaig carried the weight of being the eldest with pained perseverance, heavy responsibilities that were self-imposed. Her mother harboured a not always silent resentment of it, and it seemed only natural, if unfair, that Maeve and Sive gravitated more towards each other; the baby of the family shared her mother’s wit and wildness and often expressed the irritation her mother tried to hide at Nollaig’s sense of duty.

Excerpted from The Dazzling Truth by Helen Cullen, Copyright © 2020 by Helen Cullen. Published by Graydon House Books

About the Author

HELEN CULLEN wrote her debut novel, The Lost Letters of William Woolf, while completing the Guardian/UEA novel writing program. She holds an MA in Theatre Studies from University College Dublin and is currently studying further at Brunel. Prior to writing full-time, Helen worked in journalism, broadcasting and most recently as a creative event and engagement specialist. Helen is Irish and currently lives in London.

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